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Monthly Archives: September 2011

Flash Fiction Friday 002: Neil L Yuzuk’s ‘Captain Jack’s Cave’

Welcome to the second Flash Fiction Friday and the second piece of flash fiction in this new weekly series. Last week’s was a story entitled ‘Green’ by JD Mader. Tonight’s is ‘Captain Jack’s Cave’ by crime novelist Neil L Yuzuk

The Crooked Corsair’s Cave looked as good a place as any to get out of the heat and fierce tropical sun. I opened the door, stepped in and waited for my eyes to adjust to the dark cave-like interior. The aroma of food made my mouth water and snatches of gay conversation filled the air. One gruff voice dominated, “C’mon matey and shut the door, you’re letting the hot air in.”

I sensed someone near and a woman’s arm took mine, “Come in and I’ll guide ye to a table. Captain Jack’s about to fill the air in here with some bullshit story about his pirate days and ye don’t wantta miss it. Jack,” she shouted, “Jack let me get this one seated and ordered and then ye can start.”

“Quickly lass, the day’s growin’ old.”

As we walked I began to make out the interior. It looked like a Disney Pirates of the Caribbean set, but the furnishings here were heavily weathered. A large dark-skinned man dressed as a pirate sat comfortably in a captain’s chair on a small stage, his peg leg resting on a stool and a schooner of beer was within easy reach. A parrot perched on a stand behind him.

“Here ye be, sir,” she said as we approached what looked like the last empty table – lucky me. I sat and almost laughed out loud at the theatrics. But I was on vacation, so what the heck.

“And what would ye be having to drink?”

I looked at my companion, who was dressed as a pirate wench with a low-scooped top that hinted at pleasures to be revealed. Her clear café au lait complexion was matched with a saucy grin and dark eyes that examined me as frankly as my blue ones did her.

“Your best rum with ice, and,” I looked at the chalked menu on the wall, “the grilled snapper with a small mixed salad.”

“That’s a good choice, the snapper’s fresh caught,” she said with that same smile. I looked at even white teeth, pink lips and real eyebrows – no makeup, all natural. Not the usual woman I would meet in the city. She tossed her long and wavy honey-gold hair at my examination as if to say, ‘Like what you see?’ Instead I heard, “I’ll have your drink right away.” She turned and with a swish of her hips she hurried away leaving behind the aroma of her perfume, musk—my favorite. She was back quickly with my drink. I took her wrist and asked, “And what be your name, saucy wench?”

“Never ye mind . . . and ye best watch your manners in front of Captain Jack. He doesn’t like his wenches to be pestered.” She slapped softly at my hand, I held on.

“Daniella lass, can we get started?” Jack called from the stage.

“Soon as me bucko unhands me.”

I released her wrist and said, “Miss Daniella, we’ll talk later.”

She smiled and bustled away. I had to have her, she was going to be mine. The parrot began to squawk, “Oyez, Oyez,” and Jack started his pirate tale, but I wasn’t listening as I stalked her with my eyes. Occasionally I saw her looking at me. I sensed her hunger, but mine was greater. I needed to feed.

It was later that night, after we’d made love, I looked down at her resting my weight on my forearms as I cupped the face that had captivated me between my hands. I turned her so I could see the left side of her neck; I leaned forward and pressed my lips to the spot that was warmed by the flow of blood through her carotid artery. I touched it with the tip of my tongue and gave her a tiny nip with my teeth.

“Oh now, is that the way ye roll?’

“Yes.”

With unexpected strength she flipped me and I was on the bottom looking up.

“And this be how I roll,” she said with a fanged grin and she leaned forward.

“That’s just what I was hoping for,” I replied as I reached for her with my own fangs.

We fed on each other that night and have hunted together, ever since the day we met in Captain Jack’s Crooked Corsair’s Cave.

I asked Neil what had prompted this piece and he said…

The inspiration behind “Captain Jack’s Cave?” hmm . . . I was in Washington, D.C. and a LI site was having a short story contest. The story needed a pirate, a cave and it had to be under 700 words. Ergo, “Captain Jack’s Cave” was born. I tried to give it a modern twist rather than doing a version of the Pirates of the Caribbean. It’s a variation of another short story I once wrote in the YA genre. It didn’t win, but it was fun to write. Morgen likes it, so that makes it a winner. Enjoy!

I do. Thank you Neil.

Neil L. Yuzuk was born in Brooklyn, New York. Now retired after twenty-two years, as a SPARK Substance Abuse Prevention Counselor, he wrote Beachside PD: The Reluctant Knight, after collaborating with his police officer son on a screenplay of the same name. The book was a finalist in the Global eBook Awards in the category of suspense / thriller.

The second book in the series, Beachside PD: The Gypsy Hunter is in pre-publishing, and will be available in December, 2011.

He’s working on the third book in the series, entitled Beachside PD: Undercover, as well as a screenplay: Fade To Light. Another book, Zaragossa: Fruit of the Vine is also in the works.

Neil’s co-author son, David A. Yuzuk was born in Brooklyn, NY and has been working in law enforcement for the past 14 years in southern Florida. He is also working on a prequel to the Beachside PD series called, Beachside PD: Cities of Sand and Stone.

David is the author of a soon to be released children’s book entitled, “The Legend of the Smiling Chihuahua.” He says “It’s my hope to create something positive and uplifting with my little story. If it can inspire children of all ages to follow their dreams, then who knows how beautiful this world can be.”

Let me know how you go David. :)  

If you’d like to submit your 1,000-word max. stories for consideration for Flash Fiction Friday take a look here.

 
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Posted by on September 30, 2011 in childrens, ebooks, novels, short stories, writing

 

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Blog interview no.142 with sci-fi fantasy author Jim Reilly

Welcome to the one hundred and forty-second of my blog interviews with novelists, short story authors, poets, directors, bloggers, scriptwriters, autobiographers and more. If you like what you read, please do go and investigate the author further. A list of interviewees (blogged and scheduled) can be found at http://morgenbailey.wordpress.com/blog-interviews.

Morgen: Hello Jim. Please tell us something about yourself and how you came to be a writer.

Jim: I’m a married father of four, born and raised on Long Island, New York. I received a Bachelor and MBA in business.  As I finished my MBA program, I was encouraged by a few of my professors who thought I wrote well. Upon graduation, the company I worked for had a large lay-off and I was caught up in it.

Morgen: Oh dear. I’m sorry to hear that (I’ve been made redundant twice).

Jim: So while looking for work my wife suggested that I should write the book I had long fantasized about doing, and that is exactly what I did.  At first I did it to pass the time, but my story kept evolving and I became engrossed in developing the characters and story. All of this resulted in my soon to be published Sci-fi novel, Evolution.

Morgen: Yay! A bad thing made good. What genre do you generally write and have you considered other genres?

Jim: From an early age, I have always had a fascination with Science Fiction and Fantasy to a point that it became a passion of mine.  I grew up watching The Twilight Zone, Star Trek, Star Wars, ET, and Aliens.  Such creative stories helped expand my imagination and influence my views of the world in a different light.

Morgen: I’m not a sci-fi fan but I love love loved the 1983 Twilight Zone movie (to which all the series fans boo at me :) ). What have you had published to-date? How much of the marketing do you do?

Jim: I am a first time author and my novel Evolution will be my first published writing.  So far my marketing has consisted of expanding my Facebook world and starting my Sci-fi Blog, http://jimreillyscifi.wordpress.com, as well as, blogging on sci-fi blogs and groups.  The whole experience has been fun and entertaining as well.

Morgen: I’ve interviewed a few sci-fi authors and they’re always popular. :) Do you have an agent? Do you think they’re vital to an author’s success?

Jim: I have yet to find an agent.  I do believe that they are vital to an author’s success but I did find a publisher to take my book on my own.  I am hoping that Evolution’s success will help me find an agent.

Morgen: I know of one for sci-fi / fantasy in the UK (http://johnjarrold.co.uk) who’s been a speaker at both Verulam Writers Circle Get Writing conferences I’ve been to (2010, 2011). It’s not my genre (as you’ve probably guessed by now :) ) so I don’t know him other than he’s fussy (but then he’s an agent) but I get the impression he’s good. Are your books available as eBooks? If so what was your experience of that process? And do you read eBooks?

Jim: Evolution will be published as an eBook first before a hard copy and it will be my first time going through that process with my publisher.  I just started reading eBooks using my Kindle and I love it.  Since I got it, I have read more books than I had in the past.

Morgen: That’s the way that they seem to be going which is great… especially for us writers who are planning on going that route. What was your first acceptance and is being accepted still a thrill?

Jim: I am a first time author, so getting a publisher’s acceptance letter followed by a contract was an amazing feeling.  I sent out so many manuscripts and received many rejection letters just like many other authors.  Then you hold the contract in your hand and realize you are a little bit closer to your dream coming true.

Morgen: So you’ve had rejections. How do you deal with them?

Jim: Yes, I had many rejections.  But I am a salesman by trade and I know you need to go through many rejections in order to inch closer to a sale.

Morgen: I agree. If something’s too easy it doesn’t feel like you’ve fought for it. What are you working on at the moment / next?

Jim: I finished up my second sci-fi novel about a small Long Island town where one part of the town’s people is infested with aliens.  I write about the consequences of that and the relationships that develop with the aliens.

Morgen: Do you manage to write every day? What’s the most you’ve written in a day?

Jim: On average I write about a thousand words a day.  One rainy day that kept me indoors, I may have hit three thousand words.

Morgen: I’d not thought of our weather like that but England can be wet so I guess we’re actually really lucky. :) What is your opinion of writer’s block? Do you ever suffer from it? If so, how do you ‘cure’ it?

Jim: So far, I have not suffered too badly with writer’s block.  Before I write a story, I have a plan and my mind already starts thinking of what I am going to write long before I get to that particular chapter.

Morgen: A handy mind to have. So do you find you plot your stories or do you just get an idea and run with it?

Jim: My experience with both my books I wrote, I had a plan of where I wanted to go.  With that said, I do trust my imagination and I let it take the story.   Do I go back and tweak it later?  Of course, if my imagination discovers something fun.

Morgen: :) Do you have pieces of work that you think will never see light of day?

Jim: I can’t say that at this point.  I have one novel ready to be published, another finished and ready to be sent to a publisher, and I have started my third book.

Morgen: Sounds like you have it all in hand. What’s your favourite / least favourite aspect of your writing life?

Jim: The least favourite thing is waiting.  You wait for your editor to finish, you wait for a publisher to pick you up, and you wait for the publisher to eventually publish the book.  My favourite aspect is when people enjoy what I wrote.  There is nothing better.

Morgen: That’s what we all strive for (I reckon anyway). What advice would you give aspiring writers?

Jim: The old clichés ‘Follow your dreams’ and ‘Don’t give up’.  It is so true.

Morgen: It is. I won’t. :) What do you like to read?

Jim: The older I get, the more I like to read.  When I was young I was dyslectic and it was hard for me to read.  Today I can control it to the point that now reading is very enjoyable.

Morgen: I had a boyfriend of 4 years called Tim who had it quite badly but he loved reading sci-fi and could tell you the characters, plot and location by just point at one of his books (of a sea of them) but with everything else zero confidence. It was a shame but a salt of the earth guy – still is as far as I know (last I heard he was a happy bus driver in High Wycombe, Buckinghamshire). Are there any writing-related websites and / or books that you find useful and would recommend?

Jim: The book, The Essential Guide to Getting Your Book Published by Arielle Eckstut and David Henry Sterry, was a big help.  It gave me a view of the publishing world a novice like me knew nothing about.  It also made me realize the importance of online social networking and the impact it would have on the success of my book.  http://www.thebookdoctors.com.

Morgen: I don’t know that one so thanks for that. Are you on any forums or networking sites? If so, how invaluable do you find them?

Jim: I have been visiting as many sci-fi blogs as I can and commenting.  I also belong to many writing groups on http://linkedin.com and engage in discussions there.

Morgen: Ah yes, LinkedIn, a great site (and great people!). Where can we find out about you and your work?

Jim: At Jim Reilly’s Blog.  http://jimreillyscifi.wordpress.com.

Morgen: Thank you Jim. Good luck with ‘Evolution’. I’ve got one of the songs from the Twilight Zone movie (Creedence Clearwater Revival’s Midnight Special) stuck in my head now… thanks Dan Acroyd! :)

If you are reading this and you write, in whatever genre, and are thinking “ooh, I’d like to do this” then you can… just email me and I’ll send you the questions. You complete them, I tweak them where appropriate (if necessary to reflect the blog ‘clean and light’ rating) and then they get posted. When that’s done, I email you with the link so you can share it with your corner of the literary world. And if you have a writing-related blog / podcast and would like to interview me… let me know. :)  You can sign up to receive these blog posts daily or weekly so you don’t miss anything… and follow me on Twitter where each new posting is automatically announced.

Unfortunately, as I post an interview a day (amongst other things) I can’t review books but if you have a short story or self-contained novel extract / short chapter (ideally up to 1000 words) that you’d like critiqued and don’t mind me reading it / talking about and critiquing it (I send you the transcription afterwards so you can use the comments or ignore them) :) on my ‘Bailey’s Writing Tips’ podcast, then do email me. They are weekly episodes, usually released Monday mornings UK time, interweaving the recordings between the red pen sessions with the hints & tips episodes. I am now also looking for flash fiction (<1000 words) for http://morgenbailey.wordpress.com/flash-fiction-fridays.

 

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Guest post: Writing Short Stories For Women’s Magazines by Helen M Hunt

I’m delighted to bring you this guest blog post, today by short story author, book review blogger and writing magazine columnist (and writing friend so I asked her to do this for me :) ) interviewee Helen M Hunt.

Writing Short Stories For Women’s Magazines

The women’s magazine short story market remains one of the most competitive out there. Sadly, it is a shrinking market and because competition is so fierce, only the very best stories will make it to publication. There are still opportunities for those determined to succeed though, and in this post I’ve gathered together what I think is the most helpful advice for anyone who wants to make their mark!

For beginners

Patience is the key – don’t expect your first story to be accepted for publication, or your second or third. It can be a long process. Check submission guidelines for specific magazines carefully: there’s no point in sending a story that doesn’t fit the magazine’s requirements. I strongly recommend Womagwriter’s blog which has all the guidelines and contact details for the magazines you might want to submit to.

Initially you should concentrate on targeting one or two magazines – pick the ones that appeal to you most as a reader. If you try to research all the magazines in one go you’ll be overwhelmed. Remember that magazines are looking for stories that are similar in style and tone to the ones they are currently using, but at the same time they need to be different enough to catch an editor’s eye. That’s why you need to study the magazines really carefully and ask yourself why the stories in them work. Then ask yourself how you can bring something different to it!

Magazines aimed at writers – Writers’ Forum and Writing Magazine are the big names – often have advice for beginner writers and also for short story writers. I’m writing some articles for Writing Magazine at the moment that cover different aspects of short story writing, so look out for those over the next few months.

For those with a bit more experience

Write as many stories as you can and keep sending them out. It’s helpful if you can set yourself a quota – but make sure it’s realistic. Once you are writing to a publishable standard, the more stories you have out there, the greater your chance of acceptance.

Never give up on a story! If one magazine rejects it, look at it again, revise it if necessary and send it somewhere else. Different editors have different tastes and I’ve sold a story on its seventh outing before.

Join a critique group if you haven’t already, either online or in the real world. Make sure that at least some people in the group are being published in the area you are aiming for. Ideally join a group that are just writing short stories as, although general creative writing groups are great for encouragement and inspiration, short story writing skills are very different from novel or poetry writing skills. If this isn’t possible you could use a critique service instead.

Women’s magazine writers are a friendly lot and always generous with their advice. There’s lots of online support out there for people who are aiming at this market.

In particular you might want to have a look at Womagwriter’s blog, Teresa Ashby’s blog and Della Galton’s website.

For anyone who prefers a book to refer to, Della Galton’s ‘How To Write And Sell Short Stories’ is the best book out there on this subject and I highly recommend it.

You might also be interested to know that I run workshops for people who are interested in writing for the women’s magazine market. You can find full details here. I also offer email short story critiques.

Thank you Helen! :)

Helen Hunt writes short stories and features for magazines. Her short stories have appeared in Woman’s Weekly, My Weekly, The Weekly News, People’s Friend and Take A Break Fiction Feast in the UK, and That’s Life Fast Fiction in Australia. She also writes articles for Writers’ Forum and Writing Magazine. Helen is also a contributor to the ‘Tears and Laughter…‘ anthology.

You can find her blog at http://fictionisstrangerthanfact.blogspot.com. You can also read my interview with Helen here.

If you would like to write a writing-related guest post for my blog then feel free to email me with an outline of what you would like to write about – take a look here for the list of current topics and dates. If it’s writing-related then it’s highly likely I’d email back and say “yes please” (while quietly bouncing up and down in my seat with joy!).

 
 

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Blog interview no.141 with mystery author Anne White

Welcome to the one hundred and forty-first of my blog interviews with novelists, poets, directors, bloggers, autobiographers and more. A list of interviewees (blogged and scheduled) can be found at http://morgenbailey.wordpress.com/blog-interviews. If you like what you read, please do go and investigate the authors further.

Morgen: Hello Anne. Lovely to ‘meet’ you again after your spotlight earlier this month. Please tell us something about yourself and how you came to be a writer.

Anne: I always loved books and reading. I majored in English in college and spent many happy hours in public and college libraries and book stores. My first job after college was as correspondent for an area newspaper. Although I tried to uncover interesting news, I sometimes fell back on writing pieces like “Mr. and Mrs. John Smith called on Mr. and Mrs. George Jones last Sunday.” I married, had six children and lucked into my perfect job as high school librarian and yearbook adviser for the rapidly growing Queensbury School District in upstate New York.

Morgen: Sweetening ‘normal’ stories is definitely an art; great for creative writing I’d say. What genre do you generally write and have you considered other genres?

Anne: For ten of my years at Queensbury, I worked as a career counsellor (two years full time, eight years along with my regular position as high school librarian). The two jobs meshed well. I found I also enjoyed writing articles on careers and, during that time, I had more than 100 articles on career topics accepted by three magazines for high school students.  When I retired after 32 years and was forced to leave the books and students behind, I turned to mystery writing.

Morgen: “forced”, that’s sad but 100 articles, wow. Apart from those, what have you had published to-date? If applicable, can you remember where you saw your first books on the shelves?

Anne: I’d like to start with the second half of the question, since nothing will ever top the experiences I had with the publication of An Affinity For Murder, the first book in my Lake George Mystery Series. In the late ’90’s I took a writing workshop from Saratoga Springs NY writer, Matt Witten, author of Breakfast at Madeline’s and other books in his Jakob Burns Mystery Series. An outstanding teacher, Matt urged me to submit the first 50 pages of An Affinity For Murder to the Malice Domestic organization which offered an Unpublished Writers’ Grant to aspiring mystery writers, a grant Matt himself had won a few years earlier. Long story short: To my amazement, I won the grant. An agent called and asked to represent me. I didn’t realize how unbelievable that was and put him off until his third phone call before I agreed. He tried to place the book with New York publishers, but had no luck. At this point, Matt had moved his young family to California and wrote for TV shows like Law and Order and Poltergeist. When he heard about the Dark Oak contest offered by Oak Tree Press, he urged me to apply. Again, to my surprise, I won publication of my mystery, along with Wendy Howell Mills, the talented young author of Callie and the Dealer and a Dog Named Jake. I’ve posted about this on the OTPBlog, August 1, 2011 (To find it, click on the latest post listed and scroll back).

Morgen: Let’s hope it won’t be a surprise for ever. :) Oak Tree Press are great – I’ve had a few of their authors come ‘through my doors’ and they’re always saying such good things about OTP.

Anne: I urge anyone not yet published to check out the Malice Domestic grant on their website and to watch for their recap of 25 years of Malice Grant winners this fall.

Since that time, I’ve written four more Lake George Mysteries. In addition to An Affinity For Murder, c’01, ISBN 1892343-16-9, they are Beneath The Surface, c’05, ISBN 1-59133-124-2; Best Laid Plans, c’06, ISBN 1-59133-170-6 and 978-159133-170-4; Secrets Dark and Deep, c’07, ISBN 1-59133-198-6; and Cold Winter Nights, c’09, ISBN 1-59133-298-2, 978-1-59133-298-5, these last four published by Hilliard and Harris.

Morgen: Shameless plug (the ISBN numbers) but I like it. If you can’t be shameless here where can you be? :) I’m guessing the answer is going to be a lot as you’re clearly good at it, but how much of the marketing do you do for your published works or indeed for yourself as a ‘brand’?

Anne: I’ve been trying to step it up by doing interviews with Fran Stewart on Murder She Writes, Sylvia Dickey Smith and a radio interview with Megan Willingham at AdviceRadio.com. Also I’ve posted on Leila Taylor’s Creatures ’n Crooks Bookshoppe, Chris Redding’s AuthorsDay, on Donna Lee Simpson’s http://cozymurdermysteries.blogspot.com, Dames of Dialogue, with KD Easley, and with Christy Tillery French, Buried Under Books and Poe’s Deadly Daughters. Also at Huletts Current and area newspapers, The Post Star, The Chronicle, Lake George Mirror, Adirondack Guest Informer and http://theFreegeorge.com.

Morgen: Wow, that’s some going… and then I bombard you with all these questions. :) But you’re a professional so I’m going to keep going… you’ve done well with competitions (any more?), do you think they help with a writer’s success?

Anne: I mentioned winning the Malice Domestic Unpublished Writers’ Grant and the Dark Oak Contest – terrific confidence boosters – and yes, I did think they helped. Then in 2002, An Affinity For Murder (unchanged) was one of 5 books nominated for the Malice Domestic Best First Mystery Award. This made for an amazing night at the Malice Domestic Conference in Washington, a super experience which led to some great PR.

Morgen: But you still have to keep going with it yourself by the sound of it. Do you write under a pseudonym? If so why and do you think it makes a difference?

Anne: No, but I often wish I had a more elegant name than Anne White.

Morgen: But easy to spell. :) You could always write another genre under a different name… so your readers don’t get confused. Delores Finklepickett perhaps? :) (not sure where that came from) Do you have an agent? Do you think they’re vital to an author’s success?

Anne: I don’t have one now. I’ve had two agents. I heard the first one made so much money (although not from selling my book) he retired very young.  The second one and I parted ways. I’ll try for another when I finish the first book in my new series which is set in a book store in my hometown.

Morgen: Ooh great. I’ve set mine around here because few authors have and it’s easy research (that’s one of my answers to ‘least favourite’ which we’ll come to later). We’ve not talked about eBooks yet, are your books available as eBooks? If so what was your experience of that process? And do you read eBooks?

Anne: All five of my Lake George Mysteries are on Amazon, both in print and on Kindle and, I think, on Nook. I love the idea that I can read them on my Kindle. My goal now is to get them accepted for audio books, since listening to books on tape meant the world to my mother as her sight failed. Also, I love to listen to audio books myself on long trips except I was once so caught up in one written by a favorite author, I missed my thruway exit.

Morgen: Oh so do I because I can listen and be doing something at the same time (walking the dog / to or from work usually). What was your first acceptance and is being accepted still a thrill?

Anne: I hadn’t seen a copy of An Affinity For Murder, the Dark Oak winner from Oak Tree Press, until I got to the Malice Domestic Conference in Washington in May 2001. Co-winner Wendy Howell Mills and I met in the hotel lobby, opened the boxes of Oak Tree publisher Billie Johnson had sent to the hotel for us and signed copies for one another. Nothing can ever top that, but it’s still a thrill when anything – book, article, blog, or post even — is accepted and appears in print.

Morgen: Isn’t it great… I think that’s what most of us are here for. So, all this success, has there been a downside? Have you had any rejections? If so, how do you deal with them?

Anne: Of course – many rejections. I’m always disappointed, then try to figure out why.

Morgen: You figure it’s just not for them and move on… What are you working on at the moment / next?

Anne: I’m starting a new series, set in a town very like where I live, but with names changed to protect the innocent.

Morgen: I like that. Ooh, or maybe not so innocent.

Anne: I’ve set it in a book store with an eerie lower level (think Seattle or Montreal undergrounds or maybe you have similar kinds of sub-basements in buildings in England). I may need to find a more unusual setting than a book store, but I hate to give up on it too soon.

Morgen: Oh please don’t, I love book-related books. :)

Anne: Working title is Starting Over, as my character has left a job with a New York City publisher and sunk her limited funds into a shabby, poorly stocked book store. And you guessed it – the disagreeable guy she bought it from turns up dead in the basement. I’ll welcome suggestions for unexpected plot twists and a more creative title.

Morgen: Sue Moorcroft (local author / blog & podcast interviewee / friend – not necessarily in that order) released a book of that title and she’s Choc Lit’s top-selling author. :) But mmm, maybe something more bookishly dramatic. Readers: suggestions please… and plots, maybe he could be her long lost father / uncle… mmm, maybe not. :) Do you manage to write every day? What’s the most you’ve written in a day?

Anne: Usually. As I near the end of a book, I often keep at it most of the day and into the evening. Some days though are a lost cause.

Morgen: Life takes over. :( What is your opinion of writer’s block? Do you ever suffer from it? If so, how do you ‘cure’ it?

Anne: I do suffer from it occasionally. Sometimes rereading what I’ve already got down, helps propel me forward.

Morgen: Or with a break in between? Do you plot your stories or do you just get an idea and run with it?

Anne: A little of both.

Morgen: You’ve mentioned a couple of characters there, do you have a method for creating your characters, their names and what do you think makes them believable?

Anne: Hit or miss really. I sometimes give a character a quality someone I know exhibits, but not in a way which will make the person suspect I’ve done it.

Morgen: I’ve just recently bought some bits and pieces from The Literary Gift Company including a great t-shirt which your comment just reminded me of. Sorry, yes, characters’ names.

Anne: I’m not creative with names and have to fight against calling someone Tom Smith, as I did in an earlier answer here, although look how well Tom Jones has worked as a name.

Morgen: I want to call everyone Elliot (which fortunately can be used as a first or surname) but usually manage to restrain myself. Who is your first reader – who do you first show your work to?

Anne: I’ve belonged to some great writers groups in nearby Saratoga Springs and at the Lake George Arts Project in Lake George Village. I also belong to Mystery Writers of America and three Sisters in Crime groups, but right now, I’m going to have to find a first reader or count on my publisher for suggestions.

Morgen: Some great organisations there but I do find with a group that you want to get more edited than time allows (for me anyway) so have a great editor Rachel (I can give you her email address :) ). While we’re on the subject of editors, do you do a lot of editing or do you find that as time goes on your writing is more fully-formed?

Anne: I do a lot of editing and rewriting, since I sometimes worry my early drafts are getting worse instead of better.

Morgen: Oh dear… again maybe a time gap would be handy… or another competition win to boost the confidence. :) What is your creative process like? What happens before sitting down to write?

Anne: I try to think about the story as I’m falling asleep, hoping to wake up with fresh ideas. Sometimes this works and sometimes it doesn’t.

Morgen: Well that’s OK – “sometimes it works” is good. Do you write on paper or do you prefer a computer?

Anne: Definitely the computer.

Morgen: What sort of music do you listen to when you write?

Anne: None.

Morgen: What point of view do you find most to your liking: first person or third person? Have you ever tried second person?

Anne: Never second, but I once wrote almost an entire book in first person, then used find / change on the computer to make it third person. It didn’t need much cleanup, and I thought it read better in third.

Morgen: It often can. Do try second, it’s great. :) OK, I’m going to shamelessly plug now (there are some second person starts on my http://morgenbailey.wordpress.com/sentence-starts page). Do you use prologues / epilogues? What do you think of the use of them?

Anne: I don’t use them, but don’t mind when others do. I did include something I called an Author’s Note in An Affinity For Murder in which long-lost Georgia O’Keeffe paintings turn up in a Lake George attic near the cottage where O’Keeffe spent 15 summers. When my protagonist Ellen Davies discovers them, she recalls how 28 O’Keeffe watercolours, called Canyon Suite, were found in a town in Texas where O’Keeffe once lived and were valued in the millions. When they were declared “misattributed” in 1999 shortly after I finished Affinity, I added the Author’s Note.

Morgen: I love those character names, easy to remember and very distinguishable between each other. Do you have pieces of work that you think will never see light of day?

Anne: Of course. And rightly so, I suspect.

Morgen: But maybe you could go back to them at some stage and see if you could just… maybe… or maybe not… :) What’s your favourite / least favourite aspect of your writing life?

Anne: I love reaching the point where a book or article begins to come together, takes on a life of its own and practically finishes itself. I hate waiting for that to happen.

Morgen: A bit like learning a language and the basis finally sinking in. If anything, what has been your biggest surprise about writing?

Anne: I was amazed when Affinity won the Malice Domestic grant and two years later, received the nomination as a Malice Best First Mystery. Both brought recognition beyond my wildest hopes.

Morgen: :) What advice would you give aspiring writers?

Anne: Don’t talk about what you’re writing or want to write. Get something down on paper and keep adding to it.

Morgen: Absolutely, backside in chair. What do you like to read?

Anne: My daughter, Kate White, has a new novel, The Sixes, just out, and it’s terrific. Kate, in addition to being editor of Cosmopolitan Magazine, writes mysteries and career advice books and has shelves full of her own books in many languages. And she’s a great daughter besides. Google her at Kate White.

Morgen: I did. :) http://katewhite.com. Such an accomplished lady…

Anne: I also recommend Vermont writer Nancy Means Wright, Marilyn Rothstein from nearby Saratoga Springs, who writes as M.E. Kemp , and Rosemary Miner who sets her Once Upon A Time mystery series in a 19th century Adirondack town.

Morgen: Ooh would Kate like to do an interview? Or perhaps an author spotlight?… or guest blog… :) What do you do when you’re not writing Anne?

Anne: When I’m not writing, I read and think about writing. Former librarian.

Morgen: :) I’m not a librarian former or otherwise but I live and breathe writing too (can you tell?). Are there any writing-related websites and / or books that you find useful and would recommend?

Anne: Oak Tree Press has some great posts on http://otpblog.com. Murder Must Advertise provides a lot of useful information from other writers and the Hilliard and Harris site is adding posts and articles.

Morgen: I’m going to have to add these to my ‘links’ page. :) In which country are you based and do you find this a help or hindrance with letting people know about your work?

Anne: I live in Queensbury in upstate New York in the United States. Both my publishers, Oak Tree Press and Hilliard and Harris, are located in the United States and I’d love to have my books published in other countries. Worldwide, a division of Harlequin in Toronto, Canada, has also published my five Lake George Mysteries as part of their Worldwide Mystery selections.

Morgen: Well, with eBooks you technically are internationally published. :) Are you on any forums or networking sites? If so, how invaluable do you find them?

Anne: Facebook and MySpace. Murder Must Advertise is a great site for getting to know United States, as well as some Canadian, writers. I’m trying to make better use of these.

Morgen: Where can we find out about you and your work?

Anne: My website is http://www.annewhitemysteries.com. I’ve included background information and some of the articles I’ve written for Mystery Scene, Mystery Readers Journal, and other publications.

Morgen: Ooh great. :) What do you think the future holds for a writer?

Anne: Wow. Things have been changing so fast here, and I assume in England too, I wouldn’t dare predict.

Morgen: Yep, I’d say so. In the right direction though I think. Is there anything else you’d like to mention?

Anne: I’ve run on enough. But if you have questions, I’ll be happy to answer them.

Morgen: Oh don’t worry, you’re not half as long as some (that’s not a complaint by the way) and mine was positively ‘War and peace’. Is there a question you’d like to ask me? :)

Anne: What made you start this site? Aren’t you overwhelmed with responses?

Morgen: I started the site (31st March this year) because I’d heard that blogs were the way to go. I tried to put something on regularly and managed a couple of posts a week or thereabouts to start with. I was then invited to do a couple of interviews (Who Hub and Teresa Morrow) and really enjoyed them so thought I’d do the same and see how it went. The response from the off has been phenomenal, in fact I was doing two a day from day three but had to cut back to one a day after a couple of weeks because I was struggling time-wise (part-time job, dog, house… you know, the usual things) but I’m still getting more than one enquiry a day so am running to a couple of months’ backlog but I’m hoping it evens out because I don’t like giving dates too far in the future although I’m conscious that some interviews are weekly or monthly and have backlogs into 2012 so I don’t beat myself up too much about it and most people are understanding. I’m still actually posting at least twice a day because I’ve since started author spotlights, guest blogs and flash fiction (I say “at least twice a day” because I sneak in my own posts, mostly podcast episode transcriptions at the moment, just before guest items so they’re available but don’t hog space :) ). I have been thrilled by how well they’ve been received and I’m grateful for everyone taking part (because my blog honestly wouldn’t be what it is without you all) and the readers that not only read the posts but also stay long enough to leave a comment. And that’s how we met (you leaving a comment) so double thanks to you Anne. :)

I then invited Anne to include an extract of her writing and this is from Cold Winter Nights, Lake George Mystery #5, (Hilliard and Harris, c2009).

Background: Loren Graham, mayor of the sleepy Lake George town of Emerald Point, has helped plan a Mardi Gras-type winter carnival on the frozen lake. Loren joins a large group of adults and teens, dressed in costumes and masks, for the evening skate. Suddenly, a fierce storm hits and, as skaters hurry to leave the ice, a mysterious figure charges at Loren.

“The dark figure raced toward me again, forcing me back to the edge of the rink. Except now there was no edge to the rink. The committee had taken down the poles and ropes. The ice was open. I was forced back, closer to the large dock where the bubblers kept the water churning.

 “Stop. You’re going to kill us both.”

Suddenly, the lights along the shore went out. They disappeared all at once as if snuffed out by an unseen hand. The sound of the bubblers, powered by electricity, stopped. Darkness, thick and silent, blanketed the lake.

The figure charged at me again.”

(Anne did let me in on a little secret that Loren had been giving her so much trouble at this point, that she was tempted to let the murderer catch her … but we’ll just have to read the book to see what happened next). Thank you Anne. :)

Anne White, a former high school library media specialist, is the award winning author of five Lake George Mysteries, a member of Mystery Writers of America, the National, New York and New England Sisters in Crime, the Lake George Arts Project and the New York State Retired Teachers Association. She lives in Queensbury in upstate New York and is the mother of six children and grandmother of twelve.

If you are reading this and you write, in whatever genre, and are thinking “ooh, I’d like to do this” then you can… just email me and I’ll send you the questions. You complete them, I tweak them where appropriate (if necessary to reflect the blog ‘clean and light’ rating) and then they get posted. When that’s done, I email you with the link so you can share it with your corner of the literary world. And if you have a writing-related blog / podcast and would like to interview me… let me know. :)

You can sign up to receive these blog posts daily or weekly so you don’t miss anything… and follow me on Twitter where each new posting is automatically announced.

Unfortunately, as I post an interview a day (amongst other things) I can’t review books but if you have a short story or self-contained novel extract / short chapter (ideally up to 1000 words) that you’d like critiqued and don’t mind me reading it / talking about and critiquing it (I send you the transcription afterwards so you can use the comments or ignore them) :) on my ‘Bailey’s Writing Tips’ podcast, then do email me. They are weekly episodes, usually released Monday mornings UK time, interweaving the recordings between the red pen sessions with the hints & tips episodes. I am now also looking for flash fiction (<1000 words) for http://morgenbailey.wordpress.com/flash-fiction-fridays.

 

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Transcription of Oundle Lit Fest (March 2011) – Day 3 of 5 (Mark Billingham & Michael Robotham)

The twenty-second special episode of the Bailey’s Writing Tips podcast was released on 30th May 2011 and featured the third day of five as a volunteer at Oundle Literature Festival here in Northamptonshire, England. The content has never been released other than website links (on my website).

Arriving at Oundle late afternoon, I met up with, and chatted to, Oundle Literature Festival Chairman Nick Turnbull at his Oundle School Community Action office in the town centre, which formed the second part of special episode 12.

That evening in the picturesque venue of the Long Room opposite St Peter’s Church, I was fortunate enough to get to sit in the ‘green room’ to chat to Mark Billingham and Michael Robotham before the event started (having nipped to Tesco to buy Mark a bottle of beer) :) . Covering a variety of topics including writing (as would be expected), I was in my element especially as Mark and I were already Facebook ‘friends’ and he’d said he’d been looking forward to meeting me (and me him, obviously).

When the official event started, introductions were made by Molly Bickerstaff before she asked Mark what happened to him in a hotel room in 1995. He explained that he’d been there with a colleague and had ordered room service. The door bell rang and three men in balaclavas burst in, tying them up, before taking their valuables including their credit cards (and pin numbers). The colleague got himself then Mark free, grabbed a fire extinguisher and they ran to reception where the staff were oblivious of what had happened so were equally frightened to see two men charging at them. A year later his first novel came out and said he knows fear and can do that well. Because of what happened to him, Mark said he wanted to give the victims in his novels a voice.

Australian Michael then said that he’d been working for the Mail on Sunday in the UK and one story was about a £4M betting scam. His editor had sent him across to Ireland to investigate quoting him as saying to “send the Australian” making Michael feel very expendable. He said he’d had a similar experience to Mark where some men in balaclavas had tied him up, taken him to the airport and told him to go home. When he phoned his editor, the editor had said to wait 20 minutes and return to investigate but understandably Michael had taken the first out of Ireland.

Molly then asked how they create their characters, and how they feel about them? Mark said that even though it’s realistic writers need to engage the reader with heightened realism – if too realistic it would be too boring (going home to their spouses etc). Michael added that it’s hard to operate within the rules and gave an example as court procedures – too boring; so trimmed. So they have to make it richer…

Michael explained that his main character is a clinical psychologist and that he, Michael, worked with a respected clinical psychologist and admire someone who can get inside people’s head. His character though is flawed; he has a sharp mind but weak body (suffering from the onset of Parkinson’s).

Mark then referred to Tom & Jerry scenes where they’re hit by an anvil and suffer an anvil-shaped dent, but in the next scene they’re fine, and said it is similar in some books; they’re too unrealistic. They have to stay anvil shaped. Also each book has to read independently as well as part of a series; it’s all about realistic characters, and they’re not always likeable. He also said that he’s received lots of feedback from readers asking questions about the characters, even being asked when they’ll get married.

Michael said that he’d been asked if a character had had a baby and the reader had been stunned when Michael said he didn’t know!

Molly turned the talk to villains.  Mark said evil has a religious connotation which he’s not comfortable with. He doesn’t think people are inherently evil/good but have elements of both.

Michael said that when he was a young journalist: murderer on the run would phone him in the early hours, tipping him off when he’s committed a crime. It turned out that the criminal was only a couple of years older than Michael; very normal looking; like an ordinary Joe. He’d expected him to look like a thug.

Mark then talked about true-life cases and how down to earth even some of the most prolific murderers had been. Michael mentioned that his wife said they’d lose dinner invitations because he wrote such dark books!

Molly asked Mark and Michael about their use of prologues. Mark replied that a book should always start with unanswered questions so the reader says “why, what, who” etc. then the rest of the book should answer them. Apparently his wife will continue reading a book that she doesn’t enjoy saying “it’s not going to beat me”! whereas Mark would be quite happy to abandon it.

Michael explained that he uses the prologue to entice and that you should subtract your age from 100 and that’s how much you give a book, which I liked.

Molly then turned the conversation to plot. Michael doesn’t plot and once even pulled out 30,000 words which weren’t working. He said he may use them again and I’m sure they wouldn’t have been wasted. And this is a conversation I’ve been involved in recently on one of the LinkedIn forums.

Organic and exciting he said and added that Jeffrey Deaver apparently writes c. 250 page outline so he knows what he’s doing. Michael loves not knowing and the characters surprise him so he figures the reader won’t know either. (me too)

Mark does some sketching but a character’s never surprised him, which I think is a little sad. He wants them to surprise the reader but they don’t him and said the writer is in charge which is true but I do go with the flow and am often enthralled by what comes out.

Mark said that writer’s block is rubbish and quoted the phrased I’ve heard before about plumbers not being able to work because they’ve got plumber’s block so it should be the same for writers. And I totally agree.

Michael quoted Stephen King as saying “dig and reveal” – see a bone, what will it be? Dog or dinosaur bone? Michael hopes it’s going to be a dinosaur.

Molly then asked how to avoid the clichés? Mark replied first saying that crime readers know it’s going to be crime so you have to make the readers care about the characters. Michael added that twists and turns are vital and it’s unrealistic when a character is in a dark warehouse with no reason… to which Mark said writers should try and avoid the parts that the readers will skip, which made the audience laugh.

Mark then said it’s all about economy and that every writer needs editing. Michael then gave Steig Larsson as an example as having too much content.

Molly asked how to write quick dialogue so readers don’t lose track. Michael said that good writers make it look easy (he writes longhand so the dialogue is sharper then types it up). Mark added that dialogue is a strength and should tell you everything about the character. You should know what you’re good at.

Molly said that as they’d both written about women, how do they do it? Michael explained that was a ghostwriter for 15 autobiographies (Geri Halliwell, Lulu amongst them) and initially he was worried as most of the readers would be women but has three women (his wife and two daughters) as his first readers.

Mark said that you have to write them and be able to write them, and that his favourite book to write was In ‘The Dark’ where main character was a heavily pregnant woman, although he admits that it was harder work.

Molly: how important are jokes in the books? Great mix of humour then dour and vice versa. Mark: life isn’t all dark – said he’d been out with the police and they joke because they’re nervous. Michael: agreed, it’s not because they’re insensitive, it’s their safety valve.

The audience was then invited to ask questions and the first was one that I was planning on asking; what Mark thought of David Morrisey’s TV portrayal of Tom Thorne. Mark said he had wanted him from the very beginning but that reader feedback said there were too many changes, but he was very pleased.

When Mark was asked whether he’d written the screenplay, he said he wasn’t but was involved in the making of the TV series.

The next question, directed at Michael, was about how he heard that his novel ‘Bleed for me’ had been shortlisted for the TV Book Club and what impact had it had.  He’d received a phone call from his publicist, and he was sure that it had made an impact, certainly in gaining awareness of him and his books.

Michael was then asked whether he is going to be easier on Joe? to which he said that Joe plays a small part in next book out and the one he’s writing now he has a bigger part. Someone then requested that Joe back with Julianne to which Michael laughed and said that he’d had mixed feedback on this and that he’d consider it.

The conversation then turned to how they were published. It turns out that they both submitted around 30,000 words and were both accepted. Mark admitting that he was ridiculously lucky especially, he said as British crime writer RJ Ellory had 28 unpublished novels before he was accepted. Michael said that he was known as ghostwriter so think that helped. Word then got out which resulted in a bidding war for his novel which then obviously put pressure on him for the other 2/3rds of the book. He even had no title for it, just a working title of ‘The Suspect’ which he felt  to be too much in the vein of John Grisham. Mark said had come up with shout line for his book: “he doesn’t want you dead, he doesn’t want you alive, he wants you somewhere in between”, which I really like.

When asked what the police think of his books Mark said how supportive they were and even assigned him a detective who put him in touch with others and he said that they can’t wait to tell you (official and unofficial juicy stuff), especially happy to talk about murder.

A member of the audience sitting near me asked Michael what made you give Joe Parkinson’s Disease? He said he had a two-book deal and had the idea for the second one of a religious mystery but the contract meant he had to write in a similar style. Hadn’t planned to use Joe again but loved the idea of healthy mind but crumbling body, quoting Stephen Hawking as example but then said that he loves Joe so much that he wishes he hadn’t done it to him now.

Mark was then asked whether his work shows up a dark side in him to which Michael said that he likes people look like their dogs which, as a dog-owner, made me smile. Mark said that it’s what he likes to read and that he likes closure (when the cases are solved) and he’s bored if there’s no action (bodies, car chases etc.). Michael added that there are even bodies in Shakespeare’s plays; so drama and conflict.

And really, that’s what it’s all about. Even in romance there has to be some element of drama and in every good story, a conflict.

Again, the book stall was a sell-out with me buying the last copy of Michael’s book. I’d already bought my collection (of six) of Mark’s books with me so I didn’t buy his latest, especially it was in hardback, which I’m not so keen on.

When everything was tidied away, lights turned off and the building locked up, Mark, Michael, committee member Leigh and I headed towards the pub to kill time before their train. As I’d not been directly invited I didn’t want to outstay my welcome so bade them goodnight and went to my car parked nearby, to drive home a very happy person.

So, that’s what happened on day 3 out of 5 – links to the transcriptions of the other days will put listed on http://morgenbailey.wordpress.com/bwt-podcast when they’re posted.

 
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Posted by on September 29, 2011 in events, interview, LitFest, podcast, writing

 

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Author Spotlight no.14 – Scriptwriter, novelist, actor (and more) Gregory Allen

To complement my daily blog interviews I recently started a series of Author Spotlights and today’s, the fourteenth, is of Gregory Allen. You can read the others here.

Born and raised in Texas, but moved north to become an official ‘Yankee’ for the past 24 years – Gregory G. Allen has had short stories and poetry published in over half a dozen journals including Loch Raven Review and Off the Rocks 14. He is a blog and article contributor to several websites and has written over ten musicals that he has served as book writer and/or composer/lyricists produced for the stage. Proud Pants: An Unconventional Memoir about the life of his older brother’s fight with addiction and eventual death is available digitally and has garnered many wonderful reviews for Allen’s nontraditional way of telling a story through the mind of his dying brother. Allen has been in the entertainment business for over twenty years as an actor, director, writer, and producer and studied at the American Musical and Dramatic Academy and as a composer in the BMI Musical Theatre Workshop. He’s been the recipient of musical grants from BMI, ASCAP and the Watershed Foundation, and his musical River Divine won a Best Score award in New York’s TheatreWeek magazine back in the 90s. He spent six years as the Artistic Director of a theatre company in New Jersey and currently manages an arts center on a college campus.

And now from the author himself:

I have always loved to write since I was a child. I used to write stories and plays and direct the neighborhood kids in my original works. Who knew that would lead to a career in the arts so many years later? I love to write stories that have some sort of twist or do not give the reader (or audience for stage shows) what they expect. These are also the types of creative arts I’m drawn to. When Hollywood decides to change the ending of a movie to ‘please’ the audience, I always wince wishing they would allow the piece to be seen in the manner it was intended by the writers / directors. I think its part of the reason I do not want to be considered a certain genre writer that must write in any type of formula. My short story pieces have all been of different genres and even my longer stories have done the same. Proud Pants was a non-fiction memoir that I wrote about my brother. They are his stories, but I’m putting the words/thoughts into his mind in my attempt to make sense of his life. My novel Well with My Soul out in October, 2011 is a novel dealing with family dynamics, addiction, religion and sexuality. And the story does not necessarily go where most readers will think it is leading them. My stage musical, Invisible Fences, was a piece that dealt with racial tensions in the 1960s and included a bi-racial love story that was considered very taboo in the U.S. South during that time. My novel Patchwork of Me (that will be out in 2012) allows me to get into the women’s literature genre writing in the first person voice of a female protagonist with drips of a mystery thrown in.

About five years ago when I decided I wanted to really give writing a real go at it, I knew I needed to work hard to get my name out there. So I started with any online places I could submit my work to in order for others to see it. That was followed by a blog that I started a year ago and blogging is a way for me to not only connect with people, but continue to have a writing voice heard as I discuss many different topics. From reviews of shows, to weight loss, to politics and pop culture – I like to give my thoughts on what is happening in the world. Social media has knocked down that invisible wall that stood between authors and their readers and I have enjoyed being able to follow and speak online to several authors that I’ve long admired. It has also opened up a new world for me to meet amazing people (some that are other writers) that are carving out their own niche in the world of the internet.

While writers are taught to ‘write what they know’, I like to expand my mind and study other things to write about. I love to travel and I enjoy using those travels to set my stories in varied places – adding interest for readers who like to escape into a book and be transported to other places. I find the research when working on a novel to be an integral part of my work and something I greatly enjoy. It allows me (much as when I’ve acted in a show) to take on a different persona and give my characters jobs and life experiences that I would never have. And when a story that I’ve worked on for months and months comes to an ending point – I am sad to leave those characters, but know I will move on to another time and place full of other interesting people. I hope readers find them just as enjoyable to read about as I do writing them.

Thank you Gregory. :) For more information about Gregory G. Allen, visit www.ggallen.net or http://www.facebook.com/author.gregory.g.allen.

The blog interviews will return as normal tomorrow with mystery author and fellow spotlighter Anne White – the one hundred and forty-first of my blog interviews – and Gregory’s interview is scheduled for Wednesday 2nd November, no.175. :) If you like what you read, please do go and investigate the authors further. A list of interviewees (blogged and scheduled) can be found here. And I enjoy hearing from readers of my blog; do either leave a comment on the relevant interview (the interviewees love to hear from you too!) and / or email me. You can also read / download my eBooks here.

 

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Blog interview no.140 with mystery-thriller novelist and screenwriter Tom Szollosi

Welcome to the one hundred and fortieth (woo hoo!) of my blog interviews with novelists, poets, directors, bloggers, autobiographers and more. A list of interviewees (blogged and scheduled) can be found at http://morgenbailey.wordpress.com/blog-interviews. If you like what you read, please do go and investigate the authors further.

Morgen: Hello Tom. Please tell us something about yourself and how you came to be a writer.

Tom: I’m a Los Angeles native, and still live in the same town (unusual in this day and age).

Morgen: I can’t say I blame you though, it always looks lovely (and sunny!) when we see it on TV.

Tom: I began writing when I was quite young — I have a vivid memory of my first grade teacher, Mrs. Koyamatsu, walking across the playground with me and several other kids, telling me “Tom, you have a very vivid imagination.  You should be a writer.”  I don’t know what I’d said that prompted her to say that, but the suggestion really resonated in my underripe young head.  I started writing my own versions of “The Hardy Boys” mysteries in longhand at my dad’s desk, and basically never stopped thinking of myself as a writer.  Another thing that made the idea attractive to me is that ever since I was very young, I’ve been a stutterer.  The idea of being able to sit down and write out what I was thinking was a great deal more to my liking than, say, improv comedy, y’know?

Morgen: I do, and how lucky were you to have a teacher like that. I can’t remember any of my teachers telling me I should be something (although I’m sure the careers teacher would have suggested something – I do know my physics teacher told my parents I should give up physics… which I gladly did at the first opportunity). What genre do you generally write and have you considered other genres?

Tom: As a novelist, I tend to gravitate toward mystery-thriller stuff, with an emphasis on what I know, which would include Los Angeles, Hollywood, etc., as a backdrop.  I love stories where people are lying and shifty, full of surprising little turns and extremely selfish but understandable behaviour.  In other words, reality.

Morgen: I like that… and yes, they make good characters don’t they.

Tom: I wrote television episodes and movies for years, so I’m comfortable with stories involving crime, desperation, and the other trappings of less than desirable (but great for stories!) human behaviour.   I’ve done many genres as a screen writer, so there really isn’t an area I wouldn’t explore if I like the idea for the story or main character.

Morgen: What have you had published to-date? If applicable, can you remember where you saw your first books on the shelves?

Tom: In 1988 I had a book out called “The Proving”, which was published by Doubleday.  Oddly enough, since the rights have reverted to me, I’ve just finished getting it set up myself on Smashwords as an eBook.

Morgen: Well done. I’m just going through that process myself.

Tom: I also wrote a couple of books for the “Ravenous Romance” people, who publish your basic erotic material, but aimed at women, ostensibly.  That wasn’t a very good experience, I’m afraid, and I felt as if I was wasting story material, which I really worked hard at, on an audience that didn’t care about it.

Morgen: Oh dear… I wonder if you could do something else with it.

Tom: Finally, recently I’ve self published an eBook I’m really proud of, my novel “The Space He Filled”, also through Smashwords — and by the time this interview is published, also available in soft cover on CreateSpace, which is a division of Amazon.

Morgen: Ooh great, do let me have the details, I could put them up on my http://morgenbailey.wordpress.com/books/other-peoples page. :)

Tom: Of course I’m still working on more books — at least two in the pipeline of my addled brain — as well as a television pilot called “Eldorado Crossing”, which is being shopped around to producers.

Morgen: Fingers crossed (let me know how you get on). How much of the marketing do you do for your published works or indeed for yourself as a ‘brand’?

Tom: As a self publisher, it’s pretty much up to me to do the marketing, which is new territory for someone used to having agents and managers in the screenwriting trade.  Going through the blogosphere (mine is called “bloginafog”, and it’s made available via WordPress, should anyone be interested)…

Morgen: <cheers at the mention of “Wordpress”>

Tom: …and social media marketing such as Facebook and LinkedIn is still a learning process.

Morgen: Ah yes LinkedIn – I see you a lot there. :)

Tom: I do like interviews like this one, though.

Morgen: Ah thanks Tom, I do ask rather a lot of questions so I hope you’re still feeling like that by the end. :) Back to your books, are they all available as eBooks? You mentioned briefly earlier on but what was your experience of that process? And do you read eBooks?

Tom: My work is available on eBooks (even the erotica is, via http://www.ravenousromance.com).  I find the eBook experience to be different and kind of fun.  It’s too soon to tell if I’m emerging as a success at it, but I’m out there!  I do read eBooks myself, yes, on my Kindle.  I happen to think, by the way, that the eBook has saved literacy.  People are gobbling them up, and therefore need stuff to read, both old and new, in this new model.  It’s just about as important as Gutenberg, I think.  They’re already outselling paperbacks!  And the eBiz is still really in its infancy.

Morgen: Wow. I’d heard hardbacks but that’s amazing. I agree though it is getting people to read more and being a prospective eBook seller I’m all in favour. What was your first acceptance and is being accepted still a thrill?

Tom: My first acceptance was a weekly column in my High School student newspaper.  It was a rush then, and still is.  The television shows I’ve worked on (The A-Team, for instance) provided an ongoing thrill ride of amazing acceptance.  With my then writing partner, Richard Christian Matheson, we experienced what it felt like to be on a number one show, which in those days probably had more viewers per week than have seen some Shakespeare plays live in the entire time since they were written!  It was strange, heady, and utterly misleading!  But it was fun.

Morgen: And hopefully still is. Speaking of fun, have you had any rejections? If so, how do you deal with them?

Tom: Anyone who’s written for more than five minutes has had rejection.  I handle it pretty well, I think, but it hasn’t always been that way.  I now observe the following rule: when I’m ready to let one of my babies go out into the big bad world, I have to be at the point where it’s been reworked and refined so much that if someone doesn’t like it, they’re just wrong.  If you can really get to that, where you’ve given it your best shot and you really believe in it, rejection is simply a matter of different people, different opinions, and that’s what makes horse races, as someone once said.

Morgen: That’s a new one on me but I like it. You do seem pretty busy, what are you working on at the moment / next?

Tom: At the moment I’m making changes to my pilot (mentioned earlier).  Next I’ll get back into the next novel, a book called “Fat Tuesday”, which is a nice, brutal little revenge story.

Morgen: Ooh hoo hoo, I do like the sound of that. Do you manage to write every day? What’s the most you’ve written in a day?

Tom: Sadly I do not get to it every day, but I try to.  A great deal of time is eaten up by marketing (also see above) through electronic and other means.  The most prose I’ve ever written in a day was about twenty-five pages (I know, I was in the zone), and the most screenplay pages was thirty.  TV makes you fast, but you still have to go back and verify that everything you did came out in English as opposed to gobbledygook.

Morgen: That’s good going. I had to write 100 pages of script for Script Frenzy April 2010 and limped in at 102 (I didn’t enjoy the process – too bitty for me, give me prose any day, sorry Tom). Talking of struggling, what’s your opinion of writer’s block? Do you ever suffer from it?

Tom: Writer’s block, for me, is a rare event.  Generally it’s because of something else in my life, and when that issue is worked out, the block goes away.

Morgen: Do you plot your stories or do you just get an idea and run with it?

Tom: Both.  Either.  I’m very big on structure, so even if I’m just running with it I’m also thinking on a whole other level about how the story’s arc is shaping up and wondering what I’ve overlooked, forgotten, etc.

Morgen: You’re a better man than me (if you see what I mean). I probably don’t think enough but just splurge it then fine-comb it afterwards. We mentioned characters earlier, do you have a method for creating yours, their names and what do you think makes them believable?

Tom: I just want them to feel like actual people.  What I think makes them believable is their psychological background.  In other words, what’s the hidden damage that rules their lives?  What event or trauma is actually running things when they wake up in the morning, and influences what they’re thinking and doing the moment they walk into what I’m writing?  When you know that, you know your character in terms of what he / she would or wouldn’t say or do.

Morgen: I agree. I think even if you’re writing a short story you should know a lot about your character, more than the story needs, but then you get inside their heads, literally. Who is your first reader – who do you first show your work to?

Tom: Two or three very close writer friends.  I know they’ll be honest because they understand that saying “Gee whiz, it’s really great, Tom!” is basically useless to the process, because you’re never really done until you just can’t stand to look at it anymore, AND you’ve reached the “if they don’t like it, they’re just wrong” stage.

Morgen: But having a family member (I won’t say which one but it isn’t my brother) calling something “horrible” doesn’t help either… I’m just more selective with what I share now, but my editor gets everything intended for eBooks (sales or freebies) and she pulls it apart so she’s invaluable. :) Do you do a lot of editing or do you find that as time goes on your writing is more fully-formed?

Tom: It’s more fully formed, and yet I do a ton of editing.  Smoothing and cutting, mainly, unless I decide the whole concept for a scene or story point was off and I have to completely rework it.

Morgen: Ouch. How much research do you have to do for your writing? Have you ever received feedback from your readers?

Tom: Research depends upon subject.  Any time you can have specificity in your narrative, it’s great.  So you either go digging or you’re writing about something you’re pretty familiar with, so the “research” is conducted inside your own skull.  Feedback was at its most interesting after my ex partner, Richard, and I wrote a film called 3O’Clock High, in 1988.  The movie was not a commercial bulldozer by any means, but it has developed an almost cult-like following over the years.  I have people tell me that they’ve seen it twenty-five times, which is a great deal more than I have!  My advice to them is generally, “That’s great, but have you considered getting a life?”

Morgen: :) What is your creative process like? What happens before sitting down to write?

Tom: I like to leave it up to the ol’ subconscious.  That’s the best way, for me, to have spontaneity in the work, although I’ve done preparation usually via outlining (which can be as simple as a “beat sheet” of one line summaries of what happens in each scene).  Before sitting down to write, a great deal of coffee happens, along with letting the dog out.

Morgen: Mine tends to want to sit on my lap so it’s just as well I have long arms. :) Do you write on paper or do you prefer a computer?

Tom: Computer.  Paper is just dead tree, isn’t it?

Morgen: Ooh… don’t let any authors hear you say that! Or authors who like books anyway. :)

Tom: And making changes is light years faster on a computer.  When I first started, I wrote on an IBM Selectric typewriter, and one mistake, mid-page, was my own personal horror movie.

Morgen: Try a manual typewriter that literally ate your fingers every wrong move. :) And I had to learn on it at secretarial college… with carbon paper and no Tippex! Some writers like quiet, others the noise of a coffee shop etc. Do you listen to music or have noise around you when you write or do you need silence?

Tom: It varies.  I’ve done all of the above at various times, with the music ranging from ear-splitting to non-existent.  Most often, lately, I’ll take silence with distant ambient noise, like whatever’s going on in my house at the time.  Like as I write this answer, I can hear my son playing songs by Adele, but I’m not really listening to it.

Morgen: Adele’s often on my list too but becomes white noise (sorry Adele) after a while, although I tend to go for classical if I’m writing writing. What point of view do you find most to your liking: first person or third person?

Tom: Third person has been my weapon of choice so far, and I’m pretty comfortable with it.

Morgen: It does tend to be the most popular (certainly with agents etc). Do you use prologues / epilogues? What do you think of the use of them?

Tom: I use them if I need them.  I really don’t care whether I do or not, or if anyone else does, because they’re just one more tool in the belt — if you need to “tee up” or sum up the story, great.

Morgen: Do you have pieces of work that you think will never see light of day?

Tom: Oh God, yes.  But it’s all process, all moving toward the next thing that will see the light of day. So eventually, the experience of writing even the bad stuff contributes to the better stuff.

Morgen: What’s your favourite / least favourite aspect of your writing life?

Tom: My favorite (American spelling)…

Morgen: That’s OK, this is an international blog. An editor would prefer your spelling actually, one less character. :)

Tom: …is the rush of getting something right, something that surprises me.  When the characters start talking and doing things “on their own”, because it’s a logical outgrowth of who I’ve set them up to be, it’s time to break out the champagne.  My least favorite aspect of the writing life is the feeling of having left my family to fend for themselves far too much of the time.  It’s unavoidable, but I hate it.  And so, I think, do they!

Morgen: Oh dear… I’m lucky in that I only have a dog to ignore and he soon reminds me (usually with the loudest toy in his box). You just mentioned being surprised, what has been your biggest surprise about writing?

Tom: How little other people know about it, understand about it, or, frankly, even bother to think about it.  When they ask what you do for a living and you say you’re a writer, there’s this blank moment where you can almost hear them thinking “what the hell kind of a job is that?”

Morgen: Ah well, I’m lucky in that… so far anyway, everyone I know can’t wait until I make a living at it (nor can I). :) What advice would you give aspiring writers?

Tom: Get enough sleep…

Morgen: Sleep? Oh that rectangular thing in the room next door. Oh yes, we used to be friends once. :)

Tom: …trust your instincts, and learn structure.  It’s the only thing, other than grammar, that you can really teach about writing.  Talent can’t be taught.  Wit, ditto.  But structure lets a writer have some craft to lean on, and that craft is what liberates the artist sleeping inside.

Morgen: What do you like to read?

Tom: I love Elmore Leonard, Thomas Pynchon, Raymond Chandler, Dashiell Hammett, and John D. MacDonald.  I also love a writer named Carlos Ruiz Zafron, who wrote “The Shadow of The Wind”, a fantastic novel, and Gabriel Garcia Marquez, who’s “One Hundred Years of Solitude” gives him the permanent keys to the executive washroom of magical realism.

Morgen: I’ve heard very good things about those but not read them myself. <slaps wrist> What do you do when you’re not writing?

Tom: I love baseball and spend a great deal of time fretting over my favorite team, the LA Dodgers.  It’s like being hooked on bad dope, but I’ve been addicted since childhood.  I also try to socialize, because you can get awfully hermetic doing this.

Morgen: I love hermeticity, I could so do that for a living. :) Are there any writing-related websites and / or books that you find useful and would recommend?

Tom: There’s a chat group on LinkedIn about how writers can self-promote that I find to be the most valuable resource for someone in my particular situation.

Ah yes, I think that’s how we ‘met’. :)

Tom: All the writing books out there have something to offer, but the two best in my opinion are “The Art of Dramatic Writing” by Lajos Egri, and “Making A Good Script Great” by Linda Seger (almost all her advice is equally applicable to fiction).

Morgen: Ooh I don’t know those. I have a couple on scriptwriting (Richard McKee’s ‘Story’ and Christopher Vogler’s ‘The Writers’ Journey’). You said at the beginning of this interview that you’re based in Los Angeles, do you find this a help or hindrance with letting people know about your work?

Tom: I have no idea if it helps or hinders.  It’s a huge market and a huge field of competitors.

Morgen: True, I guess we just have to keep going. :) Where can we find out about you and your work?

Tom: I’ve got a website and the blog I mentioned above and my author page on Smashwords, and thanks for asking.

Morgen: Oh, you’re very welcome Tom. What do you think the future holds for a writer?

Tom: Work, hopefully.

Morgen: That’s all we can ask for. :) Thanks very much Tom. Lovely to ‘meet’ you again.

If you are reading this and you write, in whatever genre, and are thinking “ooh, I’d like to do this” then you can… just email me and I’ll send you the questions. You complete them, I tweak them where appropriate (if necessary to reflect the blog ‘clean and light’ rating) and then they get posted. When that’s done, I email you with the link so you can share it with your corner of the literary world. And if you have a writing-related blog / podcast and would like to interview me… let me know. :)

You can sign up to receive these blog posts daily or weekly so you don’t miss anything… and follow me on Twitter where each new posting is automatically announced.

Unfortunately, as I post an interview a day (amongst other things) I can’t review books but if you have a short story or self-contained novel extract / short chapter (ideally up to 1000 words) that you’d like critiqued and don’t mind me reading it / talking about and critiquing it (I send you the transcription afterwards so you can use the comments or ignore them) :) on my ‘Bailey’s Writing Tips’ podcast, then do email me. They are weekly episodes, usually released Monday mornings UK time, interweaving the recordings between the red pen sessions with the hints & tips episodes. I am now also looking for flash fiction (<1000 words) for http://morgenbailey.wordpress.com/flash-fiction-fridays.

 

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Guest post re. writer’s block by Smoky Trudeau Zeidel

I’m delighted to bring you this guest blog post, today on the topic of writer’s block, by Smoky Trudeau Zeidel.

‘Fallow Times: Dealing With Writer’s Block’

If there is anything a writer fears more than a crashed hard drive, it’s writer’s block. The terror of one day sitting down, poising our fingers over the keyboard, and nothing coming out is enough to send most writers back to bed.

Sometimes, we sabotage ourselves, simply by not sitting down at our computers and putting finger to keyboard. Yesterday, I suddenly decided I just had to retile my bathroom floor; I spent the entire day on the floor, cutting tile, putting it down, fussing to make sure it was laid with the precision of a professional floor tiler. I asked some of my writer friends about their procrastination activities. One said she spent hours ironing her girls’ school uniforms. Another spent hours repainting baseboards. A third invited her grandchildren over for a sleepover so she’d have to focus on them rather than her writing.

That is procrastination, not writer’s block. The cure for that is to schedule a day once a week or so to do projects like these, and the other days, put your butt in your chair and your fingers on the keyboard and write!

But what if you are where you are supposed to be, at your desk, fingers poised, and not one word flows from your brain to the keyboard? What if you really are frozen, unable to write?

Believe it or not, this is okay. In fact, it’s a necessary part of being a writer. I don’t believe in writer’s block. When we can’t tap our ideas, it doesn’t mean we don’t have any. It means they aren’t ripe yet; they aren’t ready for birth. Any organic gardener will tell you fallow times are just as crucial to a good harvest as growing times. The soil needs to rest, to prepare itself for the next growing season. Your creative imagination is exactly the same. It needs to lie fallow and rest between crops of good stories. Winter of the mind is as crucial to a story as winter of the earth is to a good harvest.

That’s all very well and good, you may be thinking, but what if I’ve been in a fallow time for too long? How can I jump-start my ideas?

Different methods work for different people. What one writer swears is the cure for writer’s block, another writer will say doesn’t help at all. This list of suggestions is just that—a list of suggestions. If one trick doesn’t work for you, try another.

  • Change your routine. I’m a morning person. I can happily awaken at 5:00 a.m., fix a cup of coffee, and write until noon. Then, at exactly 12:02 p.m., my brain turns to mush and I can’t write any longer. I have writer friends whose schedules are just the opposite. They sleep until noon and write into the wee hours of the night. If you’re blocked, shake up your routine. Try writing in the morning if you’re a night owl, or writing at night if you’re like me, a morning person.
  • Write something different. Yes, you’re working on your masterpiece of a novel, the one that is sure to be a best seller. But if you’re blocked, you aren’t working on it, are you? Instead, try writing a poem, a limerick, a haiku. Write a love letter to your partner. Write a song. Don’t worry if it’s good or not. Good isn’t the issue—writing is. It’s very possible that the simple act of putting pen to paper (or keystroke to keyboard) is all you’ll need to jump start your creative imagination.
  • Take a walk. Or, go to the gym. Play tennis, or golf. Sometimes our brains don’t work because we’ve spent so many hours hunched over our computers our bodies are turning into piles of mashed potatoes. A little exercise will lift your spirits, tone your body, and give your creativity a jolt.
  • Play with toys. Yup, toys. I hereby give you permission to put playthings on your desk. If you don’t have any toys, go to the store and buy some. The reasoning behind this is quite simple. Think for a moment: who are the most creative people you know? Children, of course. Remember as a child casting aside your newly unwrapped holiday presents to turn the box into a spaceship? How many of you made forts from your parents’ dining room chairs? Playing with toys will bring out your inner child. Your creative, inner child. When I taught fiction writing workshops, this was always a favorite assignment of my students: to go out and buy toys for themselves!
  • Practice some other creative art. This is similar to the toy thing, and works well for people who are so grown up they can’t find their inner child anymore. (But that isn’t you, is it? I didn’t think so.) Your creative nature is like your health. It needs to be fed and nurtured. Carrots are a healthy food, but your body wouldn’t stay healthy for very long if you ate only carrots, would it? The same is true for your creative nature. Feed it only one food—fiction writing, in most of our cases—and that creative nature will grow unhealthy. To keep it fit, sculpt clay, paint with watercolors, or take up jewelry making. Make a collage. It doesn’t matter what it is, just so long as it is new to you and creative. It doesn’t have to be very good; no one has to see it but you. I am partial to making little statues and figurines out of Sculpey clay, and to making jewelry from semi-precious stones. But sometimes I dabble in watercolors, silk dyeing, and book making. Every time I finish an art project, I feel like I can return to my computer and take on the world.
  • Go ahead and write crap. If you really, truly don’t want to do anything other than work on your novel, by all means, sit at your computer and write crap. It is easier to fix bad writing than it is to create something from nothing. It could be that writing crap will wake up your muse enough to make her indignant and come rushing back to help you dig yourself out of that big pile.

All writers experience fallow times at one point or another; anyone who tells you otherwise is not being honest with you. If you’re in a fallow time, enjoy it. Make notes about what is going on around you; go to a coffee shop and eavesdrop on conversations. Who knows? You may overhear something that you can use. Remember, for writers, everything is research, everything is material for stories.

You will survive your fallow time. In the long run, it just may make you a better writer.

Thank you so much Smoky. I’m off now… to go and write. :)

Smoky Trudeau Zeidel is the author of two novels, On the Choptank Shores and The Cabin; a recently-released collection of stories,Short Story Collection Vol. 1; and two nonfiction books on writing which have recently been combined into one book, Smoky’s Writer’s Workshop Combo Set. She is the author of Observations of an Earth Mage, a collection of prose, poetry, and photographs celebrating the natural world. All her books are published by Vanilla Heart Publishing. Smoky lives in California with her husband Scott (a college music professor and classical guitarist), her daughter (a college student and actress), and a menagerie of animals, both domestic and wild, in a ramshackle cottage in the woods overlooking the San Gabriel Valley and Mountains beyond. When she isn’t writing, she spends her time hiking in the mountains and deserts, splashing in tide pools, and resisting the urge to speak in haiku.

If you would like to write a writing-related guest post for my blog then feel free to email me at morgen@morgenbailey.com with an outline of what you would like to write about. If it’s writing-related then it’s highly likely I’d email back and say “yes please” (while quietly bouncing up and down in my seat with joy!).

 

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Blog interview no.139 with poet, short story author and novelist Franki deMerle

Welcome to the one hundred and thirty-ninth of my blog interviews with novelists, poets, directors, bloggers, autobiographers and more. A list of interviewees (blogged and scheduled) can be found at http://morgenbailey.wordpress.com/blog-interviews. If you like what you read, please do go and investigate the authors further.

Morgen: Hello Franki. Please tell us something about yourself and how you came to be a writer.

Franki: I started writing poetry in my early teens in my sleep. By my late teens I had transitioned to writing while awake. That led to writing short stories, and of course, writing down my dreams in a journal. Eventually, I realized I had enough material to write a novel using actual events mixed with all the fiction, and Deception Past was born. Then, as therapy for dealing with a sudden disability retirement, I wrote Dragonfly Dreams. Now I’m hooked, because it’s so much fun.

Morgen: Yay! :) What genre do you generally write and have you considered other genres?

Franki: I still write poetry, but my novels are reincarnation stories.

Morgen: A popular theme. What have you had published to-date? If applicable, can you remember where you saw your first books on the shelves?

Franki: Ripples on the Surface is a collection of poetry that raises money for women in Uganda with HIV / AIDS (all author’s proceeds go directly to Global Partners for Development to help start businesses for the women so they can become self-sufficient). Deception Past first appeared on the shelves of Barnes and Noble in Huntsville, Alabama, where most of the story takes place. But I think I was even more excited when it showed up in my local library in Vancouver, Washington. Dragonfly Dreams takes place mostly in Oregon and Washington state with a chapter in Scotland.

Morgen: Ah Bonnie Scotland. Have you won or been shortlisted in any competitions and do you think they help with a writer’s success?

Franki: I have no idea if competitions help with success, but I’m not competitive, have no interest in competitions, and believe success means somebody read something I’ve written and it meant a lot to them. Based on reader feedback, I feel successful.

Morgen: That’s what we all strive for. Do you write under a pseudonym? If so why and do you think it makes a difference?

Franki: No, I use my own name. I’d get confused otherwise.

Morgen: :) Do you have an agent?

Franki: I’ve never had an agent.

Morgen: Me neither. Are your books available as eBooks? If so what was your experience of that process? And do you read eBooks?

Franki: Dragonfly Dreams is available as an eBook. The demand has changed so fast in recent years, I wasn’t even aware of eBooks when Deception Past was published, and it wasn’t an option when Ripples on the Surface was published. I hope someday to remedy both, and my next novel and collection of poetry will definitely be available as eBooks. I believe I’ve sold more eBooks for Dragonfly Dreams than printed copies.

Morgen: It does seem to be the way things are going and I’m all in favour of it (although I love both formats).

Franki: I don’t read eBooks YET as I have shelves of printed books to read and a well-used library card, but someday I suspect I’ll change over simply because it’s the way the business is headed. Saving trees, not having to carry the weight of books around, and lack of storage space for many are undeniable advantages. But my family still shares printed books, and it’s hard for me to imagine a room in my home without them.

Morgen: Me too. I’m pretty sure I still have enough books to last the rest of my life (I’m not kidding!) but would go with the eReader for journeys. Have you had any rejections? If so, how do you deal with them?

Franki: With print-on-demand available and becoming more popular due to artistic freedom, less delays, and other benefits, it’s no longer necessary to let big corporations dictate what and how a writer gets published or what’s available to the readers. It’s time for the market to be dictated more by the readers instead of only letting them choose from what big publishing houses decide to present. And it’s time for writers to have more control over their work.

Morgen: It is and I’m so looking forward to being part of it. :) What are you working on at the moment / next?

Franki: I’m currently writing a three-part historical fiction of group reincarnation. All the characters and the basic plot of their lives are real, but I have a sixteenth century group of five women reincarnate as a nineteenth century group of five women. When they reincarnate in the twentieth century, I use anagrams for their names, because I believe the reader will be able figure out whom they are / were.

Morgen: It’s funny what readers do and don’t spot – in my latest writing group’s critique session I guessed an ending of another’s story but one of the group didn’t (the others didn’t say) so I guess you’ll always get some who do and some who don’t (or don’t want to try). Do you manage to write every day? What’s the most you’ve written in a day?

Franki: I write when I write, which is most days. I have no idea what’s the most I’ve written in a day. It is what it is.

Morgen: It is. :) What is your opinion of writer’s block? Do you ever suffer from it? If so, how do you ‘cure’ it?

Franki: I’ve never had writer’s block, so I have no opinion. When I first realized I was going to write a novel, but before I actually started, I bought a book called “No Plot, No Problem”. I figured if I ever encountered writer’s block I would use it. I still have it, but I’ve never read it. It’s my “ounce of prevention”.

Morgen: Keeping it at bay… good plan. A question some authors dread, do you get your inspiration from?

Franki: I believe fact really is stranger than fiction, so that’s what I use. One reviewer described Deception Past as “a bizarre story”, but most of what happens in it happened to either me or someone I knew. And the dream scenes were all taken from my own dreams. So maybe reality is bizarre, but it works for me.

Morgen: I love bizarre, the quirkier the better. Do you plot your stories or do you just get an idea and run with it?

Franki: I have a definite plot in mind when I start, but the characters often demand alterations. I try to listen to my characters. It’s their story, after all.

Morgen: Don’t they just… do you have a method for creating your characters, their names and what do you think makes them believable?

Franki: I take characteristics from a few different people I’ve known and mix them together into one character. And of course, all of my characters have some of me in them. In Deception Past, the main character’s name is explained early on. Its symbolism ties her to the friend that “stole” her past life identity. In Dragonfly Dreams, all the characters have names related to their symbolic animal natures. I believe their all too common human flaws make them believable.

Morgen: Characters have to have flaws otherwise they’re too perfect, dull and two-dimensional, there’s no challenge there. Who is your first reader – who do you first show your work to?

Franki: My sister at first, but now I’m in a writers group, so they get first exposure.

Morgen: Me too, before my editor. Speaking of which, do you do a lot of editing or do you find that as time goes on your writing is more fully-formed?

Franki: I can never edit enough. I love having a good editor to suggest more improvements so I can rewrite the whole book and make it better. And then it needs a lot more editing. Nothing is set in stone until it’s published. And then, no matter who you are, there’s bound to be a typo that got overlooked. Sigh.

Morgen: But that’s the great thing about eBooks, they’re much easier to tweak (so I’m lead to believe anyway). How much research do you have to do for your writing?

Franki: Research is essential when the story is set in the world we live in, and my stories are. Some research is experiential, and some is reading, but if I don’t know enough to put myself there in the place and time, I haven’t finished researching.

Morgen: What is your creative process like? What happens before sitting down to write?

Franki: Usually I think of things when I’m doing something unrelated, like gardening, bathing, dreaming. I’ve learned to make mental notes so that when I sit down to write I remember. Sometimes, I actually write myself a note. Some of my best ideas have popped up when I was sick and medicated.

Morgen: Oh dear… this is where I should say that I (of course) hope you don’t get sick too often… you say you make notes, do you generally write on paper or do you prefer a computer?

Franki: I prefer the computer, but paper’s my backup.

Morgen: Some writers like quiet, others the noise of a coffee shop etc. Do you listen to music or have noise around you when you write or do you need silence?

Franki: I prefer quiet, but with three cats and a parakeet and inevitable interruptions of life, I do my best.

Morgen: :) Do you use prologues / epilogues? What do you think of the use of them?

Franki: The prologue and epilogue were essential in Deception Past. If it works, use it; if not, don’t.

Morgen: Another good plan. What’s your favourite / least favourite aspect of your writing life?

Franki: My favourite part is when the characters reveal themselves, the plot holds true, and I can see it coming together.

Morgen: Isn’t that great. :)

Franki: My least favourite is dealing with the business end of it.

Morgen: Ah yes, a lot of the other interviewees have said that, most of them I think. If anything, what has been your biggest surprise about writing?

Franki: I’ve learned a lot about myself through my characters, but the biggest surprise was when a friend called me, crying, to thank me for writing the book she’d just read.

Morgen: Ahhh… :) What advice would you give aspiring writers?

Franki: Write what you know and like to read, but don’t stay on the surface. Weave different threads of plot and symbolism together to give the story depth.

Morgen: What do you like to read?

Franki: I like historical fiction and nonfiction. I recommend reincarnation authors on my website, http://www.reincarnationbooks.com. But if I start recommending authors in general, I won’t know when to stop. My favourite story of all time is The Man Who Planted Trees by Jean Giono.

Morgen: I love that title (titles do it for me) but not heard of Jean so thanks for that. What do you do when you’re not writing?

Franki: Yoga, play classic guitar, sing in English and Spanish with my parakeet, cuddle and play with cats, Scottish country dance, kayak, garden, read a lot, and yes, I can read Tarot cards (symbolism is used in Deception Past, but no readings are done in the story). I also tweet most days @frankidemerle.

Morgen: I can see why you say that life interrupts. In which country are you based and do you find this a help or hindrance with letting people know about your work?

Franki: USA:  I certainly hope this doesn’t hinder people from learning about my work, but poetry and reincarnation are not the most popular genre here. I email stores in other countries, and books and eBooks are available online. Probably, timing and current economic conditions are the biggest hindrance.

Morgen: But they have to get better? :) Are you on any forums or networking sites? If so, how invaluable do you find them?

Franki: I’m a member of the Independent Authors Network, and I find it invaluable. The authors help promote each other. It’s very supportive and a good source of information.

Morgen: Where can we find out about you and your work?

Franki: http://www.PageOneLit.com, http://j.mp/elTVij, http://www.reincarnationbooks.com, http://www.amazon.com, http://www.goodreads.com and http://DeceptionPast.wordpress.com.

Morgen: Wow, what a list. :) What do you think the future holds for a writer?

Franki: Many surprises.

Morgen: Hopefully mostly good ones. :) Is there anything else you’d like to mention?

Franki: Of course, I don’t know how many books I’ll get to write, but it’s a privilege to be able to share with others.

Morgen: Thanks Franki. Is there a question you’d like to ask me? :)

Franki: Do you read poetry? Does the genre of reincarnation novels interest you? Are printed books still selling across the pond? Do you know why the riots are happening in the UK? Do other countries also believe the US Congress is riddled with personality disorders? Will the US ever get over itself and its macho military cowboy image? Is it possible to send fundamentalists of all religions to Antarctica where they can fight each other and leave sane people alone, but where would the penguins go? Have you ever had a premonition or met someone you believe you knew in a past life? Do you have any pets? Am I the only one who thinks knitting is a form of binary code? What’s your favourite flower? Is use of the Chicago Style Manual by US publishers annoying to anyone besides me? Have you ever died in a dream before you woke up, and who started that ridiculous rumour that it’s not possible?

Morgen: My goodness… er, OK, poetry – sadly not. I like easy-to-understand and comic poetry but tend to read novellas, anthologies or novels which leaves little (no) time for any other reading. I have some Pam Ayres audio CDs which are fun. I’ve never read a reincarnation novel but have a friend who does (I think) and enjoys them (I think)… sorry very vague. Yes, printed books are selling here but not as many as eBooks apparently and bookshops are in trouble here – Waterstone’s is pretty much all we’ve got left especially as the supermarkets like Tesco and Asda (whose books are mostly £1 ones) also sell them. Re. the Congress, I can’t say for the rest of the UK but I’d say where politicians are involved personalities are certainly disordered. I like the cowboy image of the US but then I would say that being over here. Re. the penguins, maybe they’d just stand (or waddle?) and laugh. I’m not sure I’ve had premonitions but I do feel déjà vu sometimes. There was something interesting that happened to me a while back (I’m pretty sure my mum doesn’t read my blog); I’d been driving my brother back from a party we’d been to in Manchester and it was winter so had the heating on and the music low because my brother was sleeping and I fell asleep, hit the central barrier (luckily going really slowly) then limped the car to a layby. It was 3am but I phoned a friend whose house I could almost see in the distance and just before her phone rang she stared at it, knowing it was going to ring. Pets; yes, a nearly-11-year-old (on Boxing Day) Jack Russell dog. I’m no maths expert but yes, knitting does look very logical. :) Favourite flower, easy: gerbera. The Chicago Style Manual doesn’t annoy me but then I don’t use it. :) I don’t know who started the rumour but it wasn’t me – I can’t ever remember dying but think I’ve come pretty close and I do remember falling horizontally in my bed one night then read the next day that a woman had been in bed and her floor had collapsed sending her (and the bed) down a floor… I remember that to this day (clearly). Thank you, some wonderful questions!

I then invited Franki to include an extract of her writing:

May 1886

Amherst, Massachusetts

Emily Dickinson burned with the desire to be loved. She felt somehow that her feverishness was merely a manifestation of her yearning to be freely accepted for who she was.

To be free …

She craved acceptance after so much rejection, indifference, and isolation. Everywhere there were judgments. Always other people had their judgments. Emily was too unconventional. She didn’t follow social protocol. She longed to be accepted in the same way she had opened her heart and warmly accepted Nature just as she found it. No man-made conception of “perfection” was required. No judgments or changes were necessary when you truly loved. But she hadn’t found that love from any male human being. The true love of her life had rejected her for someone more appropriate for his status in life. Yes, she had loved deeply in this life, but only Nature reciprocated that love.

Judgments were a way of life for “civilized” humans. How could a person be judged by the relative shade of their skin pigments? Yet masses of humanity had spilled rivers of blood over just such a concept—as if it actually made any sense…

Franki deMerle is the author of Dragonfly Dreams, Deception Past, and Ripples on the Surface. Her name is on the Wall of Tolerance at the Southern Poverty Law Center, Montgomery, Alabama, and at the Reverend Dr Martin Luther King Jr Memorial in Washington, DC, as a founding member of the Build the Dream Foundation. She was born in Memphis, Tennessee, raised in Huntsville, Alabama, and lives in the US Pacific Northwest.

If you are reading this and you write, in whatever genre, and are thinking “ooh, I’d like to do this” then you can… just email me and I’ll send you the questions. You complete them, I tweak them where appropriate (if necessary to reflect the blog ‘clean and light’ rating) and then they get posted. When that’s done, I email you with the link so you can share it with your corner of the literary world. And if you have a writing-related blog / podcast and would like to interview me… let me know. :)

You can sign up to receive these blog posts daily or weekly so you don’t miss anything… and follow me on Twitter where each new posting is automatically announced.

Unfortunately, as I post an interview a day (amongst other things) I can’t review books but if you have a short story or self-contained novel extract / short chapter (ideally up to 1000 words) that you’d like critiqued and don’t mind me reading it / talking about and critiquing it (I send you the transcription afterwards so you can use the comments or ignore them) :) on my ‘Bailey’s Writing Tips’ podcast, then do email me. They are weekly episodes, usually released Monday mornings UK time, interweaving the recordings between the red pen sessions with the hints & tips episodes. I am now also looking for flash fiction (<1000 words) for http://morgenbailey.wordpress.com/flash-fiction-fridays.

 

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Transcription of BWT podcast: Oundle Lit Fest (March 2011) – Day 2 of 5

The eighteenth special episode of the Bailey’s Writing Tips podcast was released on 9th May 2011 and featured the second day of five as a volunteer at Oundle Literature Festival here in Northamptonshire, England. The content has never been released other than website links (on my website http://www.morgenbailey.com).

Thursday 17th March: Sarah McIntyre, Children’s Illustrator & author

Introduced by Committee Member Leigh Giurlando, she explained that Sarah’s London studio, based in London, was a former police station which Sarah renamed The Fleece Station after her love of drawing sheep. Sarah initially talked about her children’s book ‘You can’t eat a princess’, featuring Princess Spaghetti, which she read out to the wonderfully enthusiastic audience of Years R, 1 and 2 (5-7 year olds) alongside projected stills of the book. Every few seconds she’d ask the audience questions and each time dozens of hands went up in the air. Looking around the room, all eyes were on Sarah in her colourful pink dress, furry bolero and jewelled headdress, especially captivated when she imitated voices of the characters including aliens, monsters, Princess Spaghetti and her father King Cupcake.

Sarah explained that she has been drawing since she was a toddler and professionally since she was the same age as the children she was speaking to, carting the pictures around her neighbourhood selling some for 10c. Other slides included early sketches of Princess Spaghetti and her father (which looked nothing like the finished characters). The rear inside cover of the book has about a dozen of nameless aliens so the next few minutes were spent with the children naming them with suggestions including Giggly, Jemima Cupcake, Greedy and Mr Five Eyes.

Sarah then drew an alien on a flip chart starting with a basic semi-circular body shape and three feet, each with three toes. Next she asked for a number of eyes and ended up with nine; one close to the body and eight on long stalks. With help from the children, she gave it a huge open mouth with five triangular teeth then added long lashes to the eyes. Giving it fish breath (delightfully depicted by a curly line with a fish at the end of it) and then seven arms, one holding his favourite food: poo ice cream. A long stripy curled up nose then followed just before another arm held a pen flavoured hot dog, topped by delicious blue mud. He was then given seven spiked hairy ears, pink pointy punky hair and a large pink moustache. Finally two of the children added some facial hair and suggestions from the children lead him to being named ‘Silly Bogey Rudra’. A poo tree was then added to the picture.

Pencils and pre-printed sheets with the original body shape were then distributed to each child who took to drawing their own alien with help from their teachers the festival volunteers. I was on pencil duty until everyone had them so I joined in providing limb suggestions.

Sarah then moved on to drawing a spaceship which she did again with initial suggestions from the children, allowing time for the children to draw their own on the reverse of their sheets while she continued hers.

Mentioned briefly at the start, Sarah’s other books include ‘Morris and the Mankiest Monster’ and ‘Vern and Lettuce’, and all three were available for sale at the Oundle Bookshop stand.

Once the spaceships were drawn, it was time for a Q&A session:

She was first asked whether she enjoys drawing, to which she asked the children whether they had enjoyed drawing your ship? (a resounding yes) and replied “Well, that’s the fun I have all day”. Next Sarah was asked whether she draws flowers and she showed us a mouldy flower she’d drawn in one of her books. She was then asked what it’s like to be an author? She said, “it’s really fun – I get to go places like this and I get to work with other authors, she then mentioned that one of her friends draws for the Beano but then said that sometimes it’s hard work.

To the question of what her drawings look like, Sarah explained that the initial drawings often look quite different to the finished version, as we had seen earlier with the Princess and King pictures. She was asked how much did she have to pay?

First of all I had to pay for printing, ink etc but then when you get successful people pay you. The final question was ‘How do you make the front cover?’ to which Sarah explained that she sometimes has to paint (ink and watercolour) the cover two or three times, although she said the ‘You can’t eat a princess’ book was right first time.

After the book-signing the children were then escorted back to their coaches and I was incredibly impressed at how organised they were, walking hand-in-hand, in pairs, out of the Great Hall in small, but uniformed, regiments.

Thursday 17th March: Literature quiz

I arrived back at the Great Hall after spending three hours wandering around the town (including a trip to Oxfam where I bought a notebook and DVD) and found that the hall was filled with tables in preparation for the evening’s literature quiz. Events Manager & Committee Member Simon Price, some of the other volunteers, and I then covered them with tablecloths while Community Events & Committee Member Paula Prince covered the main top table with a variety of wrapping paper, shoe boxes and other oddities. With a few minutes to spare before people arrived for the quiz, I was able to chat to Paula which was recorded as the first half of special episode no. 12, released on 22nd March.

As I was there in the capacity of paying member of the public, Paula wouldn’t let me in on any of the secrets (rightly so) and I’m glad she didn’t as not knowing made it all the more hilarious when she gave us the instruction to make her a present and wrap it in the shoe boxes. Two of my team mates were artists so made her a fantastic pair of biscuit and wool earrings, beautifully wrapped in a bowed box. In between the tasks we had rounds of questions on a variety of themes, during one of which we could play a joker. We decided to play it on the children’s round which turned out to be our strongest and I learned the next day that although we’d not won (the team who had, had won the previous year) we had in fact come second.

So, that’s what happened on day 2 out of 5 – links to the transcriptions of the other days will put listed on http://morgenbailey.wordpress.com/bwt-podcast when they’re posted.

 
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Posted by on September 27, 2011 in events, LitFest, podcast, writing

 

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