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Daily Archives: January 15, 2012

Guest post: ‘Writers Are the Market for the Publish on Demand Industry’ by John J Hohn

Tonight’s guest blog post, on the topic of self-publishing is brought to you by multi-genre author, guest blogger (twice)interviewee and poet John J Hohn.

Writers Are the Market for the Publish on Demand Industry

163, 036 self-published titles were launched onto the market in the United States in 2010, an increase of almost 260% from 2006, according to Browker who track trends in publishing. Nearly the same number was published in Great Britain. Amazon lists 3,000,000 plus titles available for sale. 288,355 new titles and editions were published in the United States in 2009.

Self-publishing makes it possible for anyone to break into print. Agents and editors at one time controlled who was admitted into the ranks of the published and only writers who brought either great talent or great ideas (if not both) were considered. Once a writer’s work was accepted, rounds of rewrites followed before the final draft was approved. Agents and editors are still their desks, but writers by the thousands stride right past them into an arena where they are fair game for printers, publishers, publicists, reviewers, web site designers, seminar moderators, consultants, how-to gurus software merchants, graphic artists, layout specialists and who knows what else. Writers, not the reading public, have become the market for the publish-on-demand industry. There is blood in the water and the sharks are circling.

The first thing the unpublished writer must do is back out of the word-processing program and slow down. Finishing a book is exciting but the eagerness fanned into impatience is dangerous. The minute writers finish a manuscript, like it or not, they become business owners. They need to get quickly up to speed on running a small business. Bad decisions waste precious time and capital, and can be a drag on the creative spirit.

Bringing a product to market involves several critical steps, not the least of which is quality control. Publishers who print on demand do not proof read manuscripts. They don’t even read them. Any errors in grammar, spelling, punctuation and usage will pass directly into the finished product only be cited by reviewers to the author’s embarrassment. Catching copy edit errors is the job of a good proofreader, a professional, and yes, they charge for their services, sometimes as much as $.02 a word or more. A 90,000-word novel can cost $1,800—more than the cost to print the book.

There is little point in subjecting a manuscript to a proofreader if a story editor has not read the manuscript. Story editing is a specialty. A good editor will look for the chronology of events in a story, the credibility behind what occurs, the thoroughness of character development, and may extend a critique to include writing style, dialogue, and descriptions. Story editors are expensive. Good editors charge more and have plenty of work on their desks to complete.

Publishers may provide both proofreading and story editing service for an additional charge. The fees, however, may not be the most competitive. It pays to shop around. Publishers also often offer layout and cover design services. Again, it may pay to shop to at least substantiate that a competitive price is being offered.

Once a book is produced, the hard work of promoting it begins. Many publishers, often for an additional fee, will send copies out to reviewers with established internet sites—like Norm Golden’s BookPleasurese. Reviews do not necessarily sell books, but it is far better to have them published, especially on Amazon, than not. Some reviewers, including venerable Kirkus, now charge for reviews. Writers need to decide whether the expense is worth it.

As for distributors, John Kremer writes, “Most distributors… aren’t likely to take on distribution of a single POD (printed-on-demand) book. POD does not lend itself to distribution via distributors, except in the case of backlist books that are being kept in print only via POD.”  POD publishers may list several well-known names in the distribution field such as Ingram and Baker and Taylor, but it is window dressing. Distributors of good standing offer larger retailers the privilege of returning volumes that do not sell. POD books are not returnable under most of the programs of this type. One publisher, Outskirts Press, charges writers $499 per year so that retailers can return books. The writer who pays the fee can kiss the money good-bye because retailers will not carry POD books as a matter of policy. Placing a call to a retailer in search of a POD book meets with the reply that it is not in stock but can be ordered. The records that the retailer has available on computer designate the book as POD which automatically means that no return privilege is extended—even though the author has paid the publisher a fee to make it available.

It is the author’s job to get books on bookstore shelves, either on consignment or the rare storeowner will buy volumes at a wholesale price. Consignment agreements, the most popular format, usually split sale proceeds on 60/40—60% to the author and 40% to the storeowner. Most bookstores are eager to help a local author on consignment. They typically will have a consignment agreement under the counter ready for signature and willing take on four to six volumes, often with the suggestion that the author schedule book-signing in the store.

The economics of self-publishing are daunting. In shopping for a publisher, authors need to keep any eye out for profitability. Several cost factors need to be considered. The most critical is the price the publisher charges the author, especially if the author wants to sell most of the books online. The second important consideration is the price at which the book will be offered to the buying public. Writers should work with a worst-case scenario. Only a handful of POD books each year will sell more than a few hundred copies. The majority will sell less than 200, which means that most writers will fall far short of recovering expenses. However tempting it may be, it is a mistake to think in the thousands because it will lead to overspending on expenses.

Writers may choose to sell books personally to family and friends because the margin is higher when they do. Other costs are involved, however. The author pays to have books shipped from the publisher, perhaps as much as $.90 per volume. If the author is mailing books out to buyers, those shipping costs also become part of the overhead.  In the United States, the lowest rate for media mail at the time of this writing was $2.78 and the cost of a padded shipping envelope somewhere in the neighborhood of $.70. If a writer is traveling to place books on consignment with dealers or appear at signings, the going rate is $.40 per mile according to the IRS. In short, unless a writer hits the jackpot, he or she is working for less than minimum wage.

This posting, because of space considerations, touches lightly on the issues for the writer in self-publishing. More information is available online and writers, especially those who are just entering into the field, are urged to research the topics introduced here more thoroughly on line. LinkedIn is home to several groups for writers that routinely address issues for the beginner. John Kremer has a free web site that is a wonderful forum for writers to share experiences. Prededitors is a web site that provides background on publishers and editors. It is a critical site to visit before hiring anyone for any task in the publishing process. There are no easy paths. Shortcuts lead to disappointment and heartache. Good luck.

Thank you again, John, this is brilliant! I’d always welcome a part two (and three… and four… :))

A Midwesterner by birth, John J. Hohn claims Yankton, South Dakota as his hometown. He graduated from high school there in 1957. After four years earning degree in English at St. John’s University (MN), he became a teacher. His first wife, Elaine Finfrock, also of Yankton, and he had five children; four sons and a daughter. They divorced in 1977.

In 1964, John joined The Travelers in Minneapolis, MN and began what a 40-year career in the financial services industry. During that time, in addition to The Travelers, he held positions with Blue Cross / Blue Shield of Minnesota, Wilson Learning Corporation, and Wachovia Bank and Trust. Hohn retired at the end of 2007 after 17 years as a Financial Advisor with Merrill Lynch in Winston-Salem, NC.

In 1986, he married Melinda Folger McLeod and gained a stepson. Currently, the couple divides their time each year between a cabin near West Jefferson, NC and a cottage in Southport, NC. In addition to writing, Hohn enjoys golf, music, and reading history. He has already begun work on his second novel, a sequel to Deadly Portfolio: A Killing Hedge Funds. As yet no title has been announced for the new book.

You can also read John’s guest blog 1, guest blog 2interview and poem.

If you would like to write a writing-related guest post for my blog then feel free to email me with an outline of what you would like to write about. If it’s writing-related then it’s highly likely I’d email back and say “yes please”.

The blog interviews return as normal tomorrow morning with prolific thriller (and vampire!) novelist Stephen Leather – the two hundred and fiftieth of my blog interviews with novelists, poets, short story authors, bloggers, autobiographers and more. A list of interviewees (blogged and scheduled) can be found here. If you like what you read, please do go and investigate further. And I enjoy hearing from readers of my blog; do either leave a comment on the relevant interview (the interviewees love to hear from you too!) and / or email me. You can also read / download my eBooks and free eShorts at Smashwords.

 
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Posted by on January 15, 2012 in ebooks, novels, tips, writing

 

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Bailey’s Writing Tips podcast ‘short stories’ episode no.5

Bailey’s Writing Tips podcast ‘short stories’ episode number five was released today, Sunday 15th January. Part of a fortnightly series tucked in between monthly hints & tips and red pen critique sessions, I’ve been starting off the first few weeks with the flash fiction that have appeared on this blog as ‘Flash Fiction Fridays’, reading out three per fortnight. Eventually I’ll run out so should you like to submit your own feel free to email me (morgen@morgenbailey.com).

This episode’s stories were ‘The Grey Stones and Leaden Cross‘ (520 words) by Issy Flamel (who also brought us ‘The Ruby Stradivarius‘ back in episode 002),  ‘Loss‘ (314 words) by yours truly, Morgen Bailey :) and a 548-worder entitled ‘That old feeling‘ from regular contributor JD Mader who offered his story ‘Green‘ for the first red pen critique session (I’m looking for more of those by the way).

I wasn’t critiquing the stories in this episode but just simply reading them out and I hope you enjoy this format.

The podcast is available via iTunes, Google’s Feedburner, Podbean (when it catches up), Podcasters (which takes even longer) or Podcast Alley (which doesn’t list the episodes but will let you subscribe). Total running time this week was 12 minutes and 30 seconds.

This episode’s contributors were:

When not writing, and being mentioned on The Society of Authors website, Issy Flamel can be found hanging out on Twitter and in the depths of Radio Litopia and WriterLot where you can read equally atmospheric and haunting pieces from the minute-long ‘Cherry Blossom’ to a make-yourself-comfortable 12-minute ‘Gloriana’.

Morgen Bailey, me, is (am) a podcaster, blogger and writer of fiction and articles about writing (a new one’s coming out on Fiona Veitch Smith’s website in the next day or two). My blog is, here, http://morgenbailey.wordpress.com and my eBooks are available on Smashwords.

J D Mader is a teacher and writer / musician based in San Francisco.  He has been fortunate enough to encounter many giving and inspiring people in his life.  He hopes to repay the debt.  And to make enough money with his writing to buy a house. You can help him buy a brick (although I think the eBook is actually cheaper!) by checking out his debut novel ‘Joe Café’ and there will be more soon. He’s done a lot for my blog so probably the easiest way is to read them all is via the ‘Contributors‘ page… just scroll down to the Js (although not too quickly in case there are some other authors you like the sound of :)).

Thank you for downloading and / or listening to this short story episode. I hope you enjoyed it and I look forward to bringing you another a fortnight. In the meantime, next Monday’s episode will likely be a hints and tips episode as I’ve run out of stories or novel extracts to red pen! So if you’d like to submit yours for consideration (or stories for these episodes) you can email me at morgen@morgenbailey.com. All the links mentioned in these shows are listed on the podcast page of this blog.

 
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Posted by on January 15, 2012 in podcast, short stories, writing

 

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