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Monthly Archives: March 2012

Author Spotlight no.72 – Mollie Carson-Vollath

Complementing my daily blog interviews, today’s Author Spotlight, the seventy-second, is of memoirist / children’s author Mollie Carson-Vollath.

Mollie Carson-Vollath was born in New York.  She has owned dozens of ferrets over the past three decades, most of whom she adopted from rescue shelters.  An avid reader, Mollie has been writing for most of her life. Terrence O’Ferret, her first book, tells the story of how she came to own her first ferret when she was a young girl, back when not many people even knew what ferrets were.  A portion of the proceeds from Terrence O’Ferret goes to benefit Father Nature’s Ferret Rescue.

And now from the author herself:

How Terrence O’Ferret Came to Be:

Well, the book tells the story of how I discovered ferrets. This is the story of how the book got made.

One morning, 4:00AM, I was lying in bed trying to get back to sleep.  My mind wandered back to my first ferret, and I thought, I should write down everything about him that I want to remember.  So I fumbled around for my old Treo, typed up about 3 paragraphs, and went back to sleep.

For some reason, of all the things I have written, those few paragraphs were what stuck in my mind when I decided to illustrate and publish a full-blown professional book.  So I spent several months doing just that, and there you have it.  It’s been far more work, and far more fun, and far more rewarding, than I would have believed.

For example, there were very few original photos of Terry.  So Father Nature’s Ferret Rescue stepped in, providing a stunt double (Vixen), and a few fun hours playing with her, coaxing her to chew up shoes (she didn’t need much encouragement!), and taking hundreds of photos.

I hope people will enjoy reading my book as much as I enjoyed writing it!

Thank you, Mollie. You can find more about Mollie and her writing via her website and Terrence O’Ferret is available from Amazon.com and Amazon.co.uk.

The blog interviews will return as normal tomorrow with humourist and satirist Joel White – tomorrow, April Fool’s Day! – the three hundred and twenty-sixth of my blog interviews with novelists, poets, short story authors, biographers, agents, publishers and more. A list of interviewees (blogged and scheduled) can be found here. If you like what you read, please do go and investigate further. And I enjoy hearing from readers of my blog; do either leave a comment on the relevant interview (the interviewees love to hear from you too!) and / or email me. You can read / download my eBooks from Smashwords, Sony Reader Store, Barnes & Noble, iTunes Bookstore and Kobo (Amazon to follow). And I have a new forum at http://morgenbailey.freeforums.org.

 
 

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1st Anniversary: Author Word Search

To celebrate this blog’s first anniversary today (woo hoo!) I thought as a bit of light relief, you might like to have a go at the following word search I devised last year for a local library’s teenage writing group I helped at.

There are 37 children’s authors here: some surname only, some first name, some both (as separate words or together). Some of the authors have also written (and are best known for) adult stories but they have all written children’s. It would be too easy to give you the names to find so I haven’t. :)

The person to email me the highest number of correct* author names by midnight UK time on Monday 30th April will have a <1,000-word short story written for them (by me). :)  *The names on my list, there may be others, and the judge’s (my) decision is final.

The winner is to give me two characters’ names, a location, dilemma and genre, and the story I write (dedicated to the winner) will be published on this blog on Friday 11th May (with the link on the Flash Fiction Fridays page). I will then record it and podcast it to the world (well, I do know there are listeners in most corners of it :) ) on Sunday 17th June. If there’s a tie, I’ll write more than one story, to be published together on those dates.

OK, here goes…. have fun. :)

 
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Posted by on March 31, 2012 in childrens, competitions

 

Flash Fiction Friday 028: ‘Refugees in the caves’ by Joy V Smith

Welcome to Flash Fiction Friday and the twenty-eighth piece of flash fiction in this new weekly series. This week’s piece is a 753-worder by Joy V Smith.

Refugees in the caves

“The lights in the sky are coming!” The group slumbering in the valley roused and grumbled. “It’s the old one fussing again,” complained a youngster, ignorant of his history and how the old one had led the tribe out of danger over the years.

Gnarrs raised his head and stared up. The sky lights did seem to be moving overhead and glowing as they passed. In the far distance towards the big water, a light bigger and brighter than the rest flew downward, and then blew back towards the sky. Now the darkness of night was gone and the sky was brighter than the day. Then came the roaring sound and the wind; trees toppled, and the herd fled.

The group had scattered, splintering into ones and twos and family units. Gnarrs led his mate and their three younglings away from the light behind them; and yet, though the dark of night had finally returned, the glow brightened and spread towards them. Larssa looked down at her children crowded close to her. “It’s brighter, isn’t it?” she said. “It’s growing, I think.”

“Yes, I think it’s burning. I remember the loud lights from the sky and how the trees burned and before that there was a mountain that burned. My father told me of that. The burning filled the trees.” It was the old one who had caught up with them.

“How did you escape, Grandfather?” Gnarss asked.

“Water sometimes, if it was wide enough. Or holes in the rocks. Deep holes. There were holes in the valley, but it’s too late to go back there. But I’ve heard of caves near the falling water. We pass it on the migration.”

“That’s far,” said Larssa, touching her daughter gently. “Can the children keep up? We can’t stop often.” She stared at the glow behind them fixedly until Gnarrs nudged her firmly.

“We start now,” he told her.

Two days later the glow was brighter, and sometimes sparks flew into the trees scattered behind them, but the fires didn’t spread.

The old one was standing and looking around him. “The water is too far; it’s on the other side of the mountain. We must turn and head toward the mountain. We won’t move ahead of the burning as fast, but there may be holes in the rocks near the mountain’s foot.

In another day they were climbing the foothills and an occasional spark landed and charred their hair.

“I smell water,” little Gnapps squealed. He was thirsty and had been sniffing for water for a long time. He ran toward the smell, but stopped short at the darkness in front of him.

“Good boy,” said the old one approvingly. “It’s a rock hole. In we go to see if it’s big enough for us.” Larssa moved swiftly in first to see if it was safe. Her daughter was close behind, and the rest flowed in, expedited by sparks falling on their rough coats.

Inside, Gnarrs led the way slowly, feeling his way in the dark and warning the others not to crowd him. The rocky floor was uneven, and the further in they went, the colder it got. “How long do we have to stay in here,” Larssa wondered.

“A long time, I fear,” said the old one. “This burning is bad.”

“What about food? Larssa asked, as tummies rumbled around her.

“We sleep. The cold will help us sleep. My father’s father told me that trick.” The old one didn’t add that often the sleep didn’t end. The floor was hard, and Larssa wished they had brought in grass for bedding at least, but when it got too cold to walk any further, they all lay down and slept. The old one was the last to close his eyes. “I may not wake up,” he thought, “but I may have saved them.”

*****

The miners had carved their way into the mountain of coal–blasting and digging. “Hey, there’s a tunnel here already, Jimmy, and caves. It’s a dry cave; there’s no stalactites or anything, but it’s cold like a freezer. Brr. I’m going back out to get warm.”

The next day the miners were eating lunch and waiting for the scientists to arrive to check out their find when one of them looked up and said, “Holy Cow! Look at that!”

Coming down the path the machines had created was a small herd of woolly mammoths, a bull, a cow, three calves, and trailing behind them, looking around in amazement was another bull.

Thank you Joy, I loved that.

Joy was born on a farm in Wisconsin and still love barns and the smell of silage (“an acquired taste,” she says).  She lived in Boston after graduating from college, and is now back in Florida (not retired) where she spent some of her childhood. After selling wildlife habitat in the country, she bought a foreclosure earlier this year and had to replace the kitchen, among other things. They’d even taken the kitchen sink! Thanks to NaNoWriMo (National Novel Writing Month), which takes place each November, Joy’s now written three novels. She three blogs: her writing blog, her media blog and her house blog.

If you’d like to submit your 1,000-word max. stories for consideration for Flash Fiction Friday take a look here.

The blog interviews will return as normal tomorrow with non-fiction author and journalist Bruce Moore – the three hundred and twenty-fifth of my blog interviews with novelists, poets, short story authors, bloggers, biographers, agents, publishers and more. A list of interviewees (blogged and scheduled) can be found here. If you like what you read, please do go and investigate further. And I enjoy hearing from readers of my blog; do either leave a comment on the relevant interview (the interviewees love to hear from you too!) and / or email me. You can also read / download my eBooks and free eShorts at Smashwords, Sony Reader Store, Barnes & Noble, iTunes Bookstore and Kobo. And I have a new forum at http://morgenbailey.freeforums.org.

 
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Posted by on March 30, 2012 in short stories

 

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Guest post: Writing Female Characters by horror writer Armand Rosamilia

Tonight’s guest blog post, on the topic of writing alternative gender is brought to you by horror novelist, short story author and guest blogger Armand Rosamilia.

Writing Female Characters (As A Male)

My latest release, Dying Days 2, is the third book I’ve had the pleasure of writing about Darlene Bobich. She’s witty, has a great sense of humor, is far from superhuman… she cries, she has panic attacks, she gets depressed and hides under the covers for three days. Yet, when her life is on the line she can put a bullet between your eyes without flinching. In short, she’s pretty normal.

I’ve written many flash fiction pieces, short stories, novellas and novels over the twenty-plus years, and looking back, I see that (especially in the first eighteen or so) 99% of my main characters have been male.

Only in the last two or three years have I focused on mixing it up, with female characters taking charge in some stories. I’m not sure why. I’d like to think I’ve become a better writer, more comfortable giving life to any person regardless of gender, race, age, weakness or strength.

But I think there’s a simpler answer: I became Darlene Bobich when I started typing, and fell into the mindset of a character I have absolutely nothing in common with in real life.

Sure, I see her as pretty, feisty, someone intelligent and disarming. She covers all facets of a character, good and bad. At this point she’s simply writing herself.

I’m sure you’ve heard the story by now about how Joe Konrath, trying to sell his Jacqueline (Jack) Daniels series featuring a woman detective, became JA Konrath. Why? Because the thought process is that a woman writes and understands a woman, and men write about men. He proved that theory wrong with a great series of books, but I wonder if he’s the exception to the rule?

I’ve read many, many books in my life. I can also remember books that didn’t strike a chord with me and fell flat, and (without naming names) recently read three books in a row where men wrote female protagonists that were so one-dimensional it was sad. The leads were either Lara Croft Tomb Raider kick-ass, meek damsels in distress that needed a male minor character to save her, or a one-dimensional crack-whore with a heart of gold. Bleh.

I think I’ve done something original with Darlene Bobich and the Dying Days series by offering her up as a strong character, someone you can relate to, someone you root for when the zombies are surrounding her and the bad guys are at the door. She’s the twenty-eight year old you meet at the mall trying to sell you makeup so she can make her next car payment, unlucky in love and with too much self-doubt.

In the third book (Dying Days 2… trust me, it’s the third one) I introduced a tough-as-nails redhead named Tosha. She was written with more of that one-dimension Metal babe, sexual seduction, teaser and killer with no compunction mind-set.

And she’s all that and more, keeping the males in the story on their toes. She was fun to write and offered up so much tension in the story I sometimes forgot it was about zombies. She’s a bad ass, plain and simple… or is she? You be the judge, but in the end, after reading through the first draft, I knew there was more to her.

Don’t let that tough exterior, tight jeans and wink fool you. There’s something else going on in that pretty redhead of hers.

Will I keep writing female characters? Maybe. I never really put two and two together until this blog post. It’s not a conscious decision on my part, but I hope to.

I hope to write every lead character with many facets to the puzzle, whether male or female. I also hope the reader will enjoy the story and not worry about a male author writing in a woman’s voice.

Want to know more about the “Dying Days” series? Want to win free eBooks and maybe print books of them? My contest is simple: e-mail me at armandrosamilia@gmail.com with DYING DAYS in the subject line and I’ll enter you into the daily giveaway… also, post a comment here and you get another chance… follow my blog at http://armandrosamilia.com for yet another chance, and friend me on Twitter (@ArmandAuthor) and simply post DYING DAYS to me, and you’ll get another shot… nice and easy, right? If I get enough people joining in the giveaway there will be a print book given away that day!

“Dying Days” series information can be found here: http://armandrosamilia.com/dying-days-series.

Thank you Armand, great to have you back!

Armand Rosamilia is a New Jersey boy currently living in sunny Florida. His latest release, the horror short story collection, Skulls, is available now as an eBook. Previous releases include many, many zombie stories… and many more to come…  You can reach him at http://armandrosamilia.wordpress.com to talk about horror, zombies and the Boston Red Sox, and http://rymfirebooks.wordpress.com details all his releases.

If you would like to write a writing-related guest post for my blog then feel free to email me with an outline of what you would like to write about. If it’s writing-related then it’s highly likely I’d email back and say “yes please”.

The blog interviews return as normal tomorrow morning with historical and children’s author Connie Hannah – the three hundred and twenty-fourth of my blog interviews with novelists, poets, short story authors, bloggers, autobiographers and more. A list of interviewees (blogged and scheduled) can be found here. If you like what you read, please do go and investigate further. And I enjoy hearing from readers of my blog; do either leave a comment on the relevant interview (the interviewees love to hear from you too!) and / or email me. You can also read / download my eBooks and free eShorts at Smashwords, Sony Reader Store, Barnes & Noble, iTunes Bookstore and Kobo. And I have a new forum at http://morgenbailey.freeforums.org.

 
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Posted by on March 29, 2012 in ebooks, novels, short stories, writing

 

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Author Spotlight no.71 – Christopher Starr

Complementing my daily blog interviews, today’s Author Spotlight, the seventy-first, is of short story author, article writer and 30-day challengee Christopher Starr.

Christopher C. Starr is the author of The Road to Hell: The Book of Lucifer, the first novel in the Heaven Falls series. These stories examine the God’s relationship with Heaven and Earth, told through the eyes of the angels. The next book in the series, Come Hell or Highwater, is scheduled for late 2012 / early 2013.

Chris makes it a point to look at the dark side of his characters, both heroes and villains, and his work explores the “grey”—that place where good and evil come together in all of us.

When he’s not being chased out of churches, Chris enjoys comic books and movies, staying away from cemeteries, and poorly participating in P90X. He lives in Seattle with his wife, two kids (The Boy and the Honey Badger), and his husky, Rocky the WonderDog.

And now from the author himself:

I think honesty is the best policy as a writer. I know, I know, you’re saying, “Dude, you write fiction. About angels. Honesty? Come on.” Yeah, I know. But there’s a point to this: you have to say what you have to say.

As writers, we tend to err on the side of what sounds good, what looks good on paper, what we think will sell. We write for that ever elusive “reader” who inhabits our unconscious, the one telling us, “Oooh, don’t write that. What will Mom or Dad or Uncle Chuck or Rev. Wiggins think?” or “That’s not how King or Rowling or Collins or Grisham does it. I wonder if that will sell.” But that line of thinking does a disservice to you and to your real readers. If they want Rowling or King or Grisham, they’ll buy them. Those authors are not hard to find. Your readers want you. The real you. Honest to goodness you.

I wrote a book whose genre I honestly can’t place. Whether you are Christian or Muslim or Buddhist or Jewish, we all have these “fall from grace” stories. They are innately human, extremely basic stories. I chose to write about God and angels and about Lucifer specifically because it is the most prevalent “fall from grace” story I know. And I wanted to explore Lucifer’s fall from his angle, through his eyes, to better understand this intrinsically human idea.

Selling it wasn’t the reason I wrote it. I felt like writing it was my responsibility.

I think our mission as writers is to find that universal piece of us—whatever it is that unites us, makes us similar despite vast differences, that makes us human—and explore it, twist it, turn it, place it in unique and difficult situations. I write to explore good and evil, to explore the “why” of it all. I don’t think anyone is completely good or completely evil. I think we’re more complicated than that. I think it’s part of what makes us human. I write—we write—to use our stories to teach us about us. And you cannot do that if you aren’t honest.

Morgen: I agree about people not being good or evil – we are all capable of both, depending on our motivation and struggles… and our characters are too.

You can find more about Chris and his writing via his blog, Facebook and Twitter. And his book is available from AmazonBarnes & Noble and Smashwords.

The blog interviews will return as normal tomorrow with crime novelist, journalist and spotlightee Quentin Bates – the three hundred and twenty-third of my blog interviews with novelists, poets, short story authors, biographers, agents, publishers and more. A list of interviewees (blogged and scheduled) can be found here. If you like what you read, please do go and investigate further. And I enjoy hearing from readers of my blog; do either leave a comment on the relevant interview (the interviewees love to hear from you too!) and / or email me. You can read / download my eBooks from Smashwords, Sony Reader Store, Barnes & Noble, iTunes Bookstore and Kobo. And I have a new forum at http://morgenbailey.freeforums.org.

 

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Guest post: Self-publishing a children’s book by Sarahjane Funnell

Tonight’s guest blog post, on the topic of self-publishing her children’s book, is brought to you by children’s author, intervieweespotlight and guest blogger Sarahjane Funnell.

The launch of a Self-Published book – Phillipa Knickerbocker Glory and the Ice Cream Castle

It’s been a few months since my last post on Morgen’s blog so it is wonderful to have this opportunity again. The article featured my debut short story, the YA fantasy eBook ‘Blake’, which is my only YA story to-date, as my main fictional forte is writing children’s picture books for the 3-6 age range. I also mentioned in my last post that I was in the process of publishing my debut children’s picture book Phillipa Knickerbocker Glory and the Ice Cream Castle – a story about a young girl name Phillipa who encounters a deliciously-exciting adventure and, accompanied by her fluffy white cat Little Miss Whiskers, finds the Ice Cream Castle.

Publishing my own book has been an exciting journey and I am very pleased that I have a book I can call my own. From the initial process of finding a publisher, which happened by chance; my best friend met another Children’s Author named Claire Carpenter at a Toast Masters speaking event, they got talking and the author gave her business card for my friend to then to give to me. I contacted the author Claire and she recommended her publisher Gibson Publishing. I then looked up the company and found them to be very friendly with a personal approach. After an enquiry they sent me some samples of books that they had produced, including Claire’s children’s picture book Something Odd and immediately I knew I wanted to publish my books with them.

I’d briefly seen complicated adverts for various self-publishing companies in writer’s magazines and found it all to be very confusing. With Gibson the approach is completely personal and your book, your project, is treated exactly how it should be – a project of its own that meets your requirements. If my friend had never met Claire Carpenter, I probably would still be worrying which company to approach and how to get my book into print.

One of the main benefits to self-publishing your own work, despite having to outlay your own money, is you have the ability to decide exactly how your finished book will be, and your book literally becomes a business of your own.  From the initial consultation with the publisher and the illustrator, to seeing the finished product at printed proof stage, everything is completed to match your vision.

As an author when I write my books I see everything as a complete picture from start to finish from the smallest details to the colours, to the shapes, to the finished layout. It’s very important for me and how I work in a way where I have complete control over what the images look like and how the text sits on page.  The self-publishing process allows the author, if the author wishes, to take complete charge over how they envisage the images and my illustrator Amie, has been great at working with all my ideas, inspiration boards and instructions (of which there were many) that detailed everything from the colours of the walls in Phillipa’s bedroom, to the shape of the ice cream machine and the textures and mixed media quality to the illustrations – and, along with her illustrations skills and interpretations with my directions and lots of to-ing and fro-ing with the printers and the binding to ensure everything was perfect, the book is exactly how I pictured it would be. Even with the Twinkle Sprinkles ice cream toppings I have named for the ice cream sprinkles on the walls inside the Ice Cream Castle.

Regarding author promotion, working in full time in Beauty PR, I know how to promote my book within the media but, if someone doesn’t have a lot of skills in this area, the most important thing to do is to get to grips with social media. With Twitter and Facebook the world is your oyster. I’ve managed to find parent bloggers in all areas of the globe from America, Malaysia and the UK which means I can instantly widen my readership and promote my book to people in all corners of the globe from the click of a button on my mobile phone, on the way to work in the mornings.

As a self-published author, this venture takes dedication, drive and persistence. I spend my lunch hours from work in Starbucks with a cup of Earl Grey Tea and my diary where I call the media, arrange things such as branded stationary and call bookstores to arrange book signings. Doing this I’ve managed to organise 10 book signings with Waterstone’s, The National Trust and within Independent bookstores throughout the country. I’ve also registered the name Phillipa as a Trademark with the Intellectual Property Office and aim make the Phillipa brand a successful licensing option for toys, clothing brands and food products. When you have a business, however small, with determination and ambition the sky really is the limit. Even if you don’t have money or cannot get a loan, you can take small steps right away by righting down your ideas, building a contact list and researching bookstores whilst you save money or find a way to print your books if self-publishing is the route you choose.

I knew I believed in my idea and that people, parents and children would believe in it too. I also knew that ice cream was going to be a major trend this Spring / Summer and if I’d tried to get a publishing deal, if I was too be successful it would more than likely take a very long time, and by then, someone else could have filled the gap I spotted within the market as to my knowledge there aren’t really any other children’s books focused around ice cream.

With so many ideas for further books in the Phillipa series, myself, Amie and Russell are going to be working together on these next books. In July we start the illustrations for the second book – Phillipa Fairy Cake – and we already have a third book lined up which we will work on immediately after the second is completed. This means, by next August 2013, I am aiming to have all three Phillipa books on sale. Following that, all being well, the next ones will then be in progress and, hopefully so will other Phillipa related lines.

Like the success of Charlie and Lola, I hope Phillipa and all the next books following on from Phillipa Knickerbocker Glory and the Ice Cream Castle will be unique to the world of publishing and self-publishing, changing the stereotypes that sometimes surround the world of self-published works and, most of all, create a buzz within the world of children’s fiction as something incredibly imaginative, fun and inspiring. I want Phillipa books to be the type of stories that children want to read again and again.

See www.phillipaknickerbockerglory.co.uk for downloadable colouring-in pages, more information and to purchase the first in the series. It is also available from Waterstone’s, WH Smith and Amazon. For more information on self-publishing please visit Gibson Publishing.

Thank you Sarahjane, lovely to have you back and good luck with the rest of the series!

Sarahjane Funnell is the Regional PR Officer for LUSH Cosmetics and a newly published children’s fiction author. Predominantly she writes young children’s picture books and middle grade stories set in magical places and enchanted lands. You can find out more about Sarahjane via Twitter and her Blog.

If you would like to write a writing-related guest post for my blog then feel free to email me with an outline of what you would like to write about. If it’s writing-related then it’s highly likely I’d email back and say “yes please”.

The blog interviews return as normal tomorrow morning with crime and mystery author Jochem Vandersteen – the three hundred and twenty-second of my blog interviews with novelists, poets, short story authors, bloggers, autobiographers and more. A list of interviewees (blogged and scheduled) can be found here. If you like what you read, please do go and investigate further. And I enjoy hearing from readers of my blog; do either leave a comment on the relevant interview (the interviewees love to hear from you too!) and / or email me. You can also read / download my eBooks and free eShorts at Smashwords, Sony Reader Store, Barnes & Noble, iTunes Bookstore and Kobo. And I have a new forum at http://morgenbailey.freeforums.org.

 
4 Comments

Posted by on March 27, 2012 in childrens, ebooks, Twitter, writing

 

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Post-weekend Poetry 014: Phillip Ellis’ review of 101 Ways to Make Poems Sell

Welcome to Post-weekend Poetry and this week, rather than bring you a poem, freelance critic, poet, scholar and interviewee Phillip A Ellis reviews Chris Hamilton-Emery’s book ‘101 Ways to Make Poems Sell: The Salt Guide to Getting and Staying Published’.

There is a profitable business in how-to books about writing. Most of these are about the mechanics of writing, but a smaller subset deals with marketing one’s work as books or collections. Few of the latter subset deal exclusively with poetry, since many assume that you are writing prose nonfiction, or, even more narrowly, how-to books. This is what makes 101 Ways to Make Poems Sell an almost unique proposition. It is a how-to book about marketing poetry, with an emphasis upon collections, whether books or chapbooks. And it has been written by a poet and publisher, which helps make it even more authoritative. The end result is, as I hope to demonstrate, a book useful for poets wanting to take that step into seeing a collection of their work published.

There is a real need for books that concentrate on practical advice for poets at all levels of their careers. 101 Ways to Make Poems Sell fulfils that need, and it does so admirably. While it is a relatively slim book, at just under 140 pages, it is divided into four chapters, and an index. The chapters will be discussed in some detail shortly. But first, it helps to understand the central purpose of the book: it is a guide to marketing poetry, and poetry publications, so that your career as a poet can grow and develop. As a result, each chapter, and each of the 101 ways, is focussed on a specific, practical method of doing so. Since almost every chapter contains these ways, there are broad themes among them, and rough similarities.

Chapter one of 101 Ways to Make Poems Sell is the only chapter not to contain any of the ways. With the title “Making Poetry Submissions”, it covers the groundwork of preparing for a poetry book or chapbook. As a result, it concentrates upon the submission of individual poems, to magazines, as a necessary first step. And it also contains a list of 50 dos and don’ts, sound, almost aphoristic advice on getting those poems accepted by magazines and other markets. In a sense it is essential reading for novice poets, although its points are just as useful for established poets. 101 Ways to Make Poems Sell, since it is meant for the range of poets, from beginners to established poets, needs this chapter, and it leads into the following chapters as a matter of course.

Chapter Two of 101 Ways to Make Poems Sell follows on from the first chapter, as do the following chapters, by focusing on ways, as it were, of fleshing out the marketing plan that poets are encouraged to develop, in number six of those fifty dos and don’ts. The emphasis of this chapter is upon building relationships with your potential audience, and your fellow poets. While none of the ways are strictly applicable only to poetry, 101 Ways to Make Poems Sell emphasises the ways in which they aid and assist poets in their efforts, even if, in some of them, there is little that is overtly concerning poetry. In addition, there is a strong emphasis upon both new and old media, such as blogs, newsletters, and journals accepting book reviews. The end result is a chapter that emphasises the need to develop audiences by a variety of ways, not just solely through submitting to poetry journals.

Chapter three of 101 Ways to Make Poems Sell, in contrast, emphasises sorting your book, preparing it for publication. In this way it assumes that you have had a manuscript accepted, and ready for publication. The fourteen ways (making this the smallest of the four chapters) concentrate on aspects of the prepublication process. They also focus on elements of the final, published product that the author can assist the publisher with, so that there is a stronger consensus on the books (and chapbooks) and their potential for sales.  The ways covered are essential to the development of a strong sales strategy, and while they can be skimped (so to speak) by the poet, they really deserve the poet’s input as a means of getting the final product as attractive and saleworthy as is possible.

The final chapter of 101 Ways to Make Poems Sell covers selling your book. There is more to being a poet than getting books published, and doing nothing to sell them. This is because the current publishing climate requires the poets to assume most of the effort of publicity and promotion, so that there is a requirement on their part to work towards making the books a success. As has been required for most poets since time immemorial. Most of the ways covered in this chapter should be familiar from other publications about marketing books, yet it helps to have them together, and in a concentrated practical set of tips. As a result, this chapter is the longest, covering almost half of the 101 ways, and it is essential reading before you have started preparing a poetry manuscript.

This synopsis of the main points of each chapter leaves out some very important considerations about 101 Ways to Make Poems Sell. What of the tone, and the style of the book? Are both consonant with the avowed purpose of the book, and how do they aid it in its efforts? Essentially, the book is written in a fluid, conversational style that conveys a sense of the professionalism needed of a poet. As I say, it doesn’t matter how you write a poem, so long as you are a professional when it comes time to sell it. There are few overt colloquialisms, and this lends a sense of the book as an accessible and authoritative text on the subject. While the book aims at assisting the variety of poets, from newcomers to experts, the style caters for poets of all degrees of professionalism. It does not, that is, assume either too much or too little, and its tenor is perfectly suited for its individual audiences.

The mark of a good how-to book is the degree to which it sets out its aims, and in assisting us to achieve them. 101 Ways to Make Poems Sell sets out to demonstrate how we can sell books and chapbooks of our own poetry, in becoming, that is, established poets in the wider community of poets. And it does so by presenting fifty dos and don’ts, and 101 ways to sell poems, divided into four chapters of varying sizes. While the tone is fluid and conversational, it is consonant with its avowed aims, and its focus on assisting poets whose careers range from newcomers to experts. The end result is an excellent example of its genre, and an indispensible book for poets, one that should be read and annotated by every poet wanting to expand their career.

That’s brilliant, thank you Phillip.

Phillip A. Ellis is a freelance critic, poet and scholar, and his poetry collection, The Flayed Man, has been published by Gothic Press. Gothic Press will also edit a collection of essays on Ramsey Campbell, that he is editing with Gary William Crawford.

Phillip is working on a collection to appear through Diminuendo Press and another collection has been accepted by Hippocampus Press, which has also published his concordance to the poetry of Donald Wandrei.

Phillip is the editor of Melaleuca and furthermore has recently had Symptoms Positive and Negative, a chapbook of poetry about his experiences with schizophrenia, published by Picaro Press.

He can be found at The Cruellest Month and Symptoms Positive and Negative.

If you’d like to submit your poem (40 lines max) for consideration for Post-weekend Poetry take a look here.

The blog interviews will return as normal tomorrow with historical novelist Cynthia Haggard – the three hundred and twenty-first of my blog interviews with novelists, poets, short story authors, bloggers, biographers, agents, publishers and more. A list of interviewees (blogged and scheduled) can be found here. If you like what you read, please do go and investigate further. And I enjoy hearing from readers of my blog; do either leave a comment on the relevant interview (the interviewees love to hear from you too!) and / or email me. You can also read / download my eBooks and free eShorts at Smashwords, Sony Reader Store, Barnes & Noble, iTunes Bookstore and Kobo. And I have a new forum at http://morgenbailey.freeforums.org.

 
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Posted by on March 26, 2012 in ebooks, poetry, review, tips, writing

 

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Tuesday Tales 016: Date Night

Armed with their sixteenth prompt ‘night’, my tenth short story for online writing group ’Tuesday Tales’ is below. Tuesday Tales provides a new prompt each week, the members write a story inspired by it and post it on our blogs / websites. Then we email the link and first two or three sentences to Jean Joachim. She then posts them on the Tuesday Tales blog (on a Tuesday :) ), gives us that link then we go out and shout about it. So, without further ado, here is my 258-worder…

Date Night

Date night has become a weekly tradition you look forward to. Thursdays. When others go out with the lads… the girls… it’s just you and Evelyn. Your French Fancy. You think it’s corny but she still finds it funny – even after all these years.

She acts differently on a Thursday morning. More loving. Like a teenager, even. She becomes your Frisky French Fancy.

You’re a private couple and go somewhere different each time so no-one remembers you but always classy, expensive. You pay cash as if it’s going to impress but the only one who feels differently is you.

A young man with an ice bucket of individual red roses stands at the table and wishes you a Happy Valentine’s then asks if you’d like to buy a flower “for your lady”, which you gladly do, even though you’ve bought her an expensive bracelet.

You order steak, medium-well done, Evelyn has trout, and you talk about everything and nothing; work, the children – you still have plenty to say.

Sharing a caramel roulade takes you back to your first date and you mention it. She stops smiling and you see a tear forming.

“Je suis désolé,” you say, putting down your fork, and signalling for the bill.

You pay and leave the restaurant in silence, remaining so as you walk to the car park.

You kiss her cheek and she smiles briefly.

You open her door and she says a “merci”.

You watch her drive away, back to her family and you get in your car to return to yours.

***

PS. Evelyn / Evelyne means ‘little bird‘ or ‘hazelnut‘.

The links to the first seven prompts, and resulting stories, and the forthcoming prompts can be found on my new Tuesday Tales page here on this blog. Do go and check out the Tuesday Tales site.

So, not only can you read these stories but you could also write your own using the prompts given each week. There’s no word count limit. Single-word prompts are something I regularly give my Monday night workshop and it’s amazing how different our stories can be.

You can sign up to receive these blog posts daily or weekly so you don’t miss anything… and follow me on Twitter where each new posting is automatically announced. You can also read / download my eBooks and free eShorts at SmashwordsSony Reader StoreBarnes & NobleiTunes BookstoreKobo and Amazon, with more to follow. I have a new forum, friend me on Facebook, like me on Facebook, connect with me on LinkedIn, find me on Tumblr, complete my website’s Contact me page or plain and simple, email me.  I also now have a new blog creation service especially for, but not limited to, writers.

Unfortunately, as I post an interview a day (amongst other things) I can’t review books but I have a feature called Short Story Saturdays where I review stories of up to 2,500 words. Alternatively if you have a short story or self-contained novel extract / short chapter (ideally up to 1000 words) that you’d like critiqued and don’t mind me reading it / talking about and critiquing it (I send you the transcription afterwards so you can use the comments or ignore them) :)  on my ‘Bailey’s Writing Tips’ podcast, then do email me. They are weekly episodes, usually released Monday mornings UK time, interweaving the recordings between the red pen sessions with the hints & tips episodes. I am now also looking for flash fiction (<1000 words) for Flash Fiction Fridays and poetry for Post-weekend Poetry.

 
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Posted by on March 26, 2012 in ebooks, short stories, writing

 

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Bailey’s Writing Tips podcast – short stories episode no.9

Bailey’s Writing Tips podcast ‘short stories’ episode number nine went live tonight.

I’ve been starting off the first few weeks with the flash fiction that have appeared on my blog as ‘Flash Fiction Fridays’, reading out three per fortnight. Eventually I’ll run out so do email me should you like to submit your own.

This episode contained four stories: ‘Fragments from the past’, a 773-worder by Cindy Vaskova,  ‘Discarded’ (279 words) Karina Kantas, and two stories by AJ Kirby: ‘Desire’ (127 words) and ‘The Birthday Cake’ (159 words). See these green links to read the stories… and / or you can hear my dulcet tones on the podcast.

The podcast is available via iTunesGoogle’s FeedburnerPodbean (when it catches up), Podcasters (which takes even longer) or Podcast Alley (which doesn’t list the episodes but will let you subscribe).

Cindy is a first year student in Journalism.

Other than that normal bit of her life, she writes short fiction stories – every Friday, and has a novel in progress in the background to which she dares go near from time to time.

Cindy has her own blog, where she posts her writings, while doing some tweeting in between.

Karina Kantas writes novels, short stories and when her imagination is working over time, she writes thought-provoking / dark flash fiction. She writes in the genres of fantasy, sci-fi, horror, romance, YA and thrillers and is presently working on two new novels: Road Rage; an urban thriller, and Broken Chains; MI5 thriller.

With over thirty publications, Karina Kantas doesn’t just want to be known as an author of exciting motorcycle fiction, so she continues expanding her genre writing. She is also the owner and editor of http://www.urban-novels.com and can be found on Twitter.com and Facebook. Her inspirations are the author S.E.Hinton and the rock band Iron Maiden. ‘Discarded’ was originally pub in 2008 in Heads & Tales, Karina’s collection of flash and short, thought-provoking fiction.

AJ Kirby is the award-winning author of five novels (Paint this town Red, 2012; Perfect World, 2011; Bully, 2009; The Magpie Trap, 2008; When Elephants Walk through the Gorbals, 2007), two novellas (The Black Book, 2011; and Call of the Sea, 2010), one novelette (Bed Peace, 2011) and over forty published short stories. He is also a sportswriter for the Professional Footballers’ Association and a reviewer for The Short Review and The New York Journal of Books. He will return with more flash fiction on the Flash Fiction Fridays page on 13th April then 25th May. :) You can reach him via: Author website, Goodreads Author Page, Amazon Author Page, New York Journal of Books and Facebook Novel Home Page.

Thank you for downloading / listening to this short story episode and my other podcasts. They have, up to recently, been weekly but I’m embarking on editing my four novels so I have dropped the podcasts to fortnightly – one episode of short stories per month, one episode of hints & tips or red pen session.

All the details of these episodes are listed on the podcast page of this blog and my email address to submit a short story for critique (or review for the Short Story Saturdays) is morgen@morgenbailey.com.

The podcast is available via iTunes, Google’s Feedburner, Podbean (when it catches up), Podcasters (which takes even longer) or Podcast Alley (which doesn’t list the episodes but will let you subscribe).

You can read / download my eBooks and free eShorts at Smashwords, Sony Reader Store, Barnes & Noble, iTunes Bookstore and Kobo. And I have a new forum at http://morgenbailey.freeforums.org.

 
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Posted by on March 25, 2012 in ebooks, podcast, short stories, writing

 

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Author Spotlight no.070 – Stephen L Wright

Complementing my daily blog interviews, today’s Author Spotlight, the seventieth, is of Stephen L Wright.

Steve, who writes under his full name, Stephen L Wright, was born in Yorkshire, England; his father was a Methodist minister, so the family also lived in Derby and Kingston upon Hull.  He left school at 18 and went to college to train as a teacher.

His degree from the Open University came later, as part of a career working with or for young people; as well as teaching, Steve also worked on the government’s Youth Training Scheme in the 1980s and currently works as a Youth Officer in the Fire & Rescue Service. He still has a few more years of working ahead of him, but is looking forward to retirement!

Steve has always been interested in history, but his interest in World War II arose through his uncle, S/Sgt Billy Marfleet, who was a British Glider Pilot. He died when his glider crashed into the Channel on the night of 5/6 June 1944 – the start of the Normandy Landings. Steve wanted to know more about Billy’s experiences as a Glider Pilot, so he started researching. The result was ‘One Night In June‘, which he wrote with Kevin Shannon, and which tells the story of the operation in which Billy was involved.

Steve has also written magazine articles and is currently working on his next book.

As a dad and granddad, Steve has a lot of family time but he is also an improving golfer and banjo player.

And now from the author himself:

My interest in, and knowledge of wartime Airborne Forces, continued to grow and I began to read as much as I could find about Operation VARSITY. There wasn’t a great deal of information on this pivotal event, and the only book on the whole operation was in German. So, I continued my research, contacted archives and veterans and ‘The Last Drop; Operation Varsity March 24-25 1945′ is the result.

I call ‘One Night In June’ a labour of love, because it is family-related and it provided a lot of information that my family, particularly my mother who is Billy’s youngest sister, didn’t previously know. I would say the same about ‘The Last Drop’ because, although not family-related, it has brought me great satisfaction and encouragement, as well as a feeling of privilege to be entrusted with the stories from the men who took part in the operation; as long as the book is ‘out there’, their experiences will continue to live.

In compiling ‘The Last Drop’ I used an anecdotal format, only using editorial when necessary so that the greater part of the book is told ‘through the eyes’ of the men who were there as paratroopers, gliderborne troops, glider pilots and members of RAF and US Troop Carrier crews.  I received more than fifty accounts from American, British, and Canadian veterans and was granted permission to use others published in books. The stories add poignancy and vividness to the account of this operation. Many of the stories came via email or letter, but I did speak to a number of my contributors on the telephone or in person. As well as personal accounts I also drew on war diaries, unit histories and after-action reports.

Operation VARSITY was the last major airborne offensive of World War II and remains the largest and most successful single-lift airborne operation in history. It was conducted by the British 6th and the American 17th Airborne Divisions, which some three months earlier had been through the hell of the Ardennes. The goal of the operation was to protect the ground troops that would cross the River Rhine by amphibious means. It was a daylight landing on top of heavily defended and fortified positions. Paratroopers and gliders descended through a hail of fire. Once on the ground many had to resort to hand to hand fighting to gain their objectives. All this took place in the fog of a smokescreen created to cover the ground troops who were crossing the river. Casualties, as will be imagined, were not slight and acts of valour were witnessed across the battlefield. The end of the day saw all objectives won and the awarding of two Congressional Medals of Honor, a Victoria Cross and a Conspicuous Gallantry Medal.

Thank you, Steve. You can find more about Steve’s books via… Amazon.co.uk and Amazon.com. :)

The blog interviews will return as normal tomorrow with editor and publisher Kim Maya Sutton – the three hundred and nineteenth of my blog interviews with novelists, poets, short story authors, biographers, agents, publishers and more. A list of interviewees (blogged and scheduled) can be found here. If you like what you read, please do go and investigate further. And I enjoy hearing from readers of my blog; do either leave a comment on the relevant interview (the interviewees love to hear from you too!) and / or email me. You can read / download my eBooks from Smashwords, Sony Reader Store, Barnes & Noble, iTunes Bookstore and Kobo (Amazon to follow). And I have a new forum at http://morgenbailey.freeforums.org.

 

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Short Story Saturday 007: ‘Claws’ by Stephen Booth

Welcome to the Short Story Saturday and the seventh review in this new series. This week’s review is of ‘Claws’ by crime novelist Stephen Booth. It is the longest of the stories I have reviewed so far at, I estimate, c. 15,000 words.

Amazon.co.uk’s description of Stephen’s book reads: “Derbyshire Police Detective DC Ben Cooper is on assignment to the Rural Crime Squad to investigate wildlife crime. On the wild Peak District moorlands, Cooper steps into the middle of a conflict that has been raging for years over one of the most prized landscapes in the National Park. Many lives are at stake. And, in this battle, not all the victims are human.”

The shortest hooks are often the most catching and this story’s, ‘The bones were tiny’, certainly grabbed me.

I’d not read the back cover blurb or Amazon’s description before starting the book and you would have thought that the title and seeing a bird on the front cover should have given it away, but my first thought that they were children’s bones and although I soon learned of the true origin, the story was so compassionately narrated that I felt equal affinity to them, and compelled to read on.

Having read Stephen’s writing before, and met / interviewed him, I know his work to be dark (which I love, and write) yet he gives a light touch to his characters. There is a warmth to even the strangest of creatures, in this case bird collector Kevin Hewitt, and although he is the antagonist in ‘Claws’ there are instances where I felt sorry for him. Only just. :)

A good story entertains and educates and it ticked both boxes for me. Although I have been to the Peak District a few times I know little of the area and the policing that is involved. I was carried along with the description of the procedures rather than bogged down by them and found it really interesting.

My favourite line of the book was at the end of chapter 1: “She did speak to us,” said Cooper. “Around here, that means we’re practically best friends.” It shows the skill of such a writer to create subtle humour within their characters, and the rapport between DC Cooper and his colleague PC Tracy Udall would make me want to read other books featuring them, which I’d say is the success of any piece, especially such a short one.

And the downside? There wasn’t one, it’s an easy read, although I did spot a typo on page 38. :)

‘Claws’ is one of a series of Crime Express, priced at an RRP of £4.99, of a similar stature to ‘Quick Reads’. Others in the Five Leaves Publishing’s Crime Express range include Ray Banks’ ‘California’, Danuta Reah’s ‘Not Safe’, Rod Duncan’s ‘Mentalist’, John Harvey’s ‘Trouble in Mind’, and Charlie Williams’ ‘Graven Image’. ‘Claws’ is available from Westlea Books in various formats, as a paperback from Amazon.co.uk (£3.69), and as an ebook from Reader Store and Smashwords ($0.99), Amazon.co.uk (£0.72) and wherever good books are sold (as the saying goes). :)

Stephen’s website is http://www.stephen-booth.com and he’s prolific on Twitter and Facebook.

A former newspaper journalist, Stephen Booth is the creator of two young Derbyshire police detectives, DC Ben Cooper and DS Diane Fry, who have so far appeared in 11 crime novels, all set in England’s beautiful and atmospheric Peak District. The Cooper & Fry series has won awards on both sides of the Atlantic, and Detective Constable Cooper has been a finalist for the Sherlock Award for the Best Detective created by a British author. In 2003 the Crime Writers’ Association presented Stephen with the Dagger in the Library Award for “the author whose books have given readers most pleasure”. The novels are sold all around the world, with translations in 15 languages, and are currently in development as a TV series. The most recent title is The Devil’s Edge. His other books include Lost River, The Kill Call, One Last Breath, and Blind to the Bones.

Biography taken from my interview with Stephen last October – which you can read here.

UPDATE FROM STEPHEN VIA TWITTER: “15,000 words is spot on, Morgen. That was the specification for a Crime Express title, though it’s been extended since.” Woo hoo! :)

If you’d like to submit your story (50 to 2,500 words) for review take a look here. I am also looking for flash fiction (<1000 words) for Flash Fiction Fridays (which are usually later podcasted).

The blog interviews will return as normal tomorrow with writer, editor and publisher Kim Maya Sutton – the three hundred and nineteenth of my blog interviews with novelists, poets, short story authors, bloggers, biographers, agents, publishers and more. A list of interviewees (blogged and scheduled) can be found here. If you like what you read, please do go and investigate further. And I enjoy hearing from readers of my blog; do either leave a comment on the relevant interview (the interviewees love to hear from you too!) and / or email me. You can also read / download my eBooks and free eShorts at Smashwords, Sony Reader Store, Barnes & Noble, iTunes Bookstore and Kobo. And I have a new forum at http://morgenbailey.freeforums.org.

 

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Flash Fiction Friday 027: ‘Baby Fat’ by Sheila Pearson

Welcome to Flash Fiction Friday and the twenty-seventh piece of flash fiction in this series. This week’s is a 837-worder by Sheila Pierson.

Baby Fat

Darlene’s mother dropped her off at the City Pool. They’d argued all morning over her bathing suit. Lindley and Jessica, her two best friends, were already waiting for her. With some hesitation, she grabbed her gym bag and got out of the car.

The girls ran off to the changing room. It smelled as if someone cleaned it with a gallon of bleach. Three sinks lined the wall on the right with a large metal-rimmed mirror above them. The City hadn’t updated the place in over 20 years, and leaks from the sinks, plus the water from wet girls running in and out, left the room muggy and the floor slick. Past the sinks was a wall of curtained stalls for changing. The opposite wall held toilet stalls. There were no showers.

Darlene put her suit on and looked in the full-length mirror in her stall. Besides her pimply face, braces and glasses she saw more things she hated about her appearance. She turned to the side. Her belly pooched out a little over her two-piece suit. Her boobs were tiny, yet to develop, with pointy tips poking at the thin fabric of the halter.

Lindley and Jessica called out for her to hurry up and headed on to the pool. Of course they looked perfect in their bikinis so they didn’t need to stand in the changing room analyzing every flaw. Lindley was 14, with long red hair, a shapely figure and had already kissed a boy, with tongue. Jessica was 13, same as Darlene, but she was tall and thin with a precocious confidence that belied her age. She had a heart-shaped smile and bright blue eyes. Although she was thin she always wore a padded bathing suit, the kind with ‘built-in’ boobs. Darlene’s mother flat-out refused to get her one of those, saying it was disgraceful for a 13-year-old to wear a bathing suit like that, hence the morning’s argument.

She stared at the loose band of fat across her middle that she couldn’t suck in no matter how hard she tried. The changing room was getting hotter the longer she stayed there. She had to make a decision – either go out there and face her fears or change back into her clothes and make an excuse to call her mom to come get her.

“Darlene? Where are you?” Lindley called out, returning for her friend.

“Still changing.”

“What’s taking you so long?”

“Well, I look like a shapeless wad of paper, I’m pale, I’m ugly and I don’t think I can do this.”

“I guess I shouldn’t tell you that some of the guys from the high school are out there now.” She laughed and pulled open the curtain. “You look fine Darlene. Come on.”

“Guys from the high school?” She was even more uncertain than before.

“Those guys aren’t into us. They’re too busy with the older girls, but one day you’re going to want a guy to look at you.”

“I don’t think so. I feel weird enough when one asks me if he can cut line in the school cafeteria.” Darlene crossed her arms over her chest and looked down at her feet.

Lindley shook her head, exasperated. “I’m going to pee and when I get done, we’re going out there.”

Darlene didn’t feel good all of a sudden. She ran to one of the toilet stalls and started throwing up. Maybe she was too hot. Maybe she was too nervous. All she knew is that she wasn’t going to be swimming today and felt immediate relief that she had a valid excuse.”

Jessica pushed the door open hard to the changing room, laughed and shouted, “What’s going on in here? It’s 96 degrees and the water feels fine. Let’s go girls!”

“Darlene is sick. She’s throwing up,” Lindley said as she emerged from the bathroom stall, adjusting her swimsuit.

“Crap! Now what? I guess you’re going home, huh?”

Darlene looked at them, very pale and shaking. “I guess. There’s something I haven’t told you. I think Pete did this.” She grabbed her stomach.

Lindley and Jessica looked at each other. When Jessica’s mom got pregnant five years ago with surprise sister number three, her mom sat her down and explained all about babies to her. Jessica tried to tell Darlene more than once about it but she didn’t want to know. Darlene was like that. She was very sheltered, always had been. Jessica and Lindley were both thinking the same thing.

Jessica reached out for Darlene’s hand. “Darlene, you can tell us anything. I always thought your mom’s boyfriend was a little creepy. What did he do? Are you…?”

Darlene looked confused. She held her stomach.

“What Jess is trying to say is did he hurt you? Did he have sex with you?”

“Gross! No!…. Gross!”

Lindley crossed her arms and immediately uncrossed them. “Well… what did he do then?”

“He cooked supper for us last night.” All three girls erupted in laughter until Darlene threw up again.

I asked Sheila what prompted this piece and she said…

Baby Fat was inspired by my own feelings at this age, my own self-doubt and insecurities. It was a time in my life where I was at the precipice of discovery, some of those discoveries good and some terribly disappointing. There were many questions with few answers, with a sense of impending change always circling about. I’m glad for every experience, even the awkward phases of life.

That’s really sad but we all go through it, don’t we. Thank you, Sheila, for sending your story to me.

Sheila Pierson is a writer and has finally come to grips with this, and without therapy. She has written short stories, essays and poetry since she was a young child, now pursuing this craft with the passion she has for it. She is currently working on a collection of short stories for publication. The novel always lurks in the shadows, grumbling in the corners of her bedroom just as she drifts off to sleep.

Sheila blogs at http://sheilapierson.wordpress.com and can be found on Twitter @sheilapierson1.

If you’d like to submit your 1,000-word max. stories for consideration for Flash Fiction Friday take a look here.

The blog interviews will return as normal tomorrow with creative non-fiction and educational author Mary Ellen Ryall – the three hundred and eighteenth of my blog interviews with novelists, poets, short story authors, bloggers, biographers, agents, publishers and more. A list of interviewees (blogged and scheduled) can be found here. If you like what you read, please do go and investigate further. And I enjoy hearing from readers of my blog; do either leave a comment on the relevant interview (the interviewees love to hear from you too!) and / or email me. You can also read / download my eBooks and free eShorts at Smashwords, Sony Reader Store, Barnes & Noble, iTunes Bookstore and Kobo. And I have a new forum at http://morgenbailey.freeforums.org.

 
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Posted by on March 23, 2012 in short stories, Twitter, writing

 

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Guest post: Writing Picture Books by Fiona Veitch Smith

A very warm welcome back to Fiona Veitch Smith who today is talking on the subject of children’s picture books…

Writing Picture Books

Easy, you say, 30 pages with only a few words on each: I think I’ll write a picture book. However, picture books are far trickier to write than you would first think.

Firstly, you have to tell a complete story in fewer than 1000 words, complete with set-up, character development and plot resolution. There is no room for the open-ended or sting-in-the-tail story that changes everything in picture book writing.

I found this the most difficult to achieve with the Myro the Microlight series (written by me for series creator, Nick Rose). There is a lot of ‘plot’ in each of the Myro books which was difficult to contain within the word count.

In the planning phase a lot of potential plot had to be cut out or held over for another story. This worked to the benefit of the series as there are a lot of books (6 published so far but another 18 in the pipeline!) and Myro gets up to all sorts of adventures.

For my Young David series it was slightly easier as there were fewer characters to consider and the stories are loosely based on the life of the Biblical King David as a child, hence the narrative arcs were already established.

Tip: picture books work best with a single narrative arc.

Secondly, for the children’s market you also need to be educational and entertaining at the same time; without being overtly ‘moralising’. Although one of the series I was involved in had a biblical theme, it was not the only one that was in danger of becoming too ‘moralistic’. The Myro series aims partly to instil good values in children such a friendship, honesty and kindness. All worthy attributes but we had to be careful that the adventure remained fore-grounded and any lessons learnt had to be simple sub-text to the character development.

With the Young David books, the ‘message’ is that even the youngest members of the family have value. The first book in the series, David and the Hairy Beast, also helps children (and parents!) deal with fears. I was really touched when one mother told me that her 5-year-old was having trouble getting to sleep because of some or other fear and the little one said: ‘Can we read the Hairy Beast, mummy? That always makes me feel better.’

Tip: Foreground the story, background the message.

And thirdly, there’s the obvious issue of writing to pictures. This has pros and cons for a writer. One of the challenges of writing to pictures is to remember that when you are writing, there needs to be an action a page. So too many actions in a paragraph will be problematic for an illustrator as he / she will not know what to focus on; too few (in a dialogue-heavy section) will not give them enough to work with. So the writer needs to think ‘visually’ even though he or she will not actually be doing the pictures. That being said, the illustrator for the Myro series (the very talented Lucy Bourn) preferred me to give illustration ‘suggestions’ with the original text. The illustrator for the Young David series, the wonderful Amy Barnes, preferred to conceptualise all the illustrations herself. Both illustrators did a brilliant job, but I had to work differently with each of them.

Tip: sub-plots can be carried in the illustrations alone. See for instance the hysterical antics of the sheep in David and the Hairy Beast and David and the Kingmaker. The majority of these were thought up by the illustrator and not written into the original text.

Thank you, Fiona, that was great.

Fiona Veitch Smith writes fiction and non-fiction for children and adults. She also writes for stage and screen and has been working on adapting the Myro the Microlight books for an animated series. She hopes David and the Hairy Beast will also make it to the screen one day. Her website is http://fiona.veitchsmith.com.

If you would like to write a writing-related guest post for my blog then feel free to email me with an outline of what you would like to write about. If it’s writing-related then it’s highly likely I’d email back and say “yes please”.

The blog interviews return as normal tomorrow morning with novelist and autobiographer Leila Tavi – the three hundred and seventeenth of my blog interviews with novelists, poets, short story authors, bloggers, autobiographers and more. A list of interviewees (blogged and scheduled) can be found here. If you like what you read, please do go and investigate further. And I enjoy hearing from readers of my blog; do either leave a comment on the relevant interview (the interviewees love to hear from you too!) and / or email me. You can also read / download my eBooks and free eShorts at Smashwords, Sony Reader Store, Barnes & Noble, iTunes Bookstore and Kobo. And I have a new forum at http://morgenbailey.freeforums.org.

 
 

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The 7th Annual Puerto Vallarta Writers Conference by Theodore P Druch

A few weeks ago I posted an announcement about this Puerto Vallarta conference and I’m pleased to bring a report from its director, and regular Flash Fiction Fridays contributor, Theodore P Druch.

The 7th Annual Puerto Vallarta Writers Conference

The 7th Annual Puerto Vallarta Writers Conference was a success in spite of my losing two major presenters.

Two weeks before the conference, Mitchell Wieland, editor of the Idaho Review, one of the top literary magazines in the US, informed me that he had suffered a herniated disc and would not be attending.

A little fancy dancing and I managed to get the other presenters to take on a bit more to make up for it.

Then, one week before the conference, Jacquelyn Mitchard, the keynote speaker, informed me that she had to undergo surgery and would not be able to attend either.

Luckily, we have several other conference organizers in our group, and I was able to secure the services of Caleb Pirtle, author of 55 books and a successful Hollywood screenwriter. Together with James Strauss, also a successful screenwriter, they kept us in stitches.

William C. Gordon, an author of detective fiction, and married to Isabel Allende, was tapped for the keynote speech and several workshops.

Marie Beswick-Arthur, a local children’s author, took over the children’s and young adults workshop and did a marvelous job with the help of Erin Staley, another of our published authors.

Dan Grippo and Joy Eckel, also local members did a workshop on editing and structure that got the highest marks of all.

Another of our members, Eileen Obser who teaches creative writing at several colleges and universities in the New York area presented three workshops on writing memoirs and essays.

Joseph M. Staszak, a publisher who lives in Mexico City handled workshops on e-publishing, and Luis Cotto, a professional photographer was flitting around all over the place taking photos that he will be offering free to all the attendees.

In addition, we had two agents in attendance, Marcy Posner of Folio Literary Management of NYC, and Susan Crawford of the Crawford Literary Agency, so everyone who had a book to pitch got to pitch it twice.

Several of us have already been signed.

The highlight of the conference was the Sunday Book Fair during which all our authors got to sell their books while the crowd was held entranced by a Mexican Folk Dance troupe and Mariachis, and fed their faces from several local Mexican food vendors who put up their tables on the grounds of the beautiful Los Mangos library that hosted the Conference.

All in all, a huge success.

Thank you, Ted, I’m so glad it went well.

Born in Milwaukee, educated at Brandeis and later at the Timothy Leary commune in Millbrook, NY, Theodore P. Druch, Ted to his friends, spent most of his life in trivial pursuits – like making a living. After chucking it all and traveling around the world for ten years like a dandelion seed on the wind, he settled in Puerto Vallarta, Mexico. He is an active member of the Puerto Vallarta Writer’s Group, and conducts a weekly workshop for serious authors. In the last two years, Ted has published four full-length non-fiction e-books, and is currently working on his first novel, a historical fantasy of 1492 called King David’s Harp. He fully expects it to be a blockbusting best-seller, filled as it is with pirates, adventurers, corrupt popes and priests, several heroes and heroines, and a search for clues to the hiding place of the harp of King David, the recovery of which might bring about the return of the Messiah.

Ted’s books are available at Amazon for the Kindle and at Smashwords for all other readers.

Footprints on a Small Planet is also available as a trade paperback through Amazon. Ted’s blog can be found at http://selfpublishedandbroke.wordpress.com and you can watch his African Odyssey trailer here.

You can also read some of Ted’s short stories on my Flash Fiction Fridays page. :)

If you would like to write a writing-related guest post for my blog then feel free to email me with an outline of what you would like to write about. If it’s writing-related then it’s highly likely I’d email back and say “yes please”.

The blog interviews return as normal tomorrow morning with novelist and autobiographer Leila Tavi  – the three hundred and seventeenth of my blog interviews with novelists, poets, short story authors, bloggers, autobiographers and more. A list of interviewees (blogged and scheduled) can be found here. If you like what you read, please do go and investigate further. And I enjoy hearing from readers of my blog; do either leave a comment on the relevant interview (the interviewees love to hear from you too!) and / or email me. You can also read / download my eBooks and free eShorts at Smashwords, Sony Reader Store, Barnes & Noble, iTunes Bookstore and Kobo. And I have a new forum at http://morgenbailey.freeforums.org.

 
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Posted by on March 22, 2012 in blog, events, novels, short stories, writing

 

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Author Spotlight no.69 – Ted Vestal

Complementing my daily blog interviews, today’s Author Spotlight, the sixty-ninth, is of non-fiction author Ted Vestal.

Author Ted Vestal’s most recent writing has focused on Ethiopia and the Horn of Africa and on the U.S. Supreme Court and human rights. In a career in International Education in both government service and the academy, he travelled the world in the cause of improving knowledge and understanding among people. He served as an executive in the Peace Corps in Washington and Ethiopia. In India, he was Resident Director of New York’s Educational Resources Center in New Delhi and was Director of OSU-Kyoto in Japan. He has been a professor, dean, and president of institutions of higher education. His writing is informed by 30 years of university teaching in fields ranging from comparative religions to civil liberties and civil rights.

A consultant to the Transitional Government of Ethiopia and an international election observer, Vestal testified in 1994 before the Committee on Foreign Affairs, U.S. House of Representatives on “Ethiopia: The Challenges Ahead.” In 2002, the Theodore M. Vestal Collection, featuring contemporary Ethiopian materials, was formally dedicated at the Oklahoma State University Library. In 2005 Ted held an endowed professorship in Current Issues of Ethiopian Studies at Hamburg University. During the past decade, he wrote expert witness affidavits and/or testified in over 110 political asylum cases involving Ethiopians and Eritreans seeking asylum in the United States. Vestal went to the University of North Texas on a music scholarship, attended Yale Law School, and received his Ph.D. in political science from Stanford. He is now Professor Emeritus at Oklahoma State University.

And now from the author himself:

In 1959, when I got out of the army and began my first full-time academic position at Southern Methodist University, I was fortunate to have several colleagues from what Tom Brokaw called the greatest generation. Those survivors of the Great Depression and veterans of World War II were wonderful role models for new, young faculty and openly talked about the purpose of the professorate being the search for truth. That goal informed their writing and teaching. Over the years, however, the idea of seeking the truth seems to receive less emphasis in the academy and among authors generally. Nevertheless, the search for truth should permeate the writing of all serious non-fiction.

It was providential that much of my professorial writing was about public law and those areas of political science concerned with judicial matters which enjoy a rich tradition of literary art and a generally high scholarly standard. When millions of dollars or a human life depend on the answer to a scholarly question, “the sinfulness of loose thinking and careless documentation is forcefully underlined.” That is why law review editors insist on authors’ checking and rechecking footnotes. Their work may be cited in courts, and they must have it correct.

Many contemporary writers about the law, in their eagerness to present facts and their laudable concern to tell the truth, have neglected the literary aspects of their craft. They have forgotten that there is an art of writing about the judiciary in strong, elegant, and enjoyable style. They have forgotten that an American literary tradition began over a hundred years ago with the establishment of the American Political Science Association (under its first president, Princeton Professor Woodrow Wilson). Writing about the Supreme Court was something that American political scientists did with peculiar brilliance. In the 21st Century, however, the art of writing about courts and the law has slowly dwindled in a chain reaction of dullness. The general public finds most writing in political science to be “either impossibly recondite or impossibly dull, and probably both.” Professors write dull, solid, “valuable” articles and train graduate students to do the same. Before you know it, the only political science or legal articles Americans are reading are written by journalists. Therefore, today’s political scientists and lawyers who would be authors have to learn from the best journalists and the best novelists too.

Non-fiction in America needs a rebirth of compelling and influential writing with high artistic value about politics and especially about the Supreme Court. Universities should take on the task of training high quality students to produce critical writing that honors the best belletristic tradition of our nonfiction prose. Hence my crusade to foster truthful, muscular, flexible, and feisty writing describing and dissecting the Supreme Court, its justices, and its work. The public needs such truthful writing to better understand the paradigms of the time. Teaching the art of such writing can be painful, but I believe it’s worth the effort.

You can find more about Ted and his writing via his website http://fp.okstate.edu/vestal.

To order The Lion of Judah or for more information contact: sales@abc-clio.com

And available from Amazon.com and Barnes and Noble.

The blog interviews will return as normal tomorrow with fantasy author Ken Magee – the three hundred and sixteenth of my blog interviews with novelists, poets, short story authors, biographers, agents, publishers and more. A list of interviewees (blogged and scheduled) can be found here. If you like what you read, please do go and investigate further. And I enjoy hearing from readers of my blog; do either leave a comment on the relevant interview (the interviewees love to hear from you too!) and / or email me. You can read / download my eBooks from Smashwords, Sony Reader Store, Barnes & Noble, iTunes Bookstore and Kobo (Amazon to follow). And I have a new forum at http://morgenbailey.freeforums.org.

 
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Posted by on March 21, 2012 in ebooks, interview, non-fiction, writing

 

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Guest post: ‘Story Mapping and the 7 Stages’ by Nancy Dodd

Tonight’s guest blog post, on the topic of story mapping is brought to you by multi-genre writer and interviewee Nancy Dodd, author of The Writer’s Compass From Story Map to Finished Draft in 7 Stages.

You Know That Hole in Your Story? You Don’t? Here’s How to Find It

Using a story map is a great tool for figuring out where the holes are in your story and then developing ideas for filling in those gaps.

If you have read very many books on writing or listened to very many writing instructors, you have probably heard of the 3-act structure diagram.

Based on Aristotle’s principles of drama and Freytag’s pyramid, the diagram that starts something like this:

Across the structure will be various terms for what goes where in your story. For example, you would put something like “Hook” at the beginning of the horizontal line, “Plot Point” might be at the top of the first vertical line and “Climax” at the top of the second vertical line to show where these fall in the story. Denouement at the end of the horizontal line refers to tying up the final act.

Different authors use different terminology for what should go on the structure chart, but most authors are saying the same thing. What varies is where they put the emphasis they feel is most important.

The way to find the holes in your story is to turn this structure chart into a writing tool by creating a story map. Instead of writing “Hook,” write in a phrase for what the hook is in your story. What is the climax? How do you end the story? And so forth. By filling out a story map, you quickly learn what you know and don’t know about your story and where the important elements of storytelling are missing from your story.

There are at least three advantages to using a story map.

  1. The story map helps you to trick the analytical side of your brain into being creative. As you fill in the details you know, you quickly figure out the details you don’t know and you give your brain a problem to solve. Before long you are developing new ideas to fill in the gap.
  2. The story map helps you to develop a compass for your story. As you fill in your ideas, you get a nudge that says, “This is weak,” or “This isn’t very clear.” By following that gut instinct you work on making the story stronger and clearer.
  3. Once you replace the elements on the structure chart with your ideas across your story map, it is much easier to feel where the tension grows and where it wanes. It’s simpler to move your ideas around on the story map, to find the most dynamic way to tell your story, than it is to move whole sections of writing around in a manuscript.

The purpose of the story map is not to replace how you write, but to give you an additional tool to strengthen what you write. It’s an extra step in the development of your story, but it’s a step that will help you eliminate some of those drafts when you can’t quite figure out what is wrong. After all, isn’t that what we as writers would all like: to save time and effort in rewriting by figuring out what we don’t know about our stories?

Want to Do Fewer Rewrites? 7 Stages for Efficiently Completing Your Story

You wouldn’t decorate your living room before the drywall and the roof are installed, so why focus on the language in the story before the structure is right? Why spend time polishing dialogue before you have even gotten to know your characters well? Or why work on the pacing and tension when you haven’t gotten the structure worked out?

Probably like me, you’ve spent hours and hours on draft after draft of a story to get it right. However, after more than two decades and two master’s degrees of studying writing, I figured out there is a more efficient way to write—in stages.

Admittedly, I’m not the first or the only person to have figured this out, other people have put together their steps for building a good story. Below are the seven basic stages I’ve come up with for writing a story more efficiently.

Stage 1 – Developing Ideas

Stage 2 – Building a Strong Structure

Stage 3 – Creating Vibrant Characters

Stage 4 – Structuring Scenes, Sequences, and Transitions

Stage 5 – Increasing Tension and Adjusting Pacing

Stage 6 – Enriching Language and Dialogue

Stage 7 – Editing the Hard Copy, Submitting

The purpose of writing in stages is to focus on one level of your story at a time. Throughout each stage there are a series of questions I ask myself to help me to continue to develop ideas and expand the story and characters. That doesn’t mean you won’t be writing great language from the beginning, it just means you won’t be focusing on making the language even better until you get to that stage. By polishing the language in Stage 6, you will be less likely to cut a turn of phrase you love or have spent hours perfecting.

The process I suggest is to start compiling ideas in whatever form you prefer to write. I like putting my ideas on 5×8 cards that I can later shuffle for a better order. I also don’t worry about editing, grammar, or punctuation, I just focus on getting the idea—in the form of dialogue, a scene, setting, character development, whatever comes to mind—written down. Later when I have enough cards, I start transferring them into story form in my computer.

That’s where Stage 2, structure, begins. I shuffle the cards into an order I think will tell a good story. I also create a story map so that I can see where my holes are or where my ideas aren’t fully formed. In fact, the story map is such a useful tool that I use it at the end of every stage to see what I’ve changed or added and if it is logical or increases the tension. When I finish Stage 2, I won’t have a complete story, but I have a better idea of the foundation of my story and what I need to complete it.

Next I start on Stage 3, characterization. Creating strong characters doesn’t happen by accident, it takes work to get to know who the characters are and what their motivation and goals will be. As I go through my story working on developing my characters, the story becomes richer and generally longer since I am filling it out with new ideas related to my character’s behavior.

Stage 4 is a way to look at each scene and the exposition or narration and transitions to see what opportunities I’ve missed or where I’ve overwritten. Sometimes what I thought to be a scene really doesn’t have the complexity of a scene. Sometimes what I thought was just a sequence of narration or a transition has the potential for a great scene.

Now that my structure is sound, I have strong characters, and my scenes and sequences are correctly developed, it makes sense to work on tension and pacing, Stage 5. Sometimes I use more details and slow down the pacing to increase the tension, or sometimes I cut details to increase the pacing.

At last we come to Stage 6, polishing the language and dialogue. By now I know what my story is about and who my characters are and that the tension and pacing is developed, but during this time the language has been evolving as the story evolved. So polishing is much simpler.

Stage 7 is printing out the hard copy, a final edit and proof, and prepping for submission.

With a more focused look at your story in stages, hopefully you will find it takes fewer drafts to finish and you will find that your story developed more efficiently.

That was great, thank you, Nancy!

Nancy Ellen Dodd earned two graduate degrees in writing from the University of Southern California. She has received numerous awards for writing, and her book, The Writer’s Compass: From Story Map to Finished Draft in 7 Stages (published by Writers Digest Books, June 2011), covers the full creative writing process and is available in print and eBooks around the world. On faculty at the Graziadio School at Pepperdine University, Dodd serves as academic editor and teaches screenwriting at Pepperdine’s Seaver College. Her collection of short stories, Women Alone, is now available on Kindle. You can see all her books listed here.

Ooh, short stories… ooh, Kindle. :)

If you would like to write a writing-related guest post for my blog then feel free to email me with an outline of what you would like to write about. If it’s writing-related then it’s highly likely I’d email back and say “yes please”.

The blog interviews return as normal tomorrow morning with contemporary romance author Marina Martindale – the three hundred and fifteenth of my blog interviews with novelists, poets, short story authors, bloggers, autobiographers and more. A list of interviewees (blogged and scheduled) can be found here. If you like what you read, please do go and investigate further. And I enjoy hearing from readers of my blog; do either leave a comment on the relevant interview (the interviewees love to hear from you too!) and / or email me. You can also read / download my eBooks and free eShorts at Smashwords, Sony Reader Store, Barnes & Noble, iTunes Bookstore and Kobo. And I have a new forum at http://morgenbailey.freeforums.org.

 
 

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Post-weekend Poetry 013: ‘Like a shard of glass’ by Ruth Holroyd

Welcome to Post-weekend Poetry and the thirteenth poem in this series. This week’s piece welcomes back poet and short story author Ruth Holroyd.

Like a shard of glass

Walking along the busy street
Smiling at the blue sky above
Feeling the sun warming my skin
Free as bird, as a dove

I don’t see anything untoward
As I stroll through the autumn leaves
No pain, no feeling, no warning at all
of what hid up his hoody sleeves

I stop short and grab my side
A warm sensation spreading
I reach down, my hand finds
The deep cut threading

Straight through the green silk of my favourite dress
It finds its way quickly inside me
On through my camisole
then reaching soft skin, deep it went in

I look down and watch the slow
flower of crimson blooming
Only then I feel it, like a sharp blow
A bolt of lightening through me

Slowing sinking to my knees
The crowd elbowing past me
I reach out for you, striding off
Strolling into the moving sea

I don’t feel my knees as they hit the ground
My life seeping quickly out
I gasp out breath but make no sound
One last desperate look, a silent shout

The cold concrete soothes my cheek
Tiny sharp stones press hard
My lips move but I can’t speak
I see my future crack like a shard

Of glass, the glass that sticks in my side
And there you are, your face up close
Fading, distant, eyes wide, shaking
Snaking off like the man with the shard….

Thank you, Ruth, hauntingly sad…

Ruth works as a freelance copywriter and marketing communications professional in Buckinghamshire.  She writes company case studies and copy edits brochures and websites.  She also writes regular articles and features about living with allergies and food intolerances. Her allergy blog, www.whatallergy.com, was voted in the top 5 allergy blogs in the UK in 2011 and she is one of the guest judges at the Free From Food Awards 2012.  You can read some more of her writing here.

If you’d like to submit your poem (40 lines max) for consideration for Post-weekend Poetry take a look here.

The blog interviews will return as normal tomorrow with sports-influenced author Rob Sheehy – the three hundred and fourteenth of my blog interviews with novelists, poets, short story authors, bloggers, biographers, agents, publishers and more. A list of interviewees (blogged and scheduled) can be found here. If you like what you read, please do go and investigate further. And I enjoy hearing from readers of my blog; do either leave a comment on the relevant interview (the interviewees love to hear from you too!) and / or email me. You can also read / download my eBooks and free eShorts at Smashwords, Sony Reader Store, Barnes & Noble, iTunes Bookstore and Kobo. And I have a new forum at http://morgenbailey.freeforums.org.

 
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Posted by on March 19, 2012 in poetry, writing

 

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