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Bailey’s Writing Tips podcast – short stories episode no.17

Bailey’s Writing Tips podcast ‘short stories’ episode number 17 went live today and contained three flash fiction pieces that have appeared on my blog as Flash Fiction Fridays. Do email me should you like to submit your own.

This episode contained: Three pieces by non-fiction author, autobiographer and interviewee Abbie LipschutzCafe Mort (716 words) by prose author, poet, lyricist and interviewee Nathan Weaver (you may need to forgive my French accent in that one) and Autumn preserves (122 words) by short story author and poet Susan Moffat.

See the green links above to read the stories… or hear my dulcet tones on the podcast, which is available via iTunesGoogle’s FeedburnerPodbean (when it catches up), Podcasters (which takes even longer) or Podcast Alley (which doesn’t list the episodes but will let you subscribe).

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For nine decades, Abbie Lipschutz has been a fighter, lover, writer, dilettante musician and classical music commentator. He is a clinically happy soul who possesses Offensive Charm and Unjustified Arrogance, qualities that have served him well over the years. He was a kibbutznik in Palestine in the early 40s, a veteran of the Dutch Prinses Irene Brigade in World War II, and a volunteer in Israel’s War of Independence, 1948-1949. By then he had long lost his beliefs in the Zionist-Socialist dreams. Nonetheless, he joined, feeling that 2000 years of persecution had been enough.

Having made a living for 50 years as a wholesale diamond peddler throughout the American South, he discovered the vastness of our land, its Big Sky and its multi-colored characters. He ended his diamond career in 1999 after being held up at gunpoint. Seeing van Gogh’s painting, “The Potato Eaters,” at age 14 changed his life by turning him into a political radical, which he has still remained. Thoreau’s phrase, “Most men live lives of quiet desperation and go to the grave with the song still in them,” confirmed what van Gogh’s painting had conveyed to him years before. Husband, father, and grandfather, he has written a memoir filled with the sights, sounds, scents, songs and surprises of a soulful, vigorous life well-lived. His book connects the generations in one grand sweep of hope, love, and peace. Abbie’s website is http://www.abbielipschutz.com and you can watch his video at http://youtu.be/C-xpHaz2P3s.

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Nathan Weaver has been writing for roughly 15 years, though badly in the beginning, and focusing on short stories, novellas and screenplays. He has recently been honing his craft towards writing novels, completing a draft of his first novel in summer 2011, which is the beginning of a series of crime novels set in a high school setting and titled Hardboil High.

Aside from storytelling, he is an independent filmmaker and lyricist for Blue Solace. You can read a lot of his shorter works and excerpts from longer ones, for free, at his blog Tales from Babylon, and you can find this event on his http://talesfrombabylon.fanbridge.com/tourdates page.

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Born in 1969, Susan Moffat grew up in County Durham, in the North East of England, during the period of the Miner’s Strike, mass unemployment and the very beginning of the technological boom.

She studied Computer Studies in the late 80′s, and worked in IT for a book distribution company for almost 10 years, before taking time out to become a mother. She now works part time as a librarian in a Special Needs Secondary School.

In 2010 she started a degree course in creative writing and film and TV sceenwriting.

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Thank you for downloading / listening to this short story episode – I hope you enjoyed it. The next episode will be a hints & tips episode in a fortnight, then short stories return a fortnight thereafter.

All the details of these episodes are listed on this blog’s Podcast Short Stories page and my email address to submit a short story for critique (or review for the Short Story Saturdays) is morgen@morgenbailey.com.

The podcast is available via iTunes, Google’s Feedburner, Podbean (when it catches up), Podcasters (which takes even longer) or Podcast Alley (which doesn’t list the episodes but will let you subscribe).

You can sign up to receive these blog posts daily or weekly so you don’t miss anything. You can contact me and find me on the internetview my Books and I also have a blog creation service especially for, but not limited to, writers.

Unfortunately, as I post an interview a day (amongst other things) I can’t review books but I have a feature called ‘Short Story Saturdays’ where I review stories of up to 2,500 words. Alternatively if you have a short story or self-contained novel extract / short chapter (ideally up to 1000 words) that you’d like critiqued and don’t mind me reading it / talking about and critiquing it (I send you the transcription afterwards so you can use the comments or ignore them) :)  on my ‘Bailey’s Writing Tips’ podcast, then do email me. They are fortnightly episodes, usually released on Sundays, interweaving the recordings between the red pen sessions with the hints & tips episodes. I am now also looking for flash fiction (<1000 words) for Flash Fiction Fridays and poetry for Post-weekend Poetry.

 

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Bailey’s Writing Tips podcast – short stories episode no.16

Bailey’s Writing Tips podcast ‘short stories’ episode number 16 went live today and contained three flash fiction pieces that have appeared on my blog as Flash Fiction Fridays. Do email me should you like to submit your own. This episode contained:

See the links above to read the stories… or hear my dulcet tones on the podcast.

The podcast is available via iTunesGoogle’s FeedburnerPodbean (when it catches up), Podcasters (which takes even longer) or Podcast Alley (which doesn’t list the episodes but will let you subscribe).

Thank you for downloading / listening to this short story episode – I hope you enjoyed it. The next episode will be a hints & tips episode in a fortnight, then short stories return a fortnight thereafter.

All the details of these episodes are listed on this blog’s Podcast Short Stories and my email address to submit a short story for critique (or review for the Short Story Saturdays) is morgen@morgenbailey.com.

***

You can sign up to receive these blog posts daily or weekly so you don’t miss anything… and follow me on Twitter where each new posting is automatically announced. You can also read / download my eBooks and free eShorts at SmashwordsSony Reader StoreBarnes & NobleiTunes BookstoreKobo and Amazon, with more to follow. I have a new forum, friend me on Facebook, like me on Facebook, connect with me on LinkedIn, find me on Tumblr, complete my website’s Contact me page or plain and simple, email me. I also now have a new blog creation service especially for, but not limited to, writers.

Unfortunately, as I post an interview a day (amongst other things) I can’t review books but I have a feature called ‘Short Story Saturdays’ where I review stories of up to 2,500 words. Alternatively if you have a short story or self-contained novel extract / short chapter (ideally up to 1000 words) that you’d like critiqued and don’t mind me reading it / talking about and critiquing it (I send you the transcription afterwards so you can use the comments or ignore them) :)  on my ‘Bailey’s Writing Tips’ podcast, then do email me. They are fortnightly episodes, usually released on Sundays, interweaving the recordings between the red pen sessions with the hints & tips episodes. I am now also looking for flash fiction (<1000 words) for Flash Fiction Fridays and poetry for Post-weekend Poetry.

 
 

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Bailey’s Writing Tips podcast – short stories episode no.15

Bailey’s Writing Tips podcast ‘short stories’ episode number 15 went live today and contained three flash fiction pieces that have appeared on my blog as ‘Flash Fiction Fridays’. Do email me should you like to submit your own.

This episode contained: Sleep well (727 words) by Christopher Farley, a 626 word story entitled Portraits of a young artist in Istanbul by Gene Parola and Fourth of July (871 words) by DJ Paterson.

See the links above to read the stories… or hear my dulcet tones on the podcast.

The podcast is available via iTunesGoogle’s FeedburnerPodbean (when it catches up), Podcasters (which takes even longer) or Podcast Alley (which doesn’t list the episodes but will let you subscribe).

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Christopher Farley.  He lived a sheltered life in the wilds of Kent from where he was saved by the written word.  So much so that he still corresponds with certain people with A PEN AND PAPER!!  Upon moving to London, a bit like Dick Whittington, searching for streets of gold, he happened upon a beautiful Italian lady who later decided to take him to the sunny realm of southern Switzerland, where he can still be found, smiling inanely, continuously in search of Weissbier.  When he is not working or drinking he sits in front of the computer, searching for fictional inspiration. You can find Chris via his blog http://talkingtosh.wordpress.com.

Mr Gene Parola is a retired Professor of cultural history at Indiana University and University of Michigan-Flint; the Ministry of Defense, Kingdom of Saudi Arabia and Koç University in Istanbul Turkey. As a former Naval Air Intelligence officer and a career researcher, he has trained himself to be a keen observer of his surroundings and has acquired a large cultural and social context into which those observations fit. He is a freelance writer of Business (See Honolulu Star Bulletin, July 28, 2002) and Technical (Hurricane Handbook, Sail Net News, Spring, 2003) articles. His short stories have been published in Voices from the Universe and in Bamboo Ridge Press, 25th Anniversary Edition. And the Spring 2006 edition. Mr. Parola speaks frequently to lodges, clubs and service organizations on a variety of topics.

DJ approached his writing with a 20-year run up, which ended on a moment of inspiration and produced a short story called Vampire. This was published on his local BBC website, and in the nine or so years that followed, he has tackled his writing with sporadic enthusiasm.

He has written a number of short stories, flash fiction pieces and completed a YA novel which was ranked in the A&C Black Writers’and Artists’ Yearbook 100th Edition Novel Writing competition to find the best 100 unpublished novels. He has recently started a crime fiction novel, and is a month into his first ever writing group.

He moved from England to New Zealand at the end of 2011, and is pretty sure that one day, he may start thinking about approaching literary agents. DJ is a little guarded about his day job, and says that whilst his hobby is all about being creative, his is paid to ensure that clients are not.

He can be found on Twitter @djpaterson and maintains a random blog at www.djpaterson.com. Oh, and if you’re wondering about the profile photo, he won a writing competition and appeared as a character in Meg Gardiner’s The Memory Collector. The photo shows his pleasant surprise when realising his character perhaps had something that DJ could never possess in real life – an Afro!

Thank you for downloading / listening to this short story episode – I hope you enjoyed it. The next episode will be a hints & tips episode then short stories return a fortnight thereafter.

All the details of these episodes are listed on this blog’s podcast page and my email address to submit a short story for critique (or review for the Short Story Saturdays) is morgen@morgenbailey.com.

The podcast is available via iTunes, Google’s Feedburner, Podbean (when it catches up), Podcasters (which takes even longer) or Podcast Alley (which doesn’t list the episodes but will let you subscribe).

You can sign up to receive these blog posts daily or weekly so you don’t miss anything… and follow me on Twitter where each new posting is automatically announced. You can also read / download my eBooks and free eShorts at SmashwordsSony Reader StoreBarnes & NobleiTunes BookstoreKobo and Amazon, with more to follow. I have a new forum, friend me on Facebook, like me on Facebook, connect with me on LinkedIn, find me on Tumblr, complete my website’s Contact me page or plain and simple, email me. I also now have a new blog creation service especially for, but not limited to, writers.

Unfortunately, as I post an interview a day (amongst other things) I can’t review books but I have a feature called ‘Short Story Saturdays’ where I review stories of up to 2,500 words. Alternatively if you have a short story or self-contained novel extract / short chapter (ideally up to 1000 words) that you’d like critiqued and don’t mind me reading it / talking about and critiquing it (I send you the transcription afterwards so you can use the comments or ignore them) :)  on my ‘Bailey’s Writing Tips’ podcast, then do email me. They are fortnightly episodes, usually released on Sundays, interweaving the recordings between the red pen sessions with the hints & tips episodes. I am now also looking for flash fiction (<1000 words) for Flash Fiction Fridays and poetry for Post-weekend Poetry.

 
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Posted by on September 11, 2012 in podcast, short stories, writing

 

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Bailey’s Writing Tips short stories ep.014

Bailey’s Writing Tips podcast ‘short stories’ episode number 14 was released today. This is a monthly series tucked in between hints & tips or red pen critique sessions.

With the occasional exception, these are the flash fictions that have appeared on my blog as ‘Flash Fiction Fridays’, reading out three per fortnight. Today’s are Her reflection calls her Tess (925 words) by Kimberly Gray, The Picture (418 words) by Will Macmillan-Jones and Sacrament (831 words) by Travis Eaton.

I don’t critique them but simply reading them out and I hope you enjoy this format.

The podcast is available via iTunesGoogle’s FeedburnerPodbean (when it catches up), Podcasters (which takes even longer) or Podcast Alley (which doesn’t list the episodes but will let you subscribe).

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Kimberly possesses such a strong desire to reach people.  To reach them in a capacity people will trust she is sincere.  That brought on the donation of time she spends donating much of her writing to charity and the time consuming column of dear addict. Quite insecure about the quality of her work, she finds it is improving so much over the years the awards were well-deserved. It is not easy for her and at times, mental illness can take over and not allow her to write.  She always says it is the mental illness that gifts her with the imagination to be able to write. She certainly is determined and has much fun working hard, regardless of the task. Still loving being the best pillow fighter, holding the best title for champion, 3 years running now.

She can be found at (are you sitting comfortably?)… Sunnie Day’s feature, Kimberlyslyrics, Smashwords, Prey, Dear addict, lyricsingray, Hubbie, Top 200, 800 days 1st feature, 2nd feature, one of four blogs, SligoBay and bbnix. She can also be reached via email: lyrics@rogers.com and I’ll put all the links on this episode’s page on my blog (I’ll give the details for that after these biographies).

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Will is a fifty-something lover of blues, rock and jazz.

He presently lives in South Wales, and has just fulfilled a lifetime ambition by extending his bookcases to fill one entire wall of his home office.

Working as a professional tax consultant, he writes to escape the stultifying boredom of his job.

He has an irregular blog, www.willmacmillanjones.wordpress.com where he “rambles incoherently about writing” and he can also be found at www.thebannedunderground.weebly.com and his publisher’s website is www.safkhetpublishing.com.

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Travis is a 33 year old living in Melbourne, Victoria, Australia. He is currently studying Professional Writing & Editing at TAFE which he says is “the poorer equivalent to University”. Sounds good to me. His blog is http://traviseaton.wordpress.com.

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That’s it for this week. Thank you for listening to this new short story episode. I hope you enjoy it and I look forward to bringing you another in a month. In the meantime, the next episode will be either a red pen critique or hints and tips. All the links mentioned in these shows are listed on the podcast short stories page of this blog.

You can sign up to receive these blog posts daily or weekly so you don’t miss anything… and follow me on Twitter where each new posting is automatically announced. You can also read / download my eBooks and free eShorts at SmashwordsSony Reader StoreBarnes & NobleiTunes BookstoreKobo and Amazon, with more to follow. I have a new forum, friend me on Facebook, like me on Facebook, connect with me on LinkedIn, find me on Tumblr, complete my website’s Contact me page or plain and simple, email me.  I also now have a new blog creation service especially for, but not limited to, writers.

Unfortunately, as I post an interview a day (amongst other things) I can’t review books but I have a feature called ‘Short Story Saturdays’ where I review stories of up to 2,500 words. Alternatively if you have a short story or self-contained novel extract / short chapter (ideally up to 1000 words) that you’d like critiqued and don’t mind me reading it / talking about and critiquing it (I send you the transcription afterwards so you can use the comments or ignore them) :)  on this podcast, then do email me. They are fortnightly episodes, usually released on Sundays, interweaving the recordings between the red pen sessions with the hints & tips episodes. I am now also looking for flash fiction (<1000 words) for Flash Fiction Fridays and poetry for Post-weekend Poetry.

 
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Posted by on August 12, 2012 in ebooks, podcast, short stories, writing

 

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Podcast: Bailey’s Writing Tips episode 051 – writer’s block by Nicky Wells

Episode 51 of the Bailey’s Writing Tips podcast was released today and featured a forthcoming guest post on writer’s block by Nicky Wells. This piece will go live on as a guest blog on Tuesday 26th June (7pm UK time) but today was a pre-blog airing and even if you don’t suffer from writer’s block I hope you will find it useful.

The podcast is available via iTunesGoogle’s FeedburnerPodbean (when it catches up), Podcasters (which takes even longer) or Podcast Alley (which doesn’t list the episodes but will let you subscribe).

Nicky Wells writes fun and glamorous contemporary romance featuring a rock star and the girl next door.  She recently signed her debut novel, Sophie’s Turn, with U.S. publisher, Sapphire Star Publishing, and the book is due for release on 6 September 2012.  Nicky loves rock music, dancing, and eating lobsters.  When she’s not writing, Nicky is a wife, mother, and teaching assistant.  Nicky is also a featured author on the innovative reader / author project, loveahappyending.com.

Originally born in Germany, Nicky moved to the United Kingdom in 1993, and currently lives in Bristol with her husband and two boys.  In a previous professional life, Nicky worked as a researcher and project manager for an international Human Resources research firm based in London and Washington, D.C.

Visit Nicky on her blog where you can find articles, interviews, radio interviews and, of course, an ongoing update on her work in progress, the second and third parts of the Rock Star Romance Trilogy.  You can also follow Nicky on Twitter and find her on Facebook.

About Sophie’s Turn…
One fine day in Paris, Sophie Penhalligan suddenly finds herself engaged to her teenage crush and love-of-her-life-from-a-distance, rock singer and star extraordinaire Dan Hunter.  But there is the small matter of her very recent, but very prior, engagement to Tim.  Reliable, honest, trusting Tim, her boyfriend of two years stashed away safely in his mews house in South Kensington while Sophie is drinking rather too much champagne with Dan in Paris.  This contemporary romantic fairy tale describes how Sophie gets into her impossible situation and how she turns it around.

The podcast also featured some of my news…
Visitors to my blog will know how much I love blogging about writing. So much so that I have posted over 900 items (either guest’s or mine) about the topic. I do an author interview a day, two spotlights and guest posts a week and weekly flash fiction and poetry. I’m currently booked up to November for the interviews and July for pretty much everything else but if you’d like to take part do take a look. I’ve also just created http://icanbuildyourwritingblog.wordpress.com and, for £50, €60 or $75, I can create a blog for you or anyone you know. Although it’s geared towards writers I can create them for any business or hobby. I already have an animal healer and editor to create blogs for.

…and feedback
I’ve received some wonderful feedback (and some less so, which is to be expected) for my eBooks. I have individual short stories, some free, some not free, a 31-story collection and a writer’s block workbook and it’s the latter that I received a wonderful review on today. Regardless of whether you get stuck with writer’s block this eBook has over 1,000 sentence starts and over 50 writing-related hints and tips. It’s just $1.49 on Smashwords and $1.62 including tax from Amazon.

and feedback from Nicky on this episode: “wow wow wow! this is amazing. It’s fantastic to hear ‘me’ through someone else. Thank you! The whole family listened to it over dinner (captive audience!) and we enjoyed it. Thanks so much, you are superstar!!” pleased then :)

Thank you for downloading or clicking on this podcast. If you have any feedback or areas you’d like covered in the hints & tips podcasts, do email me at morgen@morgenbailey.com and I look forward to bringing you the next episode in a fortnight which will be three more short stories.

You can sign up to receive these blog posts daily or weekly so you don’t miss anything… and follow me on Twitter where each new posting is automatically announced. You can also read / download my eBooks and free eShorts at SmashwordsSony Reader StoreBarnes & NobleiTunes BookstoreKobo and Amazon, with more to follow. I have a new forum and you can follow me on Twitter, friend me on Facebook, like me on Facebook, connect with me on LinkedIn, find me on Tumblr, complete my website’s Contact me page or plain and simple, email me.  I also now have a new blog creation service especially for, but not limited to, writers.

Unfortunately, as I post an interview a day (amongst other things) I can’t review books but I have a feature called ‘Short Story Saturdays’ where I review stories of up to 2,500 words. Alternatively if you have a short story or self-contained novel extract / short chapter (ideally up to 1000 words) that you’d like critiqued and don’t mind me reading it / talking about and critiquing it (I send you the transcription afterwards so you can use the comments or ignore them) :)  on my ‘Bailey’s Writing Tips’ podcast, then do email me. They are weekly episodes, usually released Monday mornings UK time, interweaving the recordings between the red pen sessions with the hints & tips episodes. I am now also looking for flash fiction (<1000 words) for Flash Fiction Fridays and poetry for Post-weekend Poetry.

 
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Posted by on May 6, 2012 in ebooks, podcast, tips, writing

 

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Bailey’s Writing Tips podcast – short stories ep.10

Bailey’s Writing Tips podcast ‘short stories’ episode number 10 went live today.

I’ve been starting off the first few weeks with the flash fiction that have appeared on my blog as ‘Flash Fiction Fridays’, reading out three per fortnight. Eventually I’ll run out so do email me should you like to submit your own (clean and not too graphic please).

This episode contained 753-worded ‘Refugees in the cave’ by Joy V Smith,  ‘Baby Fat’ a 837-worder by Sheila Pierson, and a ’A Fine Day’ (1498 words) by Jim Sellers, the latter of which hasn’t appeared on Flash Fiction Fridays as it’s longer than the 1,000-word maximum but is available to read on Jim’s website (http://playandscribe.com). The links to all these are on this blog’s podcast’s short stories page. I don’t critique them but simply read them out and I hope you enjoy this format. See the links above to read the stories… or hear my dulcet tones on the podcast.

Sheila Pierson is a writer and has finally come to grips with this, and without therapy. She has written short stories, essays and poetry since she was a young child, now pursuing this craft with the passion she has for it. She is currently working on a collection of short stories for publication. The novel always lurks in the shadows, grumbling in the corners of her bedroom just as she drifts off to sleep. Sheila blogs at http://sheilapierson.wordpress.com and can be found on Twitter @sheilapierson1.

Joy was born on a farm in Wisconsin and still love barns and the smell of silage (“an acquired taste,” she says).  She lived in Boston after graduating from college, and is now back in Florida (not retired) where she spent some of her childhood. After selling wildlife habitat in the country, she bought a foreclosure earlier this year and had to replace the kitchen, among other things. They’d even taken the kitchen sink! Thanks to NaNoWriMo (National Novel Writing Month), which takes place each November, Joy’s now written three novels. She three blogs: her writing blog, her media blog and her house blog.

Jim Sellers is a writer and musician, pro on the former and avid amateur on the latter. His website http://playandscribe.com is shared between his two primary interests; as a writer posting short stories and useful links and in the Guitar Player pages you will see samples of his music and some thoughts I have on playing music.

Thank you for downloading / listening to this short story episode – I hope you enjoyed it. The next episode will be a hints & tips episode then short stories return a fortnight thereafter.

All the details of the podcast episodes are listed on the podcast page and sub-pages and my email address to submit a short story for critique (or review for the Short Story Saturdays) is morgen@morgenbailey.com.

The podcast is available via iTunes, Google’s Feedburner, Podbean (when it catches up), Podcasters (which takes even longer) or Podcast Alley (which doesn’t list the episodes but will let you subscribe).

You can also read / download my eBooks and free eShorts at Smashwords, Sony Reader Store, Barnes & Noble, iTunes Bookstore and Kobo. My eBooks are now on Amazon, with more to follow, and I also have a quirky second-person viewpoint story in charity anthology Telling Tales. I have a new forum and you can follow me on Twitter, friend me on Facebook, like me on Facebook, connect with me on LinkedIn, find me on Tumblr, complete my website’s Contact me page or plain and simple, email me. I am now also looking for flash fiction (<1000 words) for Flash Fiction Fridays and poetry for my Post-weekend Poetry page.

 

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Bailey’s Writing Tips podcast episode 050: second-person viewpoint

Mixed episode 50 of the Bailey’s Writing Tips podcast was released today.

I talked about points of view way back in August 2010 so this time I thought I’d focus on the little-known viewpoint that is second-person so I did, for seven minutes and eighteen seconds. :)

In the episode I mentioned interviewees Stella Deleuze and Sue Moorcroft and Jay McInerney’s second-person book Bright Lights Big City then read the beginning of my second-person free short story ‘The Dark Side’.

I talked about how to write in second person then provided some sentence starts from my 365-day Writer’s Block Workbook:

  • His touch was tender yet you…
  • You wonder when things had really got so bad…
  • This wasn’t the life you’d signed up for…
  • If you could change one thing…
  • You said it could never happen again…
  • It’s a dull day and you know how it feels…

I then mentioned that I’ve finally started putting some of my books on Amazon.co.uk and Amazon.com. For now they are repeats of everything I have on Smashwords, but I recently left my job to edit my four novels so I hope to put them online in the coming weeks, depending on how busy my editor and first readers are. :)

If you have any feedback or areas you’d like covered in the hints & tips podcasts, do email me.

The podcast is available via iTunesGoogle’s FeedburnerPodbean (when it catches up), Podcasters (which takes even longer) or Podcast Alley (which doesn’t list the episodes but will let you subscribe).

Details of the other episodes (interviews, reviews, red pen sessions etc.) can be found here.

You can also read / download my eBooks and free eShorts at Smashwords, Sony Reader Store, Barnes & Noble, iTunes Bookstore and Kobo. My eBooks are now on Amazon, with more to follow, and I also have a quirky second-person viewpoint story in charity anthology Telling Tales.

I have a new forum and you can follow me on Twitter, friend me on Facebook, like me on Facebook, connect with me on LinkedIn, find me on Tumblr, complete my website’s ‘Contact me’ page or plain and simple, email me.

 
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Posted by on April 9, 2012 in ebooks, Facebook, podcast, writing

 

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Bailey’s Writing Tips podcast – short stories episode no.9

Bailey’s Writing Tips podcast ‘short stories’ episode number nine went live tonight.

I’ve been starting off the first few weeks with the flash fiction that have appeared on my blog as ‘Flash Fiction Fridays’, reading out three per fortnight. Eventually I’ll run out so do email me should you like to submit your own.

This episode contained four stories: ‘Fragments from the past’, a 773-worder by Cindy Vaskova,  ‘Discarded’ (279 words) Karina Kantas, and two stories by AJ Kirby: ‘Desire’ (127 words) and ‘The Birthday Cake’ (159 words). See these green links to read the stories… and / or you can hear my dulcet tones on the podcast.

The podcast is available via iTunesGoogle’s FeedburnerPodbean (when it catches up), Podcasters (which takes even longer) or Podcast Alley (which doesn’t list the episodes but will let you subscribe).

Cindy is a first year student in Journalism.

Other than that normal bit of her life, she writes short fiction stories – every Friday, and has a novel in progress in the background to which she dares go near from time to time.

Cindy has her own blog, where she posts her writings, while doing some tweeting in between.

Karina Kantas writes novels, short stories and when her imagination is working over time, she writes thought-provoking / dark flash fiction. She writes in the genres of fantasy, sci-fi, horror, romance, YA and thrillers and is presently working on two new novels: Road Rage; an urban thriller, and Broken Chains; MI5 thriller.

With over thirty publications, Karina Kantas doesn’t just want to be known as an author of exciting motorcycle fiction, so she continues expanding her genre writing. She is also the owner and editor of http://www.urban-novels.com and can be found on Twitter.com and Facebook. Her inspirations are the author S.E.Hinton and the rock band Iron Maiden. ‘Discarded’ was originally pub in 2008 in Heads & Tales, Karina’s collection of flash and short, thought-provoking fiction.

AJ Kirby is the award-winning author of five novels (Paint this town Red, 2012; Perfect World, 2011; Bully, 2009; The Magpie Trap, 2008; When Elephants Walk through the Gorbals, 2007), two novellas (The Black Book, 2011; and Call of the Sea, 2010), one novelette (Bed Peace, 2011) and over forty published short stories. He is also a sportswriter for the Professional Footballers’ Association and a reviewer for The Short Review and The New York Journal of Books. He will return with more flash fiction on the Flash Fiction Fridays page on 13th April then 25th May. :) You can reach him via: Author website, Goodreads Author Page, Amazon Author Page, New York Journal of Books and Facebook Novel Home Page.

Thank you for downloading / listening to this short story episode and my other podcasts. They have, up to recently, been weekly but I’m embarking on editing my four novels so I have dropped the podcasts to fortnightly – one episode of short stories per month, one episode of hints & tips or red pen session.

All the details of these episodes are listed on the podcast page of this blog and my email address to submit a short story for critique (or review for the Short Story Saturdays) is morgen@morgenbailey.com.

The podcast is available via iTunes, Google’s Feedburner, Podbean (when it catches up), Podcasters (which takes even longer) or Podcast Alley (which doesn’t list the episodes but will let you subscribe).

You can read / download my eBooks and free eShorts at Smashwords, Sony Reader Store, Barnes & Noble, iTunes Bookstore and Kobo. And I have a new forum at http://morgenbailey.freeforums.org.

 
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Posted by on March 25, 2012 in ebooks, podcast, short stories, writing

 

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Podcast: Bailey’s Writing Tips ep.49 – scriptwriting

Episode 49 of the Bailey’s Writing Tips podcast went live today, Sunday 11th March, and I talked about scriptwriting and the forthcoming ScriptFrenzy.

Script Frenzy is the sister organisation of NaNoWriMo and rather than the 50,000 words in a month, Script Frenzy’s aim is to write 100 pages of script every April – I had a go in April 2010 and while I found it an interesting exercise, it’s not made me want to be a scriptwriter, although it has made me appreciate the work that goes into each film I watch, and sometimes I imagine it written as a script but then that’s the analyst in me! I liked the story I came out with so a little later I converted it into the beginning of a novel. The rule is the same in both projects; you can plot as much as you like before the beginning of the month (November for NaNoWriMo and April for Script Frenzy) but you can’t start writing the actual story until the 1st then it’s pens down (or fingers off keyboard) as the month ends and while you’re doing it you can keep score online, chat to others doing the same thing and a lot of people meet up. I won’t be doing Script Frenzy this year but I may well use the time structure to do some serious word count to one of the four novels I have as yet unfinished. Douglas Adams was quoted as saying “I love deadlines; I love the whooshing sound they make as they fly by” but I find them invaluable as it’s so easy to let my writing slide.

The episode mentioned the following links:

Books on writing scripts include:

  • Robert McKee’s book ‘story’ provides help on ‘substance, structure, style and principles of screenwriting’;
  • Chris Curry’s ‘Writing for Soaps’ (a ‘writing handbooks’ book) – is packed with tips and sample scripts.
  • I’ve mentioned Teach Yourself’s books before and they publish a screenwriting book.
  • ‘The Screenwriting Workbook’ by Syd Field – exercises and step-by-step instructions.
  • James Ryan’s ‘Screenwriting from the heart’ – the technique of the character-driven screenplay.
  • Don Shiach’s ‘From Page to Performance’ – a study book for drama (Cambridge University Press).
  • ‘How not to write a screenplay’ by Denny Martin Flinn – 101 common mistakes most screenwriters make.
  • Penguins ‘Comedy Sketches’ includes Alan Bennett, Noel Coward, John Cleese, Stephen Fry/Hugh Laurie.
  • Ben Thompson’s ‘Sunshine on putty’ is a behind the scenes look at modern British Comedy.
  • Screenwriting for Dummies which like all the other Dummies books is very user friendly although if you want to write for TV you’ll be disappointed as it’s 95% designed for the big screen.
  • William Froug’s ‘Zen and the art of screenwriting’ and the follow-up, ‘Zen and the art of screenwriting 2’.
  • ‘Writing Dialogue’ by Tom Chiarella (published by Story Press).
  • Rib Davis’ ‘Writing Dialogue for Scripts: Effective Dialogue for Film, TV, Radio and Stage’ which has a link further down the page for Rib’s ‘Developing Characters for Scriptwriting’ – both are published by AC Black.

If you have any feedback or areas you’d like covered in the hints & tips podcasts, do email me at morgen@morgenbailey.com. In the meantime, thank you for downloading or clicking on this podcast and I look forward to bringing you the next episode next week which will be three Flash Fiction Fridays short stories.

You can read / download my eBooks and free eShorts at Smashwords, Sony Reader Store, Barnes & Noble, iTunes Bookstore and Kobo. And I have a new forum at http://morgenbailey.freeforums.org.

 
 

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Bailey’s Writing Tips podcast ‘short stories’ episode no.8

Bailey’s Writing Tips podcast ‘short stories’ episode number eight, part of a series tucked in between hints & tips or red pen critique sessions, went live today.

I’ve been starting off the first few weeks with the flash fiction that have appeared on my blog as ‘Flash Fiction Fridays’, reading out three per fortnight. I am running out so do email me should you like to submit your own.

Today’s are: ‘You are what you don’t eat‘ (981 words) by Joy V Smith, ‘The Red-Haired Girl‘ (100 words) by Smoky Zeidel and ‘A Damned Hot Day‘ (477 words) by Michael C Boxall.

I don’t critique the stories but just simply reading them out and I hope you enjoy this format. I will warn you though that I put on some seriously dodgy accents (the French sounding more Italian at times) for Joy’s story so I apologise to you but especially to Joy!

Joy V Smith was born on a farm in Wisconsin and still love barns and the smell of silage (“an acquired taste,” she says).  She lived in Boston after graduating from college, and is now back in Florida (not retired) where she spent some of her childhood.

After selling wildlife habitat in the country, she bought a foreclosure earlier this year and had to replace the kitchen, among other things. They’d even taken the kitchen sink! Thanks to NaNoWriMo (National Novel Writing Month), which takes place each November, Joy’s now written three novels. Joy’s writing blog is http://pagadan.wordpress.com.

Smoky Trudeau Zeidel is the author of two novels, On the Choptank Shores and The Cabin; a recently-released collection of stories, Short Story Collection Vol. 1; and two nonfiction books on writing which have recently been combined into one book, Smoky’s Writer’s Workshop Combo Set. She is the author of Observations of an Earth Mage, a collection of prose, poetry, and photographs celebrating the natural world. All her books are published by Vanilla Heart Publishing. Smoky lives in California with her husband Scott (a college music professor and classical guitarist), her daughter (a college student and actress), and a menagerie of animals, both domestic and wild, in a ramshackle cottage in the woods overlooking the San Gabriel Valley and Mountains beyond. When she isn’t writing, she spends her time hiking in the mountains and deserts, splashing in tide pools, and resisting the urge to speak in haiku. Smoky’s website is http://smokyzeidel.wordpress.com.

Michael C. Boxall is an expatriated English magazine journalist-turned-novelist currently living in North Vancouver, B.C. He is obsessed with the sales of his newly-published thriller, The Great Firewall. Even for a debut work by a writer no longer in the first flush The Great Firewall had a long gestation. The original idea came after a trip to Shanghai to do a travel piece. It was for a story set in the White Russian community in the 1920s, and it was to be not a novel but a multimedia game. But one thing led to another, and after aborted incarnations as a radio play and a movie script it became what it is now: the story of bankrupt software genius Daniel Skye, “Orson Welles with a laptop,” and his quest to Shanghai to find money for his dream project, and the enemies he makes in the process. You can read more about it (and see more short fiction on the blog) at www.thegreatfirewall.com. Even better, you can buy it at Amazon.com or Amazon.co.uk. Reviews much appreciated.

Thank you for downloading / listening to this short story episode and my other podcasts. They have, up to now, been weekly but I’m embarking on editing my four novels so I shall be dropping the podcasts to fortnightly – one episode of short stories per month, one episode of hints & tips or red pen session.

All the details of these episodes are listed on the podcast page of this blog and my email address to submit a short story for critique (or review for the Short Story Saturdays) is morgen@morgenbailey.com.

The podcast is available via iTunes, Google’s Feedburner, Podbean (when it catches up), Podcasters (which takes even longer) or Podcast Alley (which doesn’t list the episodes but will let you subscribe).

You can read / download my eBooks and free eShorts at Smashwords, Sony Reader Store, Barnes & Noble, iTunes Bookstore and Kobo. And I have a new forum at http://morgenbailey.freeforums.org.

 
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Posted by on February 27, 2012 in ebooks, podcast, short stories, writing

 

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Bailey’s Writing Tips podcast episode no.47 – eBooks

The forty-seventh episode of the Bailey’s Writing Tips podcast was released today and featured two guest blog posts written by author Paul Hurst, on the topic of eBooks.

Back in September (Sunday 18th), I posted Paul’s blog entitled ‘Ebooks for writers: 101’ and the websites mentioned there were http://www.gutenberg.org, http://www.smashwords.com/books/view/52, http://www.smashwords.com/books/view/10166 and http://www.smashwords.com/books/view/47970.

Then in early January (3rd) this year Paul returned with ‘Free ebooks – friend or foe?’.

Both guests posts can be read in full from this blog’s guest blogs page.

Paul Hurst has run his own companies since the mid 1980s. Small, stable ‘niche’ affairs with the absolute minimum of overheads. Two of the companies cover his work as a musician and performer since the late 70s, and as band leader since the early 80s. Working through his business The Solutions Agency Ltd, Paul provides bookkeeping, accountancy, training and consultancy services to a wide range of small companies, drawing on his experience in banking, County Court, retail, management accounting, advertising, building, civil engineering, importing, engineering and now psychology as a student with the Open University.

I concluded the episode with some news: that I’ve almost escaped my day job to be a full-time writer and that I’d received a wonderful email yesterday from a young lady called Ashleigh who had enjoyed (and very enthusiastic about) my free eShort ‘April’s Fool’. It really made my day.

The podcast is available via iTunesGoogle’s FeedburnerPodbean (when it catches up), Podcasters (which takes even longer) or Podcast Alley (which doesn’t list the episodes but will let you subscribe) and this episode lasted 17 minutes.

Thank you for listening to the podcasts. If you have any feedback or areas you’d like covered in the hints & tips podcasts, do email me.

To-date I have posted 270 author interviews. I do one a day and am always looking for more so if you write, regardless of genre or whether you’ve been published or not, do email me (morgen@morgenbailey.com) if you’re interested in taking part.

 
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Posted by on February 5, 2012 in ebooks, podcast, writing

 

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Bailey’s Writing Tips podcast ep.046

Bailey’s Writing Tips episode 46 went live today and featured three blog posts that I wrote for the following interviewees:

JD Mader – published 18.09.11 on being a writer in the U.K. entitled ‘The view from across the pond‘ and another on the art of interviews (to be published).

Fiona Veich Smith – published 17.01.12 on overcoming writer’s block.

The podcast is available via iTunesGoogle’s FeedburnerPodbean (when it catches up), Podcasters (which takes even longer) or Podcast Alley (which doesn’t list the episodes but will let you subscribe) and this episode lasted 14 minutes and 40 seconds.

Next Monday’s episode will feature three pieces of flash fiction from Bob Frey, Theodore P. Druch and Ralph Murray.

 
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Posted by on January 23, 2012 in ideas, podcast, short stories, writing

 

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Bailey’s Writing Tips podcast ‘short stories’ episode no.5

Bailey’s Writing Tips podcast ‘short stories’ episode number five was released today, Sunday 15th January. Part of a fortnightly series tucked in between monthly hints & tips and red pen critique sessions, I’ve been starting off the first few weeks with the flash fiction that have appeared on this blog as ‘Flash Fiction Fridays’, reading out three per fortnight. Eventually I’ll run out so should you like to submit your own feel free to email me (morgen@morgenbailey.com).

This episode’s stories were ‘The Grey Stones and Leaden Cross‘ (520 words) by Issy Flamel (who also brought us ‘The Ruby Stradivarius‘ back in episode 002),  ‘Loss‘ (314 words) by yours truly, Morgen Bailey :) and a 548-worder entitled ‘That old feeling‘ from regular contributor JD Mader who offered his story ‘Green‘ for the first red pen critique session (I’m looking for more of those by the way).

I wasn’t critiquing the stories in this episode but just simply reading them out and I hope you enjoy this format.

The podcast is available via iTunes, Google’s Feedburner, Podbean (when it catches up), Podcasters (which takes even longer) or Podcast Alley (which doesn’t list the episodes but will let you subscribe). Total running time this week was 12 minutes and 30 seconds.

This episode’s contributors were:

When not writing, and being mentioned on The Society of Authors website, Issy Flamel can be found hanging out on Twitter and in the depths of Radio Litopia and WriterLot where you can read equally atmospheric and haunting pieces from the minute-long ‘Cherry Blossom’ to a make-yourself-comfortable 12-minute ‘Gloriana’.

Morgen Bailey, me, is (am) a podcaster, blogger and writer of fiction and articles about writing (a new one’s coming out on Fiona Veitch Smith’s website in the next day or two). My blog is, here, http://morgenbailey.wordpress.com and my eBooks are available on Smashwords.

J D Mader is a teacher and writer / musician based in San Francisco.  He has been fortunate enough to encounter many giving and inspiring people in his life.  He hopes to repay the debt.  And to make enough money with his writing to buy a house. You can help him buy a brick (although I think the eBook is actually cheaper!) by checking out his debut novel ‘Joe Café’ and there will be more soon. He’s done a lot for my blog so probably the easiest way is to read them all is via the ‘Contributors‘ page… just scroll down to the Js (although not too quickly in case there are some other authors you like the sound of :) ).

Thank you for downloading and / or listening to this short story episode. I hope you enjoyed it and I look forward to bringing you another a fortnight. In the meantime, next Monday’s episode will likely be a hints and tips episode as I’ve run out of stories or novel extracts to red pen! So if you’d like to submit yours for consideration (or stories for these episodes) you can email me at morgen@morgenbailey.com. All the links mentioned in these shows are listed on the podcast page of this blog.

 
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Posted by on January 15, 2012 in podcast, short stories, writing

 

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Podcast: Bailey’s Writing Tips Episode 045 – short story hints & tips

Episode 45 of the Bailey’s Writing Tips podcast went live today, Sunday 8th January. In the last hints & tips episode (no.44) before Christmas I gave some exercises and this podcast, because I hadn’t covered the episode since April 2011 and today’s blog interview is with short story author Sarah England, had a focus on short stories. The websites mentioned were:

This episode’s sentence starts were:

  1. Charlie woke up remembering nothing…
  2. Marianne noticed the wedding ring and sighed…
  3. The glass was chipped but…
  4. Jay didn’t see her pour the liquid into…
  5. From her penthouse window Giselle could see…
  6. As Carlo sped away from…
  7. Fran bit her bottom lip as she waited for…

And there were some quotes:

  • “Words are sacred. They deserve respect. If you get the right ones in the right order you can nudge the world a little.” Tom Stoppard
  • “The pen is mightier than the sword if the sword is very short, and the pen is very sharp.” Terry Pratchett
  • “I love criticism just so long as it’s unqualified praise.” Noel Coward
  • “I’m not too keen on characters taking over; they do as they are damn well told.” Iain Banks
  • “The art of writing is the art of applying the seat of one’s trousers to the seat of one’s chair.” Kingsley Amis
  • “I write for the same reason I breathe – because if I didn’t, I would die” Isaac Asimov
  • “Life is not as short as its words. It’s so huge that not even a single man can define its existence.” (written in 2007 by Jette T. Luciano, Philippines)
  • “There are 3 rules for writing, unfortunately no-one can agree on what they are” (Somerset Maugham)

The podcast is available via iTunes (takes a few minutes – latest episode at the top, click on the relevant numbers), Google’s Feedburner (instant – latest episode at the end), Podbean (when it catches up), Podcasters (which takes even longer) or Podcast Alley (which doesn’t list the episodes but will let you subscribe).

If you have any feedback or areas you’d like covered in the hints & tips podcasts, do email me at morgen@morgenbailey.com. Next week’s episode will be three more short stories. You can also read / download my eBooks and free eShorts at Smashwords.

 
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Posted by on January 8, 2012 in ebooks, podcast, short stories, writing

 

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Bailey’s Writing Tips podcast ‘short stories’ episode 002

Bailey’s Writing Tips podcast ‘short stories’ episode number 002 was released today.

This is a new series tucked in between the now-monthly hints & tips and red pen critique sessions and for the first weeks will include the flash fiction that appeared on this blog as ‘Flash Fiction Fridays’.

Because they’re short and, at the moment, I have plenty of them, I read out three per fortnight and today’s were ‘The Ruby Stradivarius’ (at 588 words) by Issy Flamel, ‘Horror story’ (986 words) by Theodore P. Druch and a 999 word ‘Lorna doomed’ by Phoebe Matthews – no critiquing, just simply reading them out and I hope you enjoy this new format.

    

You can read the full transcription of these stories as well as the author biographies on the Flash Fiction Fridays page but then that may spoil your enjoyment of the audio. :)

Next Monday’s episode should technically be hints and tips but as we have a holiday coming up (although I will likely keep these podcasts going, albeit a day or two late with Boxing Day falling on a Monday this year) I plan for the next episode to be a series of exercises, some easy, some less so, for you to complete during your time off work, assuming of course that you won’t be engrossed in all things family – maybe the exercises will be just the excuse you need to escape!

Thank you again for subscribing, downloading and listening to this episode and until the next time. As Issy’s characters would say “Auf wiedersehen”.

The podcast is available via iTunesGoogle’s FeedburnerPodbean (when it catches up), Podcasters (which takes even longer) or Podcast Alley (which doesn’t list the episodes but will let you subscribe).

 
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Posted by on December 5, 2011 in podcast, short stories, Twitter, writing

 

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Bailey’s Writing Tips podcast ‘red pen session’ no.007

This week’s podcast was released today, Sunday 6th November, the seventh of my episodes dedicated to reading a short story or self-contained novel extract (with synopsis) and then talking about it afterwards.

I run a fortnightly critique group as well as critiquing other authors’ writing, which I really enjoy. Please remember that it’s only one person’s (my) opinion and you, and the author concerned, are welcome to disagree with my interpretation – I will never be mean for the sake of it, but hope that I’m firm but fair. I also type the critique as I’m reading the story for the first time so by listening to the episode you will have had the advantage of hearing the story in full before hearing my feedback.

Regardless of what genre you write I hope that this helps you think about the way your stories are constructed and that you have enjoyed hearing another author’s work, the copyright of which remains with them.

Today’s story, from Aaron, was called ‘On the edge’. I read out the story, critiqued it and concluded with: “Twist stories are very hard to pull off (Roald Dahl was an expert and is one of my all-time favourite writers) and Aaron had me fooled. Apart from the end (which so cleverly slots everything else in place) my favourite aspect of this story is that there’s no info. dump at the beginning as so many stories are liable to have. I was continuously picturing one image and it being dispelled by what happens next, and it’s not until the end of the story that it all becomes clear, which is how a reader would want a story of any length to work.

This piece is 1,099 words and some competitions have a limit of 1,000 which Aaron would need to stick to if submitting this anywhere. 99 words doesn’t sound like a lot but when a story is so tight already it may be hard finding them. I mentioned chopping seven words from an early repetition and the description in the first half of a story would be the area I’d look at if anything needed to be trimmed. It’s a great story and should definitely see light of day in a publication of some kind.

If you have any feedback on today’s episode or any other podcasts or aspects of my blog, I’d be delighted to hear from you – my email address is morgen@morgenbailey.com.

And if you’re feeling brave enough to email me a short story or novel extract (with a brief synopsis please) of no more than 1,000-words for these red pen sessions, feel free. I suggest you listen to at least one of the red pen episodes to get an idea of what happens.

Bailey’s Writing Tips podcast is available via iTunes, Google’s Feedburner, Podbean (when it catches up), Podcasters (which takes even longer) or Podcast Alley (which doesn’t list the episodes but will let you subscribe). Episodes include hints & tips (currently episode no.42) and author audio interviews – see this blog’s podcast page for more information. You can also read / download my eBooks at Smashwords.

 
 

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Podcast: Bailey’s Writing Tips ep 042 – back to basics

Episode 42 of the Bailey’s Writing Tips podcast was released today Monday 31st October 2011.

Having spent episode 41 talking about NaNoWriMo I thought it would be an opportune time to cover the basics of writing and talk about ‘show don’t tell’, repetition (not to do it!), dialogue fundamentals and much more.

The episode concluded with a 314-word first-person short story called ‘Lost’ which I will be posting on my Flash Fiction Fridays page on Friday 18th November.

The podcast is available via iTunesGoogle’s FeedburnerPodbean (when it catches up), Podcasters (which takes even longer) or Podcast Alley (which doesn’t list the episodes but will let you subscribe).

Details of the other episodes (interviews, reviews, red pen sessions etc.) can be found here.

 

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Podcast: Bailey’s Writing Tips – Episode 041 (17 Oct 2011) – NaNoWriMo

Episode 41 of the Bailey’s Writing Tips podcast was released Monday 17th October.

The yearly ‘50,000 words in the month of November’ project NaNoWriMo was looming and a topic for conversation on Twitter, especially between one of my followers (also a followee) Catherine Noble and myself. So the idea of doing an episode of my NaNo experiences was hatched and a few days later, the podcast episode aired.

The websites mentioned in this episode were http://nanowrimo.org, http://storyaday.org and http://en.wikipedia.org/wiki/Nanowrimo and concluded with a 257-word first-person short story called ‘Flickering.

The podcast is available via iTunesGoogle’s FeedburnerPodbean (when it catches up), Podcasters (which takes even longer) or Podcast Alley (which doesn’t list the episodes but will let you subscribe).

Details of the other episodes (interviews, reviews, red pen sessions etc.) can be found here.

 
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Posted by on October 17, 2011 in NaNoWriMo, novels, recommendations, tips

 

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BWT podcast – short story – April’s Fool

Normally on a Monday morning I’d release the latest episode of Bailey’s Writing Tips podcast, this week the fifth red pen session. However, it’s not going to be ready til later this week so I thought, as it’s already a day late, I’d read out one of my short stories; ‘April’s Fool’, which runs at just over 1,200 words. This story will feature in an eBook collection due out early 2012 (because I haven’t finished writing it yet :) ).

More details on, and links to access, the podcast episodes can be found here.

Thank you for subscribing, clicking and / or downloading this episode (and the previous episodes – currently 24 interviews, 9 mixed hints & tips, 4 red pen sessions) and I hope you enjoy it. Comments, as always, very welcome.

 
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Posted by on October 4, 2011 in ebooks, podcast, short stories, writing

 

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Transcription of Oundle Lit Fest (March 2011) – Day 5 of 5

The twenty-seventh special episode of the Bailey’s Writing Tips podcast was released on 13th June 2011 and featured the fifth day of five as a volunteer at Oundle Literature Festival here in Northamptonshire, England. The content has never been released other than links on my website.

Sunday 20TH March @ 2.30pm: Katherine Jakeways

Despite having not arrived at the Queen Victoria Hall (my first visit) until 2pm, I was one of the first people to arrive (although the last volunteer), and could hear the rehearsing for that night’s Murder Mystery taking place in the main hall. As I was a member of the public for that event, I was forbidden from entering. So as members of the public started arriving, they joined me in the foyer.

I remained there until just before the event started at 2.30 so I could sneak in the back, armed with my laptop so I could take notes. The hall itself seated approximately 100 people and was pretty much full, with some having bought tickets on the day.

The event was introduced by writer Nick Perry, who explained that he’d met Katherine as a barmaid over 20 years previous and listed some of the other things she’d been in. Katherine introduced Nick Dunhalf (her husband and BBC Radio 2 Arts & Entertainment Correspondent), Paul Foster (director and actor and involved in S1 of North by Northamptonshire and actress Felicity Montagu who I’d recognised immediately and who Katherine said was a hero of hers and mentioned that she’d been in Alan Partridge and Doctor Martin amongst many other things. Katherine then introduced a short audio clip of the beginning of the first episode of ‘North by Northamptonshire’; predominantly a monologue, female narrated (by the great Sheila Hancock) with occasional intersperses from other villagers (played by McKenzie Crook and Felicity). Nick then started interviewing her:

Q: How did ‘North by Northamptonshire’ come about?

A: She went to drama school, started doing comic characters on the comedy circuit in London then did two solo Edinburgh shows and it spawned from there.

Q: Did you come up with the characters or location here?

A: Katherine thought of the hall as being Wadenhoe village hall (a nearby village) and characters who were isolated from each other (played only by Katherine; mostly women and a young boy) and she finds a link between the characters. She said she creates them then finds a reason for them to be together (hotel, family etc) so her idea was they’d met in the village hall (in classes, groups, performances etc). As a result she was asked to put a proposal together from an executive of BBC Radio 4 who’d been in the audience. She’d had dealings with the BBC before (previously submitted once). It was then a joint effort for them, coming up with something that would work in the radio. It was commissioned 2008 then it took two years to write it, being performed in 2010 (draft 15 – first drafts were for stage sketch show and were completely different). She’d originally written it for late night comedy clubs and was told early on that it was going to be aired at 11.30am which restricted the material she could use and she’d planned for her to play all the parts but Radio 4 staff suggested using famous actors which she was more than happy to go along with.

Q: Was it a difficult process changing it all?

A: Yes, she said, but added she’d see what she could get away with in the early drafts but it had been heavily edited to form the final version.

Q: Nick said that her work had always had dark elements but warmth to it and perhaps middle class.

A: Katherine explained that at the beginning, she was finding her feet and had found Edinburgh quite challenging as really she’s more of a warm writer. Wanted ‘North by Northamptonshire’ to be warm.

Q: How did Wadenbrook become a town rather than village?

A: She said that a village was too restrictive and as the town grew it allowed for different ages, backgrounds etc. Having one location, e.g. a hall, would be incredibly boring. She picked Oundle to ultimately base it on as she knew it so well. She didn’t want to call it Oundle as that would be too weird, she said so picked the name Wadenbrook from a mixture of local villages Wadenhoe & Polebrook). Felicity asked her whether the Co-op is now Tesco (to which Katherine explained that the Co-op still existed and said that Tesco would always be ‘Amps’ (obviously a previous name) to her to which the audience agreed). Katherine said that she’d tried to ‘homogenise’ Oundle as she felt that Northamptonshire (Northants) doesn’t have a stereotypical image whereas Yorkshire, Essex or Cornwall do have stronger identities. She went on to say that Northants is the 24th biggest of 48 counties so definitely average.

Q: Nick said they were about to play a clip with a narrator and said there hadn’t originally been one.

A: Katherine explained that as sketches became scenes a Radio 4 employee suggested it should be narrated like Dylan Thomas’ Under Milk Wood, which Katherine found extremely useful as she loves Under Milk Wood and the narrator is the audience’s way into the programme.

Felicity, Paul and Katherine then performed a scene from episode 2 which was hilarious; starting with Mary (played by Katherine) calling in on Jan (Felicity) narrated by Paul. The humour was hilarious with so many play on words (inc Jan asking Mary what her husband Graham did before his heart attack, meaning for living, but Mary replied “well he clutched his chest…”) and that the town was not missed by anyone other than the A1(M) (www.bbc.co.uk/programmes/b00sp454 lists episode / characters). Knowing that there had been 15 drafts did make me feel better but it was so clever that I could imagine the first draft being very skilled.

Nick then resumed the question and answer session by saying that there is a great variety of character ages, although predominantly more mature.

A: Katherine said that she was very fond of the characters she’d made, which I’m sure we can relate to.

Q: Nick then asked her that, once a narrator was decided upon, whether she’d always planned having a woman?

A: Katherine said that as she started writing, she had, mainly because the main characters are women; Jan and Mary.

Q: She was then whether it would have been odd for a man to talk about their relationship?

A: Again she agreed saying that a woman makes it more realistic, and that a man may have seemed sarcastic.

Q: Nick then asked her how Sheila and the other actors became involved?

A: Sheila was perfect, Katherine said, as her background is very working class, although she has a middle-class accent; she’s an ‘every woman’, and she’d had Sheila’s voice in her head when she was writing her, before she was even approached. While they were recording Sheila was doing Sister Act in the West End and a TV programme so they were very lucky she said “yes”. Felicity added it that it was so surreal that she was there during recording which made me laugh that a famous actress (by sight anyway) could still be in awe of the other (I’m sure it would be reciprocated as Felicity is a great actress).

The conversation then turned to the opportunities available and how difficult was it letting go of characters that you’d played – Felicity said she’d really hoped that question was going to be asked.

A: Having brilliant people to play it, Katherine said she could see their interpretation. She was heavily involved in the notes process which a writer normally isn’t and Felicity said that it had really been useful as Katherine knew the characters so well. The conversation went to how the recording was done; an episode a day so there was no time to make mistakes (and no rehearsals or director!). Katherine’s also been involved in Armstrong & Miller on TV where they have a week per episode and because the timescale was so tight with ‘North by Northamptonshire’ she’d requested that everyone meet beforehand. Mackenzie and Sheila recorded their parts separately and apparently Sheila didn’t like it and wants to be there for the whole recording next time, which is great.

Felicity, Paul, Katherine performed another scene from episode 2, which was hilarious; set in the village hall at a karate lesson lead by Esther (Katherine) calling in on Jan (Felicity) narrated by Nick. Esther’s husband Jonathan was played by Paul.

Q: Afterwards, Nick said that she’s working on series 2 now and asked whether she finds the writing process easier now?

A: She said she found it easier starting from scratch, except now knows the characters well so she knows what they’d do. They have a 2-year-old daughter so it’s difficult finding time but can be productive when she can get chunks of time.

Q: So as a writer you need no distractions, Nick added.

A: She said that it’s great working from home but there are too many distractions. So she went to the library for a week (9-5) and did really well.

Q: Nick then said that Series 1 was recorded with no audience; would she do the same for Series 2?

A: She said there were discussions but it was really useful hearing the feedback today with an audience as we laughed at different places to those she’d expected. Felicity said she prefers to work without an audience (for which she apologised) as there’s less pressure. Paul said that they had talked through the script in a meeting with about 12 people with some feedback. Katherine added that radio is guesswork, quite often without an audience.

Q: Nick then asked that having done other work did she glean advice or experience from colleagues?

A: Katherine said one of the most useful experiences was on Extras with Ricky Gervais and Stephen Merchant; they work really quickly and only weekday daytimes. They were excellent at direction, knowing exactly what was required, and gave the advice that if you’re having trouble, go back to original thought of the character and BIN it! So perhaps the character isn’t how it was originally expected. Paul quoted that the 1970s / 80s (1978–83) TV series ‘Butterflies’ (which I watched and loved) had 24M viewers but Wendy Craig spent most of the time in her kitchen, although apparently the scenes people most remember were the trysts with Leonard.

Felicity and Paul performed a further scene, again from episode 2, where Jan and Jonathan meet in a coffee shop. Katherine played the narrator this time and one of the highlights for me was the rather wimpish Jonathan being a volunteer for the Leicestershire Infertile Male Project (LIMP) and wearing a top with the acronym on it.

As we had heard the beginning and saw three scenes from Series 1, a clip of the end of the final episode was then played, ending with Jan coming home from a holiday (which she’d hoped Jonathan would join her on but he’d chickened out) and saw that life was pretty much the same, she just had photographs from the trip to remind her of it. The narrator, Sheila Hancock, then said that everyone has a dream and compared it with real life which was nice note to end on. There were then questions from the audience:

Q: To what extent did you base your characters on real life?

A: They’re inspired by but not based on. Names are similar to or sections of (Jan Baynard’s name was based on a school friend Emily Baynard).

Q: I asked: You clearly enjoy writing scripts, have you ever been tempted to write prose. I’m more of a prose writer but have dabbled in scripts and found them really hard.

A: Katherine explained that she had an acting background and found dialogue and characters easy rather than description and plot then went on to talk, in quite a lot of detail about script layout etc.

Q: Another member of the audience then asked how much editing is done, and whether there a stereotype for Radio 4?

A: Don’t go for anything wildly different. TV is a minefield; too many people doing it. Felicity thinks that Radio 4 has a strong reputation. Katherine doesn’t listen to much Radio 4 but her experience was that she was being pushed to middle class / middle of the road; Felicity agreed that it did tend to be like that but added that she feels that it’s a terrific channel with a wider demographic. Katherine said that she felt that the show was still hers and wanted it to stick to her idea.

Q: Committee member Paula Prince then requested that the Literature Festival featured in it and then asked when Series 2 was going to be released?

A: Katherine said she’s writing it now and said that whilst Series 1 was just four episodes, Series 2 was likely to be six). Felicity championed her writing and said she would have a long career. Paul joked that the extra two episodes would be dedicated to the lit fest, which raised a laugh.

Katherine then said that if anyone in the audience had ideas for Series 2 to let her know, so me being me, waited in the (rather long) queue to speak to her (most of the others having known her when she was growing up in the village) and I asked if she was serious, which she was, so gave her my card.

On cloud 9, I then headed to the remaining coffee shop (of four in the town) that I’d not frequented during my 5 days but found it didn’t open on a Sunday so headed back to ‘Beans’, where Denny later joined me until it was time to go to the evening event; the ‘Rhymer’s Revenge’ murder mystery evening.

Sunday 20TH March @ 7.30pm: Rhymer’s Revenge

One of my Monday nighters, Denny and I were one of the first to arrive and armed with a picnic (the food mostly thanks to Denny) we had a choice of tables. Like the literature quiz the previous Thursday evening, I was attending as a member of the public so didn’t have a clue what was to be expected. Denny, however, had been the previous year so filled me in on everything other that the plot of the story, which differs each time. This one featured a small group of actors in a village including a Lord and Lady of the manor, unscrupulous vicar, a conservationist, a not-so-rich playboy, a tart with a heart and rivalling sisters. As you would expect, there were several threads going through the short play (written by local author Nick Perry) with the aforementioned sibling rivalry (both dating the vicar), a large disputed building project which had the conservationist and Lord of the manor at loggerheads as well as threatening to disrupt the stability of the village. The evening was split into two, in between which we could ask the actors questions to which they could only answer “yes” or “no” – harder than you might think). It turned out that they didn’t know who had done it until they lined up on stage at the end and opened envelopes and read out from cards.

One team guessed the murderer and motive, although it had been suggested during our discussions (by me and another member of our team) but it wasn’t the winning (although it would have been nice) but the whole atmosphere that made for a very enjoyable evening.

Conclusion of volunteering at the Oundle Literature Festival

As you can probably tell by listening to any of these five episodes, I had a wonderful time and despite being the ‘new girl’, I felt very welcomed and would have no reservations assisting again in whatever capacity they would like and that time affords me.

According to the 2001 census (thank you Google) Oundle had 5,345 residents to Northampton’s 194,458 and despite both being towns, it’s hard to imagine Oundle as anything but a village. As Paula said in our interview (special episode 12 – listed on http://morgenbailey.wordpress.com/bwt-podcast) its residents are incredibly friendly and I can imagine that if I lived there I’d see someone I knew every time I went out, something which Northampton couldn’t possibly guarantee. Whilst I live in one of the older and greener parts of my town, I did feel like I’d stepped back in time when visiting Oundle and am already looking forward to next year’s Festival, in whatever capacity that might be.

So, that’s what happened on day 5 out of 5 – links to the transcriptions of the other days are here.

 

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Transcription of BWT podcast: Oundle Lit Fest (March 2011) – Day 4 of 5

The twenty-third special episode of the Bailey’s Writing Tips podcast was released on 6th June 2011 and featured the fourth day of five as a volunteer at Oundle Literature Festival here in Northamptonshire, England. The content has never been released other than website links (on my website).

Saturday 19TH March @ 1pm: Nick Sharratt

The author and illustrator of his and other children’s books, Nick started talking (alongside a slide show) about his book ‘Shark in the Park’. Before we started, Nick had asked me to assist with a couple of his talks, the first being to throw a blow-up shark in time with the final line of the book (which I won’t give away).

Nick showed a picture of him as a child (c. 6) drawing a picture of a house followed by a picture of a street scene he drew at 9 and the teacher thought it good enough to put in the school hall (for quite a few weeks) – Nick was so inspired that he spent all his spare time drawing, then went to art school and since then has been drawing for a living.

Nick then talked about his book ‘The Big Book of Crazy Mix-Ups’ where he asked for ten children to join him on the stage for ‘Nick Sharratt’s Snap. Eight of the children held up coloured pictures (each showing the bottom of a pair). One of the remaining children held a noise box (for when there was a match) and the tenth chose other cards to match the children’s cards and every time two matched the audience said snap and the child pressed a random button on the noise box and the child then holding both cards returned to his/her seat. The child who remained (called Oliver) then picked some items from Nick’s book ‘You Choose’ starting with a Star Trek outfit, some lace-up boots, a backwards baseball cap, some popcorn and accompanied by a zebra. As these were announced Nick drew Oliver wearing or holding them all. Oliver returned to his seat. The next slide was of the covers of Jacqueline Wilson and Nick invited the audience to guess which book cover/character was his favourite. He took four suggestions which didn’t match the answer: Tracey Beaker which Nick then drew on the flip chart and talked through the next few slides of animations from the Tracy Beaker TV series. The next slide featured the front cover of ‘Octopus Socktopus’ and Nick asked a child from the audience (a young lady called Georgina) who drew a magnificent Octopus… suggestions from the audience then inspired Nick to draw a sea horse, a (strawberry) jellyfish, some seaweed, a clownfish (complete with large red nose. Nick (as Leigh moved the slides on) then read through the ‘Octopus Socktopus’ with the audience guessing what the Octopi would be called. The next book was ‘More Pants’ a rhyming book co-written with Giles Andreae.

Nick then taped a red fish to the flipchart alongside which he wrote ‘Really Rosy Red Fish’ before asking the audience for three words rhyming with red (bread, bed and said were provided) for which the audience had to vote one (bread) which lead to Really Rosy Red Fish Tasty Wholemeal Bread Fish, then a Gratuitously Green Fish (with provided words of scene/seen/runner bean) became a Gratuitously Green Fish Giant Runner Bean Fish, followed by a Super Sunshine Yellow Fish (with a word choice of mellow, marshmallow, bellow) became a  Super Sunshine Yellow Fish Fancy Marshmellow Fish. The audience then chose a pink fish (from the choice of pink, brown and mauve) which became Pretty Pastel Pink Fish Low Cal Fizzy Drink Fish.

Nick then introduced his new book ‘What’s in the witch’s kitchen?’ which had options on each page to turn flaps left or right, up or down and started with a fridge with cheese (left) or a bowl: with toffee popcorn (left) or slimy frogspaw (right) then a cooker which revealed a cherry tart  (up flap) or lizard’s fart (down) and other delightful options before finally having a door open with a witch saying “boo” to which Nick played a black noise box with a witch’s cackle.

He then moved on to his book ‘Pants’ which he read again alongside the slides, occasionally playing a variety of coloured noise boxes ending with ten fathers invited from the audience to play blow-up guitars to an Elvis sounding recording singing the words from the story.

The event then ended with Nick handing out the prize-winners of the children’s writing and poetry competitions. Leigh then summarised Nick’s work, thanked him for his attendance and invited the audience to have his books signed. The talk lasted about an hour but with a large proportion of it being interactive with the audience it flew by, and being his second appearance at the festival is bound not to be his last.

Saturday 19TH March @ 3pm: Simon Scarrow

Simon set the informal scene by saying that he would round up in plenty of time for the 5pm kick-off of the Wales vs Scotland rugby match. He said there are half a dozen other authors’ Roman series available, one on the Roman navy which he’s pleased about – he explained that when he was writing the sixth book in the legionary series, Eagle’s Prophecy, it horrified him how little information there was available on the Roman navy. He said that there was the image that everything was monochromic depiction but it was actually colour-laden and the TV series ‘Rome’ was very accurate. He introduced the book Gladiator; the first of his books for young adults. He told the audience of his restrictions (no sex, no violence and especially difficult, no killing) by his Puffin editor proved a challenge. He’d tell stories to his sons as he walked them to school so he wrote in a similar vein which he found helped greatly. His young adult books have been sold in the US to Disney – handy as they produce films; even just apparently saying “boy gladiator” had them hooked. He writes 4 books a year, and developing a film with his brother Alex and a former student.

Simon explained that his main interest in school was history as it’s where all the best stories are and he had good History and Latin teachers at school – the history teacher being ‘old school’ who loved telling history as stories with passion.

He then quoted a saying: he who controls the past controls the present, he who takes control of the present, controls the future. And he totally agrees saying he loves Wikipedia and he went on Google Earth and looked at Jordanian desert; saw almost intact Roman fort (some damaged due to earthquake); nearest settlement is Bedouin camp 5-6 miles away. Nothing to see for miles around so he wondered why it was built? He thinks it was either to guard camel trails or as a meeting point but pointed out inaccuracies can exist with Wikipedia etc so has to be careful but still invaluable.

Simon was then asked how far in advance he works? He said that as he researches he gets other ideas. He doesn’t plan each novel but writes a one- or two-page synopsis as the characters tell the story and he writes it down; it’s always lovely to find out what’s going to happening. He said he doesn’t enjoy beach holidays as he’d much rather explore and gets ideas. I can relate to that.

He was then asked whether he’d write a book about Pompeii? He said it had already been done by Robert Harris and (better he thinks) by Caroline Lawrence for young adults. He had thought of ending his legion series with the two main characters retiring in a lovely sunny resort… Pompeii (to which the room laughed).

The next question was about whether history was too big and is getting even bigger and that history pervades every other subject, to which Simon replied “absolutely” and recommended Ken Robinson’s Ted lecture on YouTube. Simon added that there has to be a need to generate creative literate people, that we don’t know what Britain will be like in 10 years time as technology is so quick.

Simon was then asked when he creates his characters; how does he get into the mindset of a Roman? He replied saying that it’s a real myth that you can get into the mind of anyone who lived 200 years plus; and even find it difficult to get into the mind of his 14 year old son. Having said that the Roman army is not totally dissimilar from more recent armies.

The next question related to what percentage of time Simon spent doing research? He said you should go to the location of each book to check the authenticity and do lots of reading of the era, with more research required on well-known figures such as Wellington and Napoleon; half writing, half research.

I then asked out of him or his brother Alex, who started writing first, who was published first and is there any sibling rivalry?

Simon told me that he loves Alex’s books. As children they’d sat over dinner talking about stories; ghost stories, sci fi etc with their older brother (who has no interest in writing).  However, Simon’s sons are writing, as are Alex’s sons and Simon and Alex’s father is.  He added that writers make the mistake of writing for yourself and not for what other people want to read.  He reads and recommends Lindsay Davis. CS Forester’s Hornblower and wants to read books about similar characters like Hornblower but set in Rome – never planned to sell but thought he would when he’d finished them and the rest is… history!

Finally Simon was asked what he was writing next and he explained that his latest is set in Rome and has eight more planned then will go on holiday for more inspiration.

Once Simon’s event had finished, he announced the winners of the short story competition and I’m very proud to say that the first prize went to one of my writers; Denise (better known to us as Denny). She had been invited to the event, which I knew and we’d surmised that she would have therefore been in the top three, but didn’t know until the event that there was only a top prize and that she had won which was a lovely surprise.

Simon then gave his feedback on Denny’s story; loving the sparseness and beautifully convincing – compared her story to Rosemary Sutcliff’s writing!

Saturday 19TH March @ 5pm: Warwick Davis

Warwick started off with an introduction video to the films he’d been in. He said he came to Oundle Lit Fest a few years ago to watch Michael Morpurgo not realising that he’d be an author. Actor for 30 years. Wrote because someone said he should. Living life at 100 miles an hour and doesn’t really take note. Sat down to write down what he’d done; highlights – Harry Potter, Willow, Star Wars. Made him appreciate what he’d done. Now he takes note of what he does and life around him. Started at the beginning; growing up, school days, acting career (main feature), ‘short’ film making, Willow Personal Management (which he runs with his father in law) and his personal life.

Born in Epsom, 3rd Feb 1970 he showed a picture of him on the phone – he said to Stephen Spielberg (to which we all laughed). Then he showed a photo of mum, sister and him saying his parents had encouraged him to get on with things rather than help him too much. The next photo of him in school uniform created an ahhh, and he joked about not getting into the sandpit at long jump, and ducking under the hurdles. He loved woodwork every Sat morning where the teacher asked students to decide what they wanted to make. Most of the tools were too big for him so he decided to make a pair of stilts and spent a whole term making two lengths of wood. It was clear that he has fond memories of school.

Acting career: started in Return of the Jedi aged 11. How did he get into acting? Showed an excerpt of 23 minute show called Return of the Ewok which had never; Roy Kinnear – played Wicket the Ewok. Hilarious short movie including Harrison Ford, Mark Hamil, Carrie Fisher, Darth Vader etc. His nan heard an advert from Lucas on the radio but didn’t want to say something initially so as not to offend his parents. Left it a few days then finally said something then they phone the studios who’d said they’d had enough people but his nan persuaded them and three weeks later he was on the set with his screen heroes.

Willow (when he was 17) was the first film where he’d appeared without a mask and he talked about filming it with Val Kilmer, saying that Val likes to make jokes and he recalled taking a first class plane trip to New Zealand; wearing fake Ray Bans which Val had snapped them in half before giving him a real pair saying “these are much cooler”. Warwick then showed us a picture of him in a boat in Pinewood’s filming tank (one of the largest filming tanks in the world) where he’d spent two weeks in the tank in incredibly stormy conditions and the clip apparently had never made the final film, but hopefully the DVD extras.

Leprechaun – first movie where he’d worn prosthetics. Some of the audience had seen it and Warwick said that to celebrate St Patrick’s Day this year there’d been viewings of all six leprechaun films.

Hitchhikers Guide to the Galaxy: played Marvin the android in the 2005 film. His suit had been filled with a camera, a fan (as it had been ridiculously hot) and it weighted 56 pounds (whereas he only weighs 80 pounds). As imaginable, it was very difficult to walk and act at the same time.

In Harry Potter he’d played Professor Flitwick in the first two movies and returns in the latest. He also did the voice to Griphook in the first movie and plays him in the flesh for Deathly Hallows. He compared Oundle School’s Great Hall to Harry Potter’s hall. For Prof Flitwick, he explained, there was very little description about him in the book, so he had added his interpretation; he’d a teacher so would impart knowledge in a very quick fashion, he’s over 100 so his knees would hurt. Then Warwick encouraged some audience participation with us pretending we had a wand (for which we pretended to swish & flick) and a feather (when we quoted “wingardem leviosa”).

He explained that he’d started making short film aged 12 with him and his sister –

pic 1: all because the lady hated Milk Tray (he gets bumped off)

pic 2: war movie

pic 3: nightmare (and it was – he said)

pic 4: outing using pictures

then played 2m movie from 1980s called video nasty (really clever idea). Recommended making movies from a phone or video camera with a computer. He then showed an animated video that his children had made (featuring Professor Flitwick).

Willow Personal Management is the world’s biggest agency for ‘short actors’. Represents over 120 actors under 5ft tall and a dozen or so actors over 7ft. Working on a project called ‘Jack the Giant Killer’ (remaking of Jack the Beanstalk).

Then talked through the process of prosthetic make-up; the gl (some made of foam, latex, silicone, gelatine (Haribo: peel it off and eat it!). then showed a short video of how this is done. Life Cast: making of a death mask. Mix it up with ice cold water otherwise it sets within 30 seconds; when it’s on you can’t hear, can’t see, can’t smell.

When chemical reactions take place it becomes warm and soothing. Then put some cotton wool before bandages when it gets very hot. Very used to it; once or twice a year. Whole process takes about 30 minutes. Showed photos of the makeup added to the masks. Attributed the ability to play the parts to the make-up artists.

The question and answer session then followed and he was first asked how many films he has been in? He said he wasn’t sure but probably about 40. He said he’d have to check on IMdb. I have since done so and it lists 55 attributions but that does include TV, video games and some duplications.

He was then asked what character he was in Labrynth, to which he said he’s been a goblin called WW2 (gas mask) and But Pot (bird like Goblin). When asked he said he’d not done a voice over for any animated films but would like to. He said he’s dropping hints and has an idea for Doctor Who; he thinks that when the Dr regenerates that something goes wrong and The Doctor regenerates into Warwick! Then when he goes into the tardis it’s actually smaller than it appears on the outside. He was than asked to pick his favourite role? He replied saying Wicket the Ewok held with special fondness as first character but he couldn’t choose one.

Q: Do your children want to act?

A: If they wish to yes. We are working on ‘Jack the Giant Killer’, I know how difficult it is so wouldn’t push them. They are both very good (but also very good at school). They are (and his wife) are in the Deathly Hallows.

Q: What was your favourite short movie that you’ve made?

A: The outing – it was fun because it was the first one and won some awards.

Q: Were you ever bullied at school?

A: great question; had names (lanky – audience laughed) but it didn’t bother him. Had a larger than life character so it didn’t bother him; needs to believe in yourself. He took part in Celebrity Scissorhands; school careers adviser would have said he wouldn’t have been able to do it (“short back and sides”).

Q: Which director or actor would you like to have worked with?

A: Stephen Spielberg, John Hughes, John Candy, Chevy Chase. Loved Steve Googhan and got to work with him, ditto Ricky Gervais etc. (he’s starred in Extras)

Q: Did you get lost again as the Ewok video?

A: Buy the book it’s in there… oh what happened next as I walked off? Parents put their Sunday best on… and would have appeared to fetch him; walked up forest hill.

Q: Have you ever been interested in theatre?

A: Yes. Never done any Shakespeare. Did panto with Kate O’Mara and has but behind the scenes. Has done some radio plays. It’s a really good discipline; it makes you realise how easy film is (several takes).

BBC2 ‘Life’s too short’ later. Plays a different version of himself; Warwick Davis with a bigger ego (Johnny Depp said yes!). Starts shooting in June.

Warwick ended his talk by his alter ego reading an excerpt from his autobiography ‘Size matters not’. His website includes links to his Facebook and Twitter pages.

The event culminated with the older children’s writing competition prize giving.

Saturday 19th March @ 7.30pm: Michael Wood

With few available seats available downstairs, Denny and I sat in the balcony area of the Great Hall and had a spectacular view of the stage. Michael was introduced by Ian Browne. Michael said he’d filmed the first ‘In the search of the dark ages’ (to which the audience laughed) – Oundle made the book but not the film with it’s connection with Eric Bloodaxe. He’s made more than 100 films and his academic background is on British history. He first talked about his association and focus on Kibworth (in Leicestershire; about 40 miles from Oundle) and the history of the town including its medieval documents. Every place has its story, every place has its drama, its clues. Said that as Kibworth grew it became two parishes then went on to explain the differences between Kibworth Harcourt (posh) and Kibworth Beauchamp (working men); interviewed a lady who knew the history and said that KB folk weren’t allowed to go through the KH church doors (not even for a wedding or funeral) and even that they should have separate sewerage systems. He talked about the council estate in KB being created in the 1940s/1950s and with the lack of central heating had icicles on the windows (to which many of the audience, it was clear, could relate). The next slide featured a historical hand-written document, an extract of the Doomsday Book, showing that Kibworth was formerly known as ‘Cliborne’.

The next slide showed what initially looked like a picnic but it actually showed six adults (mostly women) and one child at an archaeological event where back gardens and fields around the village of Kibworth were dug up to see if they could find anything. This resulted in a mound of broken pottery (household; plates, chamber pots etc.) and produced such enthusiasm (not least by Northamptonshire pottery expert onsite) that some wanted to dig entire gardens to see what else could be unearthed. Michael then continued to talk about previous digs that had taken place and other items (including coins, brooches and pottery, including complete Roman vases) found before moving on to how the village developed in more detail, with stills of other historical documents and farming sections on simple aerial plans. One family he’d researched were the Browns which lead him from Kibworth to Coventry and one particularly picturesque photograph showed lovely old buildings which were then lost since 1945. Nick then went on to explain that literacy was very important in medieval times with uncatalogued local records found going back to the 1400s. The final slide was of the villagers having gathered round outside their local pub with a board saying “Join the Kibworth dig 25/26 July”. A question and answer session followed:

Q: You said you were particularly interested in medieval

A: I like all eras of history but there’s something about the dark ages where people have to go back to basics, law etc. He explained how cruel a time it was e.g. death sentences against children etc. Another favourite era was the 1590s with Shakespeare etc.

Q: One member of the audience made reference to Michael’s CV and said he wanted to add an item to it, having played some of his videos when he’d taught archaeology at school. He then mentioned that he’d met a former student and said he was going to Michael’s presentation and did the student remember him and flared trousers he wore were remembered fondly.

A: He said his flared trousers had become a Trivial Pursuit question so that’s when he knew he’d really made it. :)

Q: Made reference to bailiff – farm bailiff and where the phrase came from.

A: Not a bailiff expert but said the word came from French but used in Anglo Saxon times and were farming terms – an agent of the Lord of the Manor.

Q: When you started doing the series on Kibworth was there anything surprising that you hadn’t expected to find.

A: Michael talked about how much work was put in – one colleague asked him whether they would find anything but he said that at every point there were incredible things and quoted the butcher’s letter from 1440 and military papers.

Q: Did you or would you do a follow-up to the Kibworth series?

A: Michael spoke fondly of his time there and they went to a party at the cricket club. He said a child had said to him that he has to come back. When Michael asked why the boy said “because you’ll want to know what happens to us in the future”. He then talked about doing a programme about the nation and said that he would (love to) have to include and return to Kibworth because they’d only scratched the surface and there was so likely to be much resource to be found there.

Ian then rounded off the evening with a short speech thanking Michael calling him the ‘Heineken’ of historians (which raised a laugh from the audience).

So, that’s what happened on day 4 out of 5 – links to the transcriptions of the days 1-3 are listed here and day 5 will put listed when it’s posted.

 

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Transcription of BWT podcast: Oundle Lit Fest (March 2011) – Day 2 of 5

The eighteenth special episode of the Bailey’s Writing Tips podcast was released on 9th May 2011 and featured the second day of five as a volunteer at Oundle Literature Festival here in Northamptonshire, England. The content has never been released other than website links (on my website http://www.morgenbailey.com).

Thursday 17th March: Sarah McIntyre, Children’s Illustrator & author

Introduced by Committee Member Leigh Giurlando, she explained that Sarah’s London studio, based in London, was a former police station which Sarah renamed The Fleece Station after her love of drawing sheep. Sarah initially talked about her children’s book ‘You can’t eat a princess’, featuring Princess Spaghetti, which she read out to the wonderfully enthusiastic audience of Years R, 1 and 2 (5-7 year olds) alongside projected stills of the book. Every few seconds she’d ask the audience questions and each time dozens of hands went up in the air. Looking around the room, all eyes were on Sarah in her colourful pink dress, furry bolero and jewelled headdress, especially captivated when she imitated voices of the characters including aliens, monsters, Princess Spaghetti and her father King Cupcake.

Sarah explained that she has been drawing since she was a toddler and professionally since she was the same age as the children she was speaking to, carting the pictures around her neighbourhood selling some for 10c. Other slides included early sketches of Princess Spaghetti and her father (which looked nothing like the finished characters). The rear inside cover of the book has about a dozen of nameless aliens so the next few minutes were spent with the children naming them with suggestions including Giggly, Jemima Cupcake, Greedy and Mr Five Eyes.

Sarah then drew an alien on a flip chart starting with a basic semi-circular body shape and three feet, each with three toes. Next she asked for a number of eyes and ended up with nine; one close to the body and eight on long stalks. With help from the children, she gave it a huge open mouth with five triangular teeth then added long lashes to the eyes. Giving it fish breath (delightfully depicted by a curly line with a fish at the end of it) and then seven arms, one holding his favourite food: poo ice cream. A long stripy curled up nose then followed just before another arm held a pen flavoured hot dog, topped by delicious blue mud. He was then given seven spiked hairy ears, pink pointy punky hair and a large pink moustache. Finally two of the children added some facial hair and suggestions from the children lead him to being named ‘Silly Bogey Rudra’. A poo tree was then added to the picture.

Pencils and pre-printed sheets with the original body shape were then distributed to each child who took to drawing their own alien with help from their teachers the festival volunteers. I was on pencil duty until everyone had them so I joined in providing limb suggestions.

Sarah then moved on to drawing a spaceship which she did again with initial suggestions from the children, allowing time for the children to draw their own on the reverse of their sheets while she continued hers.

Mentioned briefly at the start, Sarah’s other books include ‘Morris and the Mankiest Monster’ and ‘Vern and Lettuce’, and all three were available for sale at the Oundle Bookshop stand.

Once the spaceships were drawn, it was time for a Q&A session:

She was first asked whether she enjoys drawing, to which she asked the children whether they had enjoyed drawing your ship? (a resounding yes) and replied “Well, that’s the fun I have all day”. Next Sarah was asked whether she draws flowers and she showed us a mouldy flower she’d drawn in one of her books. She was then asked what it’s like to be an author? She said, “it’s really fun – I get to go places like this and I get to work with other authors, she then mentioned that one of her friends draws for the Beano but then said that sometimes it’s hard work.

To the question of what her drawings look like, Sarah explained that the initial drawings often look quite different to the finished version, as we had seen earlier with the Princess and King pictures. She was asked how much did she have to pay?

First of all I had to pay for printing, ink etc but then when you get successful people pay you. The final question was ‘How do you make the front cover?’ to which Sarah explained that she sometimes has to paint (ink and watercolour) the cover two or three times, although she said the ‘You can’t eat a princess’ book was right first time.

After the book-signing the children were then escorted back to their coaches and I was incredibly impressed at how organised they were, walking hand-in-hand, in pairs, out of the Great Hall in small, but uniformed, regiments.

Thursday 17th March: Literature quiz

I arrived back at the Great Hall after spending three hours wandering around the town (including a trip to Oxfam where I bought a notebook and DVD) and found that the hall was filled with tables in preparation for the evening’s literature quiz. Events Manager & Committee Member Simon Price, some of the other volunteers, and I then covered them with tablecloths while Community Events & Committee Member Paula Prince covered the main top table with a variety of wrapping paper, shoe boxes and other oddities. With a few minutes to spare before people arrived for the quiz, I was able to chat to Paula which was recorded as the first half of special episode no. 12, released on 22nd March.

As I was there in the capacity of paying member of the public, Paula wouldn’t let me in on any of the secrets (rightly so) and I’m glad she didn’t as not knowing made it all the more hilarious when she gave us the instruction to make her a present and wrap it in the shoe boxes. Two of my team mates were artists so made her a fantastic pair of biscuit and wool earrings, beautifully wrapped in a bowed box. In between the tasks we had rounds of questions on a variety of themes, during one of which we could play a joker. We decided to play it on the children’s round which turned out to be our strongest and I learned the next day that although we’d not won (the team who had, had won the previous year) we had in fact come second.

So, that’s what happened on day 2 out of 5 – links to the transcriptions of the other days will put listed on http://morgenbailey.wordpress.com/bwt-podcast when they’re posted.

 
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Posted by on September 27, 2011 in events, LitFest, podcast, writing

 

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Transcription of BWT podcast special ep.12: Oundle Lit Fest (March 2011) – Day 1 of 5

The twelfth special episode of the Bailey’s Writing Tips podcast was released on 22nd March 2011 and featured the first day of five as a volunteer at Oundle Literature Festival here in Northamptonshire, England. The content has never been released other than website links (on my website http://www.morgenbailey.com).

Running from Saturday 12th to Sunday 20th March, I attended the Oundle Literature Festival from the Wednesday until the Sunday evening. Welcomed warmly from the start, I pitched in and undertook a variety of tasks from putting out chairs to helping children draw spaceships, from selling quiz sheets to buying Mark Billingham a bottle of beer (one of my highlights!).

Wednesday 16th March 1.30pm: Andrew Lane (Young Sherlock Holmes)

Having been to the Oundle Literature Festival the previous year, as a member of the public, I had no trouble finding the Great Hall where the first event of the day was due to take place; with fiction author Andrew Lane. I arrived early while Andrew was setting up so had the opportunity of chatting to him before the children arrived when I helped direct them to their carefully chalked areas, lead by Kid Lit Committee Member Helen Shair.

Andrew introduced his talk by providing the path he had taken to writing from Dr Who books and Wallace & Gromit to the Young Sherlock Holmes books that were being promoted at the Festival.  A life-long fan of Sir Arthur Conan Doyle’s character, Andrew had previously included Sherlock in the Dr Who books and talked about him and his capabilities (chemist, violinist, actor, boxer, fencer). Explaining that Doyle had written him over a 30-year period he’d had to adapt the stories as cars, planes and telephones were introduced for authenticity. After Doyle’s death other authors adopted the character incorporating him into their stories so he featured in science fiction, horror and even appeared with Batman & Robin and Tom & Jerry! Andrew mentioned Sherlock’s brother Mycroft who was incredibly intelligent but far lazier than Sherlock, so much so that if people (say, the police) wanted his help they would have to go to him! Andrew then introduced his three Young Sherlock Holmes books, explaining that the first was set in the UK, the second in the US and the third (due out in June 2011) set in Russia, then showed slides of other depictions of young Sherlocks and comedy adult variations including Peter Cook & Dudley Moore, and John Cleese & Willie Rushton. With a hall full of over 300 school children and accompanying adults, Andrew held their attention (and mine) all the way through so it wasn’t surprising that the Q&A session produced a forest of hands. Andrew was first asked why he had written Sherlock Holmes as a teenager to which he answered that it hadn’t been done before and he’d been intrigued as to what could have made Sherlock the complicated character that he’d grown up to be, Andrew explaining that he plans to write a series of 9 books, all in close liaison with Sir Arthur’s Estate. The second question asked why Andrew had become a writer? Andrew had read a story by Terry Nation in a particular issue of Radio Times celebrating the 10th anniversary of Dr Who and was so gripped that he’d not wanted to do anything else, especially since he had a very encouraging English teacher at school, although it had not made him want to study English at University favouring the sciences instead and said how logical Sir Arthur’s writing is. Andrew then revealed that his next book is going to be set in Edinburgh and will feature bodysnatching but in a realistic way rather than relying on zombies etc. Talking about his writing, Andrew was then asked how easy it was to describe a young Sherlock Holmes to which he explained that it was on the surface, his external attributes, but internally was much more difficult for instances when he was scared or vulnerable as it would pave the way for his adult complexities. The next question focussed on Andrew’s favourite aspects of Holmes to which he replied that he loves the fact that he jumps from one thing to another; his ability to analyse people from their outward appearance then explain the steps behind his conclusions. When asked if there was anyone cleverer than Sherlock, Andrew quoted Stephen Hawking but said that the great power of fiction is that you can make anyone anything. To the next question, Andrew said that, alongside his day job and book promotions, he writes about 1,000 words a day which he said equates to about 4-6 months for a 70,000-word novel so can write 2 books a year.

Once the event had finished, books signed and everyone had left, I headed to ‘The Coffee Tavern’, one of four coffee shops in the town. Having been recommended to me by one of my writers, I could see why as it felt like a traditional village café with a friendly atmosphere and I was more than happy to stay there until six o’clock when I returned to the Festival.

Wednesday 16th March 7.30pm: Nigel Warburton (Philosophy Bites)

Set in the Great Hall’s other ground floor room, chairs were set out in the evening for the tickets sold plus a few spare but it soon became apparent that more chairs would be needed and by the time the talk started, the room was packed to (almost) bursting; a sign of Nigel’s popularity. Not surprising, since we learned in the introduction that his podcast has had over 9 million downloads (3 million since the festival’s brochures had been printed) and Nigel was currently 81 in the Twitterati tables. Nigel started his talk but discussing current news items and his views on them. Comparing the recent Japanese earthquake to one which took place in Lisbon, Portugal in the 18th century. This lead on to the question as to whether God exists, Nigel stating that he is an atheist, which raised an audience-led debate. Nigel then set a couple of dilemmas, the first of which was: if someone was on a train track with a train bearing down on them on one side of the points, and six people on the other side, who would you save? What if the six people were criminals and the one an innocent child? The audience, in the majority, went for the ‘greater good’. Nigel then moved on to talk about free speech before quoting John Stuart Mill’s ‘Dead dogma’ argument of the 19th century, Nigel explaining that views need to be challenged before going on to explain that philosophy is a particular way of thinking; that it challenges questions about reality – getting right what the world is; about thinking critically and not accepting on trust.

The Question and Answer session started with Nigel being asked how philosophy has changed his attitude to his life? He told us a true story about his wife having left her mobile on a taxi and the taxi-driver had rung the number marked ‘home’. Nigel then arranged to meet him in Brompton, Greater London and when he later rung the taxi driver to meet him, it turned out that they were already in exactly the same spot at the same time. He was then asked whether philosophers ever have a direct answer to which Nigel quoted Carl Marx and said that it was a case of asking the right questions, although he admitted that not all would be answered in a lifetime. The discussions then turned to good vs evil and nature vs man. A member of the audience asked how much bad do we need to experience to appreciate the good, to which Nigel compared it to a small black mark on a white canvas before recounting an incident in Australia where a thief had stolen a car with a child it in. He’d abandoned the car in a rural area on a very hot day and it wasn’t until he was under significant pressure that he told of the location (and the child was saved). It was agreed by most that it was right for the thief to be coerced in order to save the child. Nigel then lightened the mood by cracking a budget-related joke where a maths teacher asks for a table, paper and a wastepaper bin; the philosopher then beats that simple request by saying that he wouldn’t need the bin.

As with all the author talks at the Festival, the Oundle Bookshop had books for sale, with some even selling out, and Nigel too had a long queue of people wishing him to sign books for them.  I had a quick chat with him, talking blogs mainly, and it was him saying that he has 1,000 hits a day to his (I’m 1/7th of the way there :) ) that inspired me to start mine.

So, that’s what happened on day 1 out of 5 – links to the transcriptions of the other days will put listed on http://morgenbailey.wordpress.com/bwt-podcast when they’re posted.

 

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Podcast: Bailey’s Writing Tips – Episode 040 (26 Sept 2011) – auto/biographies

Episode 40 of the Bailey’s Writing Tips podcast was released (early) on Sunday 25th September and, because I hadn’t covered this topic since episode 22, had a focus on biographies and autobiographies culminating in a flash fiction freebie. I started by explaining the difference between auto- and biographies: biographies are books written about people by someone else and autobiographies are written by the ‘celebrity’ themself (often with a ghostwriter – I have a really interesting guest blog coming up in November about ghostwriting by a prolific author of that genre; Andrew Crofts). The websites mentioned in this episode were:

The episode concluded with ideas, sentence starts, feedback (from a listener called Jules – thank you Jules :) ), On This Day in History, and a 380-word first-person short story called ‘Feeling like a child again’.

Details of the other episodes can be found at http://morgenbailey.wordpress.com/bwt-podcast.

 

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Transcription of BWT podcast episode 31 (Mar 2011) – hints & tips

The thirty-first episode of the Bailey’s Writing Tips podcast was released on 28th March 2011 and the content has never been released other than website links (on my website) so I hope you find this information useful. In the first thirty episodes (see http://morgenbailey.wordpress.com/bwt-podcast for details), I covered ‘show not tell’, the five senses, repetition, points of view, tenses, dialogue, characters, crime, poetry, short stories, novels, writing for children, scriptwriting, comedy, romance and chick lit, erotica, ‘writing rules’, historical & the classics, name & characters, Christmas, opportunities, songwriting, reading, auto/biographies, computer tips (parts 1&2), competitions & submissions, romance, hints & tips (parts 1&2), short stories and scriptwriting. This episode had more hints & tips.

Hints & tips

  • Crime writer Mark Billingham (who I met at the Oundle Lit Fest) says: “My advice is to write the kind of book that you’d like to read. Don’t hold on to what you’ve written for too long; get it out there. Don’t fiddle with it too much. James Lee Burke said a book is finished when ‘nothing rattles’. As soon as it’s rattle-free, leave it alone.” Another quote I loved was “Hendricks is a character I’m very fond of and if I came up with a vehicle for him, I would happily climb on board.”
  • Margaret Atwood has ten tips for writers’ block: 1. Go for a walk, do the laundry or some ironing, hammer some nails, go swimming, play a sport – anything that requires some focus and involves repetitious physical activities. At the very least: take a bath or shower; 2. Read the book you’ve been putting off; 3. Write in some other form – even a letter or journal entry. Or a grocery list. Keep those words flowering out through your fingers; 4. Formulate your problem, then go to sleep. The answer may be there in the morning; 5. Eat some chocolate, not too much; must be dark (60% cocoa or more), shade-grown, organic; 6. If fiction, change the tense (past/present or vice versa); 7. Change the person (first, second, third); 8. Change the sex; 9. Think of your book-in-progress as a maze. You’ve hit a wall. Go back to where you made the wrong turn. Start anew from there; 10. Don’t get angry with yourself. Give yourself an encouraging present. If none of this works, put the book in a drawer. You may come back to it later. Start something else.
  • www.ideas4writers.co.uk produces a yearly Date-a-base Book and the 2011 edition “lists over 1,900 historic anniversaries that will occur during 2011, giving you plenty of time to write about them” they say.
  • Gail Sher (author of ‘One continuous mistake’) said that there are ‘four noble truths of writing’: 1. Writers write, 2. Writing is a process, 3. You don’t know what you are writing until the end of the process, and 4. If writing is your practice, the only way to fail is not to write. In other words, just put pen to paper and see what happens. Final drafts are usually very different from first drafts so don’t worry if it doesn’t sound perfect or anywhere near perfect – it rarely does first time round.
  • http://novelopenings.blogspot.com has lists of novel beginnings and some are fantastic. Whilst you won’t be able to steal them, they may show you what works (or perhaps doesn’t work). An article on Suite 101 may also help. www.infoplease.com/ipea/A0934311.html is a top 100 is the 100 Best First Lines of Novels as chosen by the editors of American Book Review. My favourite is no. 49 (Iain M Banks).
  • A writer’s block tip I’ve heard is that if you’re struggling, leave the last sentence you’re at half-done and that’ll inspire you to carry on when you return to it. I found this out during our first workshop when we picked sentence starts as mine was a complete one; I really struggled continuing it but got there.
  • Another tip I’ve heard is to listen to dialogue in a film, fictional TV programme or play. Does it sound realistic? You wouldn’t leave in all the ‘ums’ and ‘erms’ or real dialogue but what works and what doesn’t? It’s often quite common for people to interrupt each other (which would be written with ‘…’ at the end of that last word) and this speeds the dialogue up even further. Without going overboard, give great consideration on how the age of the person would speak; a teenage is very different to a pensioner…in theory anyway, although having your pensioner say “hey dude” could be fun.
  • Another recommendation is to pick a random line of a book, magazine or newspaper and see if any words inspire a title or theme. Or for a more ongoing basis, whenever you buy a newspaper (ideal as they have bigger headings), cut up each word of each heading, put it in any kind of container (I have a white ceramic topless head) and whenever you want inspiration, just dip into the container and pull out a word. At Northampton Literature Group monthly writing night, we have a 4 minute write-a-thon using the same word and it’s amazing how different our stories are. We’ve also started to do a round robin one-sentence-per-person following on from the previous person’s until you get your own piece of paper back, with hopefully a completed mini-story, and it’s great fun (good thinking Alan).
  • Don’t overuse clichés. You can use them (George Lucas said “don’t avoid them – they’re clichés because they work”) but if you can find your own way of saying something and it sounds better, then go for it.
  • To write a good story, you should know the answers to why, when, where, who, what and how. There are a few websites that can help you with this. www.asimplewebsite.co.uk/content-5w1h.htm explains that it is a ‘concept originated from Rudyard Kipling – The Elephant’s Child’ and is shows as follows:
Place Where is it done?
Why is it done there?
Where else might it be done?
Where should it be done?
Person Who does it?
Why does that person do it?
Who else might do it?
Who should do it?
Sequence When is it done?
Why is it done then?
When might it be done?
When should it be done?
Means How is it done?
Why is it done that way?
How else might it be done?
How should it be done?

Ideas

Here I provide a couple of story ideas or ways to get new ideas then list seven sentence starts; each one, if you’d like to use them, for a daily writing project.

  • Take a short story you’ve written and change the male character to a female one (or vice versa) and see how the story develops; and/or
  • Now change the tense; i.e. from present to past or vice versa (assuming you’ve not written it in future tense which has been done but is quite wearing!).

The podcast concluded with Quotes, News & Feedback, On This Day in History and a haiku called ‘Summer’. I picked a haiku because it’s very short, typically being three lines; 5 syllables, 7 syllables then another 5 syllables and so therefore quick to do. Eve Harvey (Radio Litopia’s former femme extraordinaire and now involved with https://www.facebook.com/pages/The-Scribatious-Podcast/231638816884890) and I were chatting on Facebook about quantity vs quality and this is definitely quantity over quality, as it took me about a minute to write it but she liked it so I’ve not changed it and if you’ve never heard a, or heard of, haiku before, then it’s an example. There’s a great explanation of haiku at www.dmoz.org/Arts/Literature/Poetry/Forms/Haiku_and_Related_Forms:

  • The clocks go forward / summertime begins today / car boots, dog walks, sun.

That’s it. Thanks for visiting – a list of the other transcripts and summaries can be found at http://morgenbailey.wordpress.com/bwt-podcast.

 

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Transcription of BWT podcast episode 29 (March 2011) – short stories

The twenty-ninth episode of the Bailey’s Writing Tips podcast was released on 7th March 2011 and the content has never been released other than website links (on my website http://www.morgenbailey.com) so I hope you find this information useful. In the first twenty-eight episodes (see http://morgenbailey.wordpress.com/bwt-podcast for details), I covered ‘show not tell’, the five senses, repetition, points of view, tenses, dialogue, characters, crime, poetry, short stories, novels, writing for children, scriptwriting, comedy, romance and chick lit, erotica, ‘writing rules’, historical & the classics, name & characters, Christmas, opportunities, songwriting, reading, auto/biographies, computer tips (parts 1&2), competitions & submissions, romance and hints & tips (parts 1&2). This episode had a focus on short stories.

Short stories

  • Wikipedia http://en.wikipedia.org/wiki/Short_story page says that “The short story refers to a work of fiction that is usually written in prose, usually in narrative format. This format or medium tends to be more pointed than longer works of fiction, such as novellas (in the 20th and 21st century sense) and novels or books…” Click on the blue link for the full text.
  • The Encyclopaedia Britannica (www.britannica.com/EBchecked/topic/541698/short-story) summarises the short story as “usually presenting a single significant episode or scene involving a limited number of characters. The form encourages economy of setting and concise narration; character is disclosed in action and dramatic encounter but seldom fully developed. A short story may concentrate on the creation of mood rather than the telling of a story. Despite numerous precedents, it emerged only in the 19th century as a distinct literary genre in the works of writers such as E.T.A. Hoffmann, Heinrich Kleist, Edgar Allan Poe, Prosper Mérimée, Guy de Maupassant, and Anton Chekhov.” There are further headings of analysis of the genre, history, the 20th century, additional reading, external web sites and citations. The topics are split by adverts but these are writing related so may be of interest.
  • www.mantex.co.uk/ou/resource/story-00.htm is an interesting page entitled ‘The short story – a guide to the greatest works’. It mentions examples of Edgar Allen Poe, Nathanial Hawthorne, Guy de Maupassant, James Joyce, Franz Kafka, Virginia Woolf, Katherine Mansfield, Jorge Luis Borges, Ernest Hemingway, John Cheever and Nadine Gordimer (with links to Amazon where you can buy them). There are also brief descriptions and links to purchase two books on writing short stories – ‘Writing Short Stories’ by Ailsa Cox and ‘The Short Story: the reality of artifice’ by Charles E May. The Mantex website is worth a look even if you don’t write short stories.
  • www.twns.co.uk is the website of The Weekly News. Disguised as a folded tabloid, the newspaper is a fascinating read and includes 2-3 short stories! I’d found out about it some months back from a workshop that novelist and short story writer Sue Moorcroft ran. You can email The Weekly News directly from their website or get their guidelines (and many others) from http://womagwriter.blogspot.com.
  • Sue also mentioned Short Talk UK, an online publisher of recorded short stories. They’re looking for stories, c. 600-7,000 word count, for all age ranges that can be read aloud. Send by email with name and contact address, and a short bio with your submission. Payment is dependent on length. Their website is www.shortalk.co.uk.

Fast / flash fiction

‘Fast’ and ‘flash’ fiction are the terms used for stories of 500 words or less.

  • http://en.wikipedia.org/wiki/Flash_fiction explains that ‘Flash fiction’ is fiction of extreme brevity. The standard, generally-accepted length of a flash fiction piece is 1000 words or less. By contrast, a short-short measures 1001 words to 2500 words, and a traditional short story measures 2501 to 7500 words. A novelette runs from 7501 words to 17,500, a novella 17,501 words to 40,000 words, and a novel 40,001 words and up. It then goes on to explain terms, history, vignette, notes and references (usually other related websites). Vignette says “Flash fiction differs from a vignette in that the flash-fiction work contains the classic story elements: protagonist, conflict, obstacles or complications, and resolution. However, unlike the case with a traditional short story, the limited word length often forces some of these elements to remain unwritten, that is, hinted at or implied in the written storyline.” The notes section lists three references including a November 2006 Wired Magazine article entitled ‘Very Short Stories’. See www.wired.com/wired/archive/14.11/sixwords.html includes a section on six word stories.
  • www.openwriting.com/archives/fast_fiction has many examples of very short stories (max 100 words) and will give you an idea of how it can be done.
  • Crime writer Adrian Magson, who I’ll be interviewing in a separate monthly podcast this summer, suggests writing a short story before attempting a novel, especially if struggling, because “then you won’t have expended too much effort to see if you can do it. After that it’s a question of scale.”

Short story submissions

  • American weekly magazine Woman’s World is apparently looking for short (c. 800 words) romance (contemporary and realistic) and mystery (good plot and twist) stories. Send submissions to Woman’s World, Bauer Publishing Co., 270 Sylvan Avenue, Englewood Cliffs NJ 06732 USA marking the envelope ‘Fiction’. See www.womans-world.co.uk and also www.ehow.co.uk/how_4759366_write-womans-world-magazine.html for tips on writing for them.
  • ‘Story Quarterly’ is a quality literary online magazine which, Writers’ News says, pays well and has an excellent reputation. Subscription is free with and has an online submission tracking system (like a parcel!). Submit only in April, August and December. The editorial team looks for literary and non- fiction including short stories, short shorts, novel excerpts, memoirs, essays and humour (max 8,000 words). International writers welcome. Submit work as a .doc, .pdf or .rtf file through their website (http://narrativemagazine.com/submit-your-work).
  • Vestal Review (www.vestalreview.net) is an eclectic magazine, open to all genres except children’s stories and hard science fiction. It includes four live flash stories per quarterly Web issue. Vestal Review has been published continuously since March 2000 and accepts submissions (max 2 stories per e-mail although you can send as many e-mails as you like) in January/February, April/May, July /August and October/November. E-mail to submissions@vestalreview.net putting ‘query’ or ‘submission’ with the title of your story in the subject line, then above the story put the word count, a brief covering letter and a two to three line third-person biography. Response time is within three months. Payment is 3 to 10 cents per word…and your work may appear in anthologies. They say “We are deluged with submissions and are very selective. A good flash is so condensed that it borderlines poetry”!
  • www.writing.com/main/forums/item_id/1253724 lists the rules for a weekly contest where you can submit 55 word stories. The deadline is midnight every Saturday.
  • www.bbc.co.uk/radio4/today/reports/misc/sixwordlife_20080205.shtml is an interesting BBC Radio 4 article on Ernest Hemingway winning $10 saying that he couldn’t write a six-word short story. The end result was rather sad, “For Sale: Baby shoes, never worn”. Others have tried it and the BBC page has a link to some including www.smithmag.net, an American online magazine which has used the Hemingway anecdote to inspire its readers to write their life story in just six words, culminating in a book of the best contributions, entitled “Not Quite What I Was Planning”. You can read BBC’s interview with the magazine’s editor, Larry Smith, to see what made him think of the idea. Below the ‘Listen to the interview’ link there are over sixty-five 6-word listener contributions including ‘Left mad Russian for mad Scotsman’ and ‘Laughed out loud, cried in silence’. Ahhh.
  • I also like these taken from www.sixwordstories.net: ‘Get rid of body? Knife. Fork.’, ‘Clock alarm struck 6:00, also wall’. Great use of double-meaning. You can read others at random or by category, you can like them to your Facebook page and there’s also a Twitter link.
  • A similar ideas is Fifty Word Stories: http://fiftywordstories.com/submissions.
  • www.twosentencestories.com – their home page says “big stories told in two little sentences”. Again this site contains loads of short stories through which you can search by topic and on which you can also vote for your favourite.
  • Although www.birdandmoon.com/55words no longer takes submissions it’s packed with 55-word stories that you can read and hopefully enjoy. Another is www.wunderland.com/WTS/Andy/Nanofiction.html which shows a variety of 55 word stories created by Andrew Looney (what a wonderful name!). The page also contains a link to Steve Moss’ book ‘The World Shortest Stories’ which I have and it’s great!

The great thing about very short short stories is that you can turn them into longer ones! Whether a story is 6, 55, 60, 100 or 150 words, they still have to have a start, middle and end so as long as you don’t steal another author’s actual wording, their ideas could inspire your stories (ideas aren’t copyright). www.ivillage.co.uk/write-a-short-story-in-60-words/80205 also lists some 60-word stories.

The podcast concluded with sentence starts, Quotes, On This Day in History and a 60-worder called ‘Just the lift she needed’: Jessica’s back complained from lugging the wicker basket around all day. She thought it would get easier as the day wore on, as the sandwiches were sold, but her feet just got sore. As the lift doors opened, Jess looked up and saw Chuck’s green eyes. Her aches were quickly forgotten as he smiled and asked politely “which floor ma’am?”

That’s it. Thanks for visiting – a list of the other transcripts and summaries can be found at http://morgenbailey.wordpress.com/bwt-podcast.

 

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Transcription of BWT podcast episode 28 (Feb 2011) – hints & tips pt2

The twenty-eighth episode of the Bailey’s Writing Tips podcast was released on 28th February 2011 and the content has never been released other than website links (on my website http://www.morgenbailey.com) so I hope you find this information useful. In the first twenty-seven episodes (see http://morgenbailey.wordpress.com/bwt-podcast for details), I covered ‘show not tell’, the five senses, repetition, points of view, tenses, dialogue, characters, crime, poetry, short stories, novels, writing for children, scriptwriting, comedy, romance and chick lit, erotica, ‘writing rules’, historical & the classics, name & characters, Christmas, opportunities, songwriting, reading, auto/biographies, computer tips (parts 1&2), competitions & submissions, romance and hints & tips (part 1). This episode was hints & tips pt2. This episode also contained some competitions and although the dates have passed, I have left the details in as it will show you what was available and many competitions are yearly so they may well be run again in 2012. Please note: I can’t vouch for these competitions so do check the information thoroughly before parting with your hard-earned writing and money but having a competition win or shortlist is always a good thing to have on your writing CV so I would recommend having a go.

Hints & tips

  • Colours work really well in any kind of piece, especially if they relate to a mood; e.g. a bleak grey sky, a yellow top worn by someone with a happy disposition (others include green (often thought of as envy), white (pure/simple), red (anger/passion)). They all help the reader to picture a scene.
  • Equally when you’re setting a scene, think that buildings have a ‘feeling’ e.g. drab council offices or majestic stately home. How do they make your character and the reader feel? In some stories, the setting becomes almost like a character in its own right so you might like to consider that when writing yours.
  • Passion: I’m not talking romance (necessarily) but there should be emotions in every story. This could be desire, fear, love, grief, anger, jealousy etc.
  • Outdoor or unusual locations: rather than have the action happening in a room, how about somewhere like a forest, farm, church, boat, beach, hospital, construction site or even on a rocket? There could also be locations with restrictions e.g. library or art gallery where the characters have to whisper or to the other extreme where they have to be loud; a nightclub or funfair.
  • As well as things happening or items mentioned, think of what’s not there, using words such as no, not, never, nothing, none, no-one, nowhere, neither, nor etc. Negatives are great and it gives you another perspective to the story. Lee Child’s book ‘Nothing to lose’ is a great example: “and there was nothing in his pockets except paper money, an expired passport, an ATM card, a folding foot brush…there was nothing waiting for him anywhere else, no storage unit in a distant city, nothing stashed with friends, he owned the things in his pockets, the clothes on his back and the shoes on his feet…”. It gives a great idea of the simple life that this character leads who literally has…nothing to lose.
  • Do you ever dream? Or more importantly, do you ever dream and remember the details? If you do, write them down before you forget and see if it might make a story or poem. Dreams can often provide you with incredible stories because there seems to be such a freedom of the mind when we dream. It’s been said, ‘dreams are a window into our very soul’. If this is true, then writing from our dreams could be a great way to write from our hearts, and in that, find out what we’re passionate about. I always keep a notebook and pen or mobile (on which I can dictate) beside my bed. If I dream something that I think I can use in a story, I always jot it down for future reference. Fantasies provide us with another great way to glean new story ideas. We all fantasise at some point in our lives. It can happen in school, in a meeting, on an elevator, etc. This is another great way to open up and stretch your imagination for new stories. Take time to sit and allow your mind to take you wherever it wants to go. It’s amazing what ideas for story lines and scenes, come to light during this time.
  • Think of things that are unusual pairs e.g. a petite blonde called Buffy turning out to be a vampire slayer. You could certainly lead your reader to think one thing then have the total opposite happen.
  • You might find when you’re writing that something keeps trying to bog you down, such as that old feeling that your writing isn’t good enough and that your technique is not up to par. Don’t worry about your technique for now. Just get it down on paper, put it away for a while and move on to something else. When you come back to it you should spot where you’re going wrong (and right!).
  • Practice makes perfect – I always compare writing to playing a piano. If you’ve never played, you’re not going to come out with a concerto. Your first attempts may be more like chopsticks or even just the scales but the more you do it (even just a flash fiction length a day), the better you will become.
  • Journaling is a great tool for writers. It’s a place where we can write down all our secrets, thoughts, ideas, scenes that suddenly come to mind, sounds or smell or sights that we don’t want to forget and anything else that pops in our heads. Journals, in a way, can become a friend to us, or a confidant that we share with. For some, it is our chance to open up ourselves and become extremely vulnerable. This is a tool that writers can use to stretch and improve their writing skills.
  • Observation is a key tool to discovering how the world works. As an observer, try a few different ways to discover new ideas for your writing: Imagine the scene as if you were experiencing it or seeing it for the first time; Imagine the scene as you are now; Imagine the scene as if you were seeing it for the last time because it won’t happen again in your lifetime; By doing this you will give yourself a broader writing point-of-view. You will open up the doors to great storytelling and your characters will become much more realistic and reliable to your readers. You will also find that your readers will connect better with them. People are constantly fascinating me. The way they act, speak, watch, look, dress, walk, etc. I could sit in one spot and watch people pass by for hours. There are so many places to ‘people watch’ such as: the airport, shopping centres, buses or any other transport system, when you’re stuck in traffic, in a dentist or doctor’s, etc. Don’t just watch, but discover how the people react to what’s happening to them and around them. Ask yourself questions about why they do what they do? Why do they look happy or sad? Are they on holiday? Where are they from? Why are they here? There are so many questions, and it’s these questions that can lead you to new story ideas. Let them flow and write down your answers. People-watching can stretch the borders of our imagination. Wherever you go, always bring paper and a pen with you. You never know what will happen. You might just see something that will spark your imagination and set you on a new journey of storytelling.
  • Sounds are important to describe in any story. They give more shape and substance to your scenes. Your readers become more entranced when they are given more information. Reading should be like living for your reader. It should be a world that contains all the senses. Touch, taste, smell, sound, sight – these are all key to making your story come alive for your reader. Listen to the sounds around you, wherever you are. Take a moment to close your eyes (but not if you’re driving) and listen to what is happening instead of just watching. Write down the sounds you hear around you and give a detailed account of each of them. Good listening skills can and will increase your ability to write great stories. By listening, you become more aware and prepared to provide details of the sounds you need to make your story credible.
  • The most important thing is to ENJOY YOURSELF. Let the writing flow. Don’t worry about editing as you go along. Certainly you can edit along the way if that makes you happy. But you might enjoy the creative writing process more fully if you let your imagination lead the way – and let the creativity fall into place.
  • Talking of editing – if you take something out of a sentence/paragraph does it still work? Does it still have the same impact? If yes to both questions, then you can make the chop. Remember to be brutal as an editor is likely to put red lines through a lot of your work so if you can beat him/her to it you’ll get less red back on your manuscript. I’m as big a culprit as anyone and that’s what our Monday nights are for. J
  • Look at adverbs: if you say that something was ‘completely severed’ do you need the ‘completely’? Likewise ‘totally destroyed’ and smiled happily (unless of course you want your character to smile sadly)?
  • If you’re having trouble with a story, how well do you know it? Jot down the answers to the following questions (thanks to NAWG’s Dec 2008 Link magazine and www.writers-toolkit.co.uk) and see if this helps: What is your character’s name? (if you can’t answer that, you’re in trouble); what century is it?; what country is it?; what sort of building (if applicable) is it?; what are they sleeping on?; are there sheets and blankets?; what texture are they?; what can they see from the window?; what is the first thing they hear when they wake up?; what are they wearing?; what colours can they see?; what can they smell?; what time of year is it?; what time of day is it?; what was the last thing they ate?; what is their greatest problem? Not all the questions will be relevant but it may help, and the final question should be key to any story.
  • A tip from many a podcast – trim down the ‘ings’ as they, apparently, weaken verbs. An example would be was instead of ‘Walking into the kitchen, he picked up a knife…’ it would be better to be more direct; ‘He walked into the kitchen and picked up a knife.” I have mixed feelings on this as I think it varies the sentences but one narrator (Jordan Castillo Price in her ‘Packing Heat’ podcast said that’s a bad thing).
  • I’d be really interested to know what you when you’re writing and you need to fill something in later. Do you just leave a gap? Perhaps underlined? Or a row of crosses? A regular help for me if I’ve to add further content is to put ‘MORE HERE’ and when I go back into the document I can just select the Find option (Ctrl F) or search options and type in ‘more here’ and the computer takes me to the first/next instance/s. It’s great.
  • Writing prompts are a fantastic way of getting inspiration. You can either pick a single word (as we do in my Monday workshop group – perhaps from something you see in the room or from a newspaper) and see where it leads you, or pick some from the internet (doing a Google search on ‘writing prompt’ brings up loads of helpful links).
  • Beginnings and endings – does your beginning start with a hook? If, as is often the case, the action gets going after a paragraph or two (or more?), then either lose the first section completely or filter it in elsewhere. Equally, if you re-read your ending, do you feel that it works better without the last paragraph or two. Try finishing it earlier and see what happens.
  • On an interview I heard with Elmore Leonard (who I hadn’t realised had written ‘Ocean’s Eleven’ and ‘3.10 to Yuma’, both great films) he said don’t start a story with the weather, which reminds me of a book called ‘It was a dark and stormy night’ – a beginning from Edward Bulwer-Lytton’s 1830 novel ‘Paul Clifford’ which is often quoted as an example bad beginning. I have a book of the same name which is “the ‘best’ of the ‘best’ dreadful beginnings from the American Bulwer-Lytton contest”.
  • Endings can be tricky. They have a variety of functions; some tie everything up neatly whilst others can leave the reader to work it out for themselves. Twist-in-the-tales are very popular – Take a Break especially love them. Endings work if they provoke a laugh, tear, ooh or ahh. Tips on endings include: strong final images provoke emotional endings; the later the punch, the stronger the reader’s emotion especially with twists; you could work backwards by writing five endings (or five lines from some of your existing stories) then writing stories to lead up to them.
  • If you find a website that has some great information on the topic that you are looking for, remember that they may well have a ‘links’ page which will usually feature other websites of a similar vein. You may lose a few hours going through them all but it would be worth it if you find a gem.
  • Crime writer Barbara Cleverly suggests:
  • Listen to your work as you write. Read it aloud. If it sounds awkward, it is. Rewrite. i.e. make every effort to make your work a joy to read.
  • If you have some cash to spend on your writing, buy: Sir Ernest Gowers’ Plain Words, The Economist Style Guide, and Suspense Novels by Lesley Grant Adamson.
  • ‘Write about what you know?’. Rubbish! Seriously, how many readers are going to be interested? Write instead about what you find fascinating. Immerse yourself in your chosen background.
  • ‘Everyone has a novel in him/her.’ Again, rubbish! And if you have, one’s not enough these days. Publishers offer three book deals. They won’t take a chance on a writer who has only one book in prospect.
  • It is nearly impossible to get your work read nowadays. Choose a small reputable agent and present it neatly and professionally. If it’s crime you’re working on, the CWA Debut Dagger Award (www.thecwa.co.uk/daggers/debut/index.html) is well worth a shot. Your script will be read and if it’s any good will be noticed.
    • Writer/teacher Vivien Hampshire (http://vivienhampshire.blogspot.com) had a lovely article in Dec 2004 National Association of Writers’ Group magazine ‘Link’ which included: “What makes a good story? Forget about genres and plots and sub-plots. Read to them (new writing students) something with an opening line that hooks them in, a really strong central character they can believe in and care about, and an ending they will laugh or cry over… a story they will remember days later, a story that makes them feel good, and one that will inspire them to try having a go at writing their own. Writing is not about knowing the right words to say. It is not about some secret code that only other writers understand. It should not be the preserve of the literary snobs, all trying to impress with their in-depth knowledge. Writing comes from the heart. It’s a feeling, knowing what we like the sound of, what stories we have enjoyed, what works for us, even though we may not be able to explain why.” :)
    • I mentioned show don’t tell earlier and short story writer / tutor Joanna Barnden (http://www.joannabarnden.co.uk) has the following advice: “By using dialogue to introduce characters instead of just telling readers about them; by starting in the middle of a key bit of action instead of with passive description or a summary of events; by grasping the main scene of the story with both hands and really bringing it to life with sensory and emotional details; by showing emotions happening e.g.: ‘he flung the book down’, rather than telling us about them: ‘he was cross’. But please don’t forget the services of the sometimes neglected ‘tell’! If your story is about a woman’s relationship with her husband we might need to know that they have children, but we do not need flashbacks of her giving birth/reading bedtime stories/going to the park etc (unless they are pertinent to the key issue, such as if a child is disabled and it’s putting a terrible strain on the marriage).” Joanna also offers a very inexpensive critique and re-read service – see her website.

Competitions

  • Thanks to Auriol from Northampton, England for two travel writing competitions from Skyscanner. One has an 18th March deadline (to win an iPad!), the other is a rolling monthly Twitter-based comp.
  • http://bridgehousepublishing.co.uk/newsubmissions.aspx is seeking sci-fi stories (up to 8000 words by 31st March 2011) – for publication a year later.
  • The Buxton Festival Poetry Competition is now open and submissions are welcome until 1st April 2011 – see www.derby.ac.uk/buxtonpoetrycompetition for more information.
  • I was sent an email by www.christinemichael.org for their Thyks Poetry Competition. See www.christinemichael.org/thynkspoetrycompetition for details – deadline 30th April 2011.
  • Ware Poets Open Poetry Competition 2011: Closing date 30th April. Sole Judge: Carole Satyamurti. For poems up to 50 lines. First Prize £500. Sonnet Prize: £100.  For further details send SAE to The Secretary, Ware Poets Open Poetry Competition 2011, Clothall End House, California, Baldock, Herts, SG7 6NU or see www.poetrypf.co.uk/images/compware2011.pdf.
  • Check out all the current UK poetry competitions at www.poetrylibrary.org.uk/competitions.
  • Joanna is starting a new course on writing magazine fiction serials (most of the leading women’s magazines do them); the first one-day workshop will be held in the Midlands on Thursday April 7th – see www.joannabarnden.co.uk for info.

The podcast concluded with sentence starts, Quotes, News & Feedback, On This Day in History and a 60-worder called ‘Holiday let-down’: “Break a leg!” a colleague shouted as Dr Jack Warley left for his Austrian ski-ing holiday. He chuckled as he drove home. Just an hour later he was undressed and showered. He adjusted his dressing gown belt as he started down the stairs…not noticing his son’s toy 4×4 on the step below. He heard his fibula snap as he tumbled.

That’s it. Thanks for visiting – a list of the other transcripts and summaries can be found at http://morgenbailey.wordpress.com/bwt-podcast.

 

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Transcription of BWT podcast episode 27 (Feb 2011) – hints & tips (pt1)

The twenty-seventh episode of the Bailey’s Writing Tips podcast was released on 21st February 2011 and the content has never been released other than website links (on my website http://www.morgenbailey.com) so I hope you find this information useful. In the first twenty-six episodes (see http://morgenbailey.wordpress.com/bwt-podcast for details), I covered ‘show not tell’, the five senses, repetition, points of view, tenses, dialogue, characters, crime, poetry, short stories, novels, writing for children, scriptwriting, comedy, romance and chick lit, erotica, ‘writing rules’, historical & the classics, name & characters, Christmas, opportunities, songwriting, reading, auto/biographies, computer tips (parts 1&2), competitions & submissions and romance. This episode had a focus on hints & tips. It included some outdated competitions but I’ve left them in as they’re likely to run yearly.

Hints & tips

National Association of Writers’ Groups’ Link magazine back in June 2006 had a table entitled ‘Imagination used’ which defines how we use our brains – it was split into:

Under 5 years           95-98% used

6-12 years               50%-70%

13-18 years              30%-50%

Adults                    less than 20%

So if you think you need some help or perhaps just a little inspiration…do listen on.

  • Fellow Northamptonshire author (of the ‘Housewife’ series) Alison Penton-Harper has the following tips: write every day, even if it’s not much. Always carry a notebook. Make sure that you’re comfortable when you write so that you can become lost in ‘the zone’ without straining your neck/back/eyes. Edit ruthlessly. If it’s not essential to the story, take it out. When you can’t see the wood for the trees, walk away and leave it alone. Be prepared to accept constructive criticism, but be careful whom you ask for it. Read Stephen King’s book ‘On writing’. There may be a good writers’ group you can join where you can share the experience of the writing process and discuss your work.” Sounds good to me.
  • However trivial it may seem, write down everything. It’s also worth checking whether your phone (or even camera) has dictaphone facilities as you never know when the muse might strike. An idea that is at the top of your memory, the one that is the ‘bestseller’, and you are sure you will not forget it, will be lost almost as fast as you thought of it, if you do not write it down. Later, as you review your ideas, something that seemed so-so, may still be only so-so, but may be just the idea that you needed to jump-start a new project, or give fuel to one you are already working on. I keep two Word documents; one for ideas that may work (i.e. have enough ‘legs’) for novels/anthologies, the other for short stories (although some transferred to the novels file if the ‘legs’ become longer).
  • If you find it difficult to spare time to writing, try small chunks; ten minutes before you do anything else in the morning, while a meal is cooking or before you go to bed (be warned the latter may lead to some loss of sleep as the ideas whizz around in your brain although some authors if stuck go to sleep on an idea and have a solution in the morning). Writing is like housework or homework, if you do it in small chunks you don’t miss the time. It’s when you don’t do any for ages and have to do it in one go that you perhaps start to resent (hopefully not) the ‘loss’ of time. When I did NaNoWriMo for the first time it was surprising, knowing I had to write nearly 1700 words a day, how often I could find time to write a few words because I had to do it. If you can ask yourself at the end of each day “how many words did I write today?” and can answer with a number above zero then you should feel good. Even if you do 50 a day that’s a magazine-length short story a fortnight.
  • Something that works really well for me is to keep a small magazine holder in my bathroom containing a pot of pens/pencils and an A5 spiral-bound notebook. From a list of sentence beginnings I’d created (e.g. As she jumped off the…), I wrote one beginning at the top of each page and then I made sure that every time I spent any time in the bathroom I did some writing, even if it’s just another sentence. It’s amazing how much I wrote over short amounts of time. I’ll then type the story up when the pages are full or the story is complete (or if I get hooked on any of them and want to crack on with them quickly).
  • Back in episode 3 I mentioned the Pocket Encyclopaedia of Short Story Writing which contained a list of 350 alternatives to said (although it’s often said that ‘said’ is still the best word to use). Well, I’ve found a list of 154 courtesy of the sci-fi website Science Fiction & Fantasy Chronicles Network.
  • If your story is a little dull, look at your plain verbs. Do you have a character walking? If so, could they be strolling, ambling, jogging, dashing, sprinting or staggering? Or if s/he is sitting, could s/he be sprawling, lounging, curled up, stretched out? Or if they say something could they mumble, stutter, spew, shout or protest? Finally, if s/he is looking, could they be scanning, squinting, glaring or studying? This also helps to avoid adverbs e.g. she ran quickly = she sprinted.
  • Set aside a small empty box or plastic wallet and put all your ideas (e.g. newspaper clippings or using the notes you’ve made from your above notebooks) in it…but make sure you continue/type them up.
  • Listen to how people speak, and incorporate accents into your writing, e.g. greetings such as ‘my flower’, ‘me duck’, ‘love’ etc. (without too going overboard and confusing your reader). Local websites with video links may well be of use. www.youtube.com is also a great source: put the town/city you’re after and accent in the search box and see what comes up.
  • Even if you haven’t written a novel, have a go at writing a one-page biography, one-page synopsis (of your poem, story, whatever), humorous cover letter or, if you do have a novel on the go, the first two chapters. Then when you have a novel ready, you’ll either have the practice of everything else to go with it, or you’ll have everything ready (with, no doubt, some tweaking).
  • Get a first reader. There’s nothing like a second opinion, especially from another writer and the more the merrier. If you have email, you can swap your work quickly and easily, and do be honest with each other; someone saying it’s great (as friends and family often do) is lovely but not very helpful. Things to look out for are ‘show don’t tell’ (i.e. where something happens or is said but then you go on to explain what happened), repetitive words (unless intended), boring sections (I said to be honest) or parts that seem unclear (it’s good for the reader to have some questions but they should be answered by the end of the piece). Equally, be positive and point out parts that work. If the author knows where they’re going right then they can do more of the same and avoid repeating any bad habits or bits that don’t work.
  • Even if you’re not writing poetry, think of how your words sound e.g. alliteration http://en.wikipedia.org/wiki/Alliteration. Writing sounds better read aloud and even better with rhythm.
  • Quietly unassuming is not necessarily boring. Take Sean Connery’s James Bond for instance. He was suave and charming…but there was more to him. You don’t want to make a character dull or boring as the reader will be bored (and you’ll probably be bored writing him/her) but you can make them surprising; lead them in one direction (or appear to be one thing) and then reveal a hidden layer – like someone coming on to the X-Factor stage and it being assumed from their appearance that they are going to be awful but then they open their mouth… that’s how Susan Boyle became such a success.
  • With any story it’s vital to keep a pace, and therefore the reader’s interest, going. Keep the scenes short and to the point but, in fiction mainly, leave holes so that threads tie up nicely at the end. A mix of short and long sentences is always good, as are questions that rest in the reader’s mind as they read. As well as bringing the story to life, dialogue is very important as it splits up the prose (and should always advance the plot) but stories work well with a good mixture. If you remember that dialogue usually shows and narrative generally tells, and the golden rule is “show, don’t tell”, then it’s best to have a mixture of both for the story to work well. Dialogue is also a very economical use of character development as you get a feel for the character by what they say as well as their tone.
  • I’ve mentioned song lyrics before and it’s worth listening to your favourite (or not so favourite) songs as most tell a story. While the lyrics themselves are copyright, the story they tell isn’t. Or a quicker way is to look up the lyrics online (e.g. www.lyricsdirectory.com or www.findmelyrics.co.uk) and if there are any stories that appeal, re-write them as fiction (obviously also changing any names).
  • If your story isn’t quite working, try changing the viewpoint (i.e. from 1st person (I) to 3rd person (he/she) or vice versa – or have a go at 2nd (you – mentioned above)) or by tense (present to past or vice versa). Present tense is very immediate and often works really well.
  • Endings: Do you, or have you ever thought about starting with the end of your story? Lucy from my writing group mentioned a while back that that’s how she usually starts her poems. Most people have an idea of where their story will end but it’s a great idea to try an ending as a starting point then work backwards and see if it helps your writing. Whilst endings should round off all the loose ends, if you plan to write a sequel (or even a series) then leaving it at a cliff-hanger, as you would at most chapter endings.
  • Speaking of endings, here’s a tip courtesy of a podcast I heard a while back. Think about the order within your sentence. Apparently the last half of a sentence has more impact to a reader than the first half and therefore the action should happen at or towards the end. The example given ‘They swam across the river on a very hot day’… was suggested to work better as ‘On a very hot day they swam across the river’.
  • Think of double-meanings. For instance one of my beginnings is Advert: ‘Part-time lover wanted. Must be flexible…’ which could be taken in at least two ways. Others include ‘As a small business, Heald’s Nursery was struggling…’ (is the nursery a kindergarten or garden centre?) and Holly was prickly at the best of times… (plant or woman?). The Two Ronnies were famous for their double-entendres (do you remember 4 candles?). ‘Your nuts, my Lord’ is another example; see the 2-minute video at www.youtube.com/watch?v=l2e0afvMYqI&. A link to Fork handles (and many others) is on the same page. Be warned, you could be watching for hours. In the recent ‘Up in the Air’ movie with George Clooney, there was a scene where an air stewardess gives him a drink then is perceived as asking “cancer?” but when he’s clearly confused, she repeats it slow as ‘can sir?’ then holding a can out. I’m not sure why the scene was in there as it didn’t further the plot but it was useful for this podcast. :)

Competitions

The podcast concluded with sentence starts, Quotes, News & Feedback, On This Day in History and a 60-worder called ‘DIY doh!’: “Women are useless at DIY” Josh scoffed as he watched his girlfriend getting some steps out to change a light bulb. “Give them here!” He grabbed the bulb and ladder to do the job himself. Wearing slippers, he carefully stepped up, did the deed – then cut his finger on the old bulb as he threw it in the recycling!

That’s it. Thanks for visiting – a list of the other transcripts and summaries can be found at http://morgenbailey.wordpress.com/bwt-podcast.

 

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Transcription of BWT podcast episode 26 (Feb 2011) – romance

The twenty-sixth episode of the Bailey’s Writing Tips podcast was released on 14th February 2011 and the content has never been released other than website links (on my website http://www.morgenbailey.com) so I hope you find this information useful. In the first twenty-five episodes (see http://morgenbailey.wordpress.com/bwt-podcast for details), I covered ‘show not tell’, the five senses, repetition, points of view, tenses, dialogue, characters, crime, poetry, short stories, novels, writing for children, scriptwriting, comedy, romance and chick lit, erotica, ‘writing rules’, historical & the classics, name & characters, Christmas, opportunities, songwriting, reading, auto/biographies, computer tips (parts 1&2) and competitions & submissions. This episode had a focus, not surprisingly being 14th Feb, on romance.

Hints & tips

Most stories have an element of romance in them, even the likes of Matrix etc. so even if you’re not planning on being the next Barbara Cartland, there may be something here of use/interest.

Chick lit

  • Most chick lit novels will have a romance at some stage. They are effectively boy meets girl (obviously with some conflict) and humour also plays a huge part of chick lit. Aimed at 20something to 40something, Wikipedia’s (http://en.wikipedia.org/wiki/Chick_lit) page describes chick lit as “genre fiction within women’s fiction which addresses issues of modern women often humorously and light-heartedly”. It does however go on to say “is generally not considered a direct subcategory of the romance novel genre, because in Chick lit the heroine’s relationship with her family or friends may be just as important as her romantic relationships.”.
  • http://women.timesonline.co.uk/tol/life_and_style/women/article1292046.ece is a great Times article, and with headings of ‘What is chick lit?’, ‘Creating your main character’, ‘Like you but funnier’, ‘Listen to your character’, ‘to plan or not to plan’, ‘the character sketch’, ‘the character arc’, ‘word choice’, ‘don’t overwrite’, ‘beware redundancy’, ‘dialogue’, ‘description’ and ‘tips from stars of the genre’, it’s a valuable read for writers of any genre.
  • http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/books/article3246700.ece is another Times article; this time Melissa Katsoulis learns to write a Mills & Boon novel.

Historical romance

  • Historical romance is incredibly popular. One of the Mills & Boon series is Historical Romance and their www.millsandboon.co.uk/historical-romance.htm page explains that “Historical Romances promise the reader richly textured, emotionally intense stories set in widely diverse historical time periods, from ancient civilizations up to and including the First and Second World Wars. Regency tales remain ever-popular and cover the range from drawing-room antics which scandalise the tone, to the salacious underworld inhabited by pickpockets and prostitutes, to the hazardous battlefields of the Peninsular War. Harlequin Mills and Boon publish historical romance with levels of drama and fantasy which are unsurpassed. Our wildly rich and vivid romances can’t help but capture our readers’ imagination with their passion and adventure. You can enjoy tales from chivalrous knights, roguish rakes to impetuous heiresses and unconventional ladies. With historical romance books that have such a wide selection of entertaining characters and plotlines you will lose yourself in the world of days gone by! Harlequin Mills & Boon’s historical romance collection is distributed throughout the world and across every continent. The Harlequin brand is a house hold name throughout Europe, The Americas, Australia, the Middle East, Japan and China. Our unique brand of historical romance books are currently translated into 23 languages and sold in various formats through over 100 international markets. Due to our hard work and commitment to quality historical romance, Harlequin Mills and Boon has become the world’s most prolific publisher of historical romance and adult romantic fiction”. So, there’s plenty of opportunity should you be interested in writing this genre.
  • Wikipedia’s main historical fiction page (http://en.wikipedia.org/wiki/Historical_fiction) explains that historical fiction is a sub-genre of fiction that often portrays fictional accounts or dramatization of historical figures or events. Writers of stories in this genre, while penning fiction, nominally attempt to capture the spirit, manners, and social conditions of the persons or time(s) presented in the story, with due attention paid to period detail and fidelity. Historical fiction is found in books, magazines, art, television, movies, games, theatre, and other media. The page continues under headings of definition, critical reception, literature/authors, media & culture/film & television, references and external links. Authors listed include Jean M Auel, James Clavell, Bernard Cornwell (no relation to American crime writer Patricia Cornwell who was born Patricia Carroll Daniels – and a descendant of Uncle Tom’s Cabin author Harriet Beecher Stowe), Umberto Eco, Ken Follett, CS Forester (of the Hornblower series), Philippa Gregory, Patrick O’Brien, Wilbur Smith, Mark Twain and Julian Barnes (I’m currently listening to his novel ‘Arthur & George’ on audiobook).

Paranormal romance

  • On the other side of the coin there’s paranormal romance. I’d not really heard of it until I stumbled across the American website www.paranormalromance.org. PNR is the official homepage for the ParaNormal Romance Groups designed for lovers of the Paranormal Romance sub-genre. Members meet online via Yahoo Groups and share an interest in science fiction, fantasy, and romantic fiction with paranormal elements, including time travel, futuristic, magical, ghost, vampire and shapeshifter themes.
  • http://en.wikipedia.org/wiki/Paranormal_romance page explains that “Paranormal romance is a sub-genre of the romance novel. A type of speculative fiction, paranormal romance focuses on romance and includes elements beyond the range of scientific explanation, blending together themes from the genres of traditional fantasy, science fiction, or horror. Paranormal romance may range from traditional category romances, such as those published by Harlequin Mills & Boon, with a paranormal setting to stories where the main emphasis is on a science fiction or fantasy based plot with a romantic subplot included. Common hallmarks are romantic relationships between humans and vampires, shapeshifters, ghosts, and other entities of a fantastic or otherworldly nature. Beyond the more prevalent themes involving vampires, shapeshifters, ghosts, or time travel, paranormal romances can also include books featuring characters with psychic abilities, like telekinesis or telepathy. Paranormal romance has its roots in Gothic fiction. Its most recent revival has been spurred by turn of the century technology, e.g. the internet and electronic publishing. Paranormal romances are one of the fastest growing trends in the romance genre.”

Publications

  • Lynne Hackles (www.lynnehackles.com), a writer associated with the National Association of Writers Groups (the NAWG) and writing magazines, has published a book called ‘Handy little book for writers’. It’s £2.99 + 50p P&P from the NAWG. Details of this and her other books can be found at www.lynnehackles.com/books2.htm. An invaluable tip from Lynne is “cross out your first paragraph and then the next one until you reach the beginning of your story.”
  • Website www.obooko.com is packed with free books. Unlike obooko’s contemporary offering, most of the books on http://manybooks.net are out of print (the first I downloaded was Carolyn Wells’ ‘The technique of the mystery story’ – their romance section is http://manybooks.net/categories/ROM) but there are thousands rather than dozens of books available. Both websites are free to register so there’s no harm in registering with both. :)

Websites

Romance competitions & submissions

  • www.shortstoryradio.com/short_story_competitions.htm lists details of the Short Story Radio Romance Award 2010. Although it’s finished for this year, you’ve got time to prepare for 2011. J
  • People’s Friend love romance but they also take non-fiction. If you’re knowledgeable about a subject that you think they may like, they not only pay for words (£30 per 1000 words – Dec 04; this may well have increased) but also if you have any accompanying photos (c. £25 each+). It may not sound like much but it’s another string to your literary bow and addition to your creative CV. J
  • www.eharlequin.com is Mills & Boon’s American ‘Harlequin’ website. If you’re thinking of submitting a romance novel, contact M&B by post (Mills & Boon Ltd, Eton House, 18-24 Paradise Road, Richmond, Surrey TW9 1SR) with CV, outline of your story and which imprint it’s targeted to.
  • I’ve mentioned the well-known 1993-established Black Lace which publishes erotic fiction “by women for women”. Proposals should consist of a paragraph explaining the novel, a synopsis / chapter breakdown of 1,000 words and c. 10,000 words of the story itself. Inc and SAE if you want your work returned. Postal submissions only to Erotica Editor, Virgin Publishing Ltd, Thames Wharf Studios, Rainville Road, London W6 9HA. See www.blacklace-books.co.uk for more details.
  • Finally, www.nanoedmo.net (National Novel Editing Month) is the editing version of NaNoWriMo (National Novel Editing Month). The idea is, having spent November writing the novel, you spend the month of March, editing it (if not done so already!).

Ideas and sentence starts

Here I provide a couple of story ideas or ways to get new ideas then list seven sentence starts listed on my http://morgenbailey.wordpress.com/sentence-starts page; each one, if you’d like to use them, for a daily writing project.

  • Re-write a romance story into a drama or vice versa; and/or
  • Write a bodice ripping (without too many clichés) scene; and/or
  • Write a 60- or 100- word romantic story.

The podcast concluded with Quotes, News & Feedback, On This Day in History and a 60-worder called ‘Diagnosis’: The symptoms were clear. It didn’t look good. She approached the surgery, her heart beating. Could she handle bad news? How long before the inevitable? A month? A week? She turned the front door handle. Fear suffocated her like possessive ivy. Then she saw her doctor husband and his nurse. So it was true. “That’s it! I want a divorce!”

That’s it. Thanks for visiting – a list of the other transcripts and summaries can be found at http://morgenbailey.wordpress.com/bwt-podcast.

 

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Transcription of BWT podcast episode 25 (Feb 2011) – comp & subs

The twenty-fifth episode of the Bailey’s Writing Tips podcast was released on 7th February 2011 and the content has never been released other than website links (on my website http://www.morgenbailey.com) so I hope you find this information useful. In the first twenty-four episodes (see http://morgenbailey.wordpress.com/bwt-podcast for earlier blog posts), I covered ‘show not tell’, the five senses, repetition, points of view, tenses, dialogue, characters, crime, poetry, short stories, novels, writing for children, scriptwriting, comedy, romance and chick lit, erotica, ‘writing rules’, historical & the classics, name & characters, Christmas, opportunities, songwriting, reading, auto/biographies and computer tips (parts 1&2).

This episode had a focus on competitions and submissions. Although some of the dates have passed, I have left the details in as it will show you what was available and many competitions are yearly so they may well be run again in 2012. Please note: I can’t vouch for these competitions so do check the information thoroughly before parting with your hard-earned writing and money but having a competition win or shortlist is always a good thing to have on your writing CV so I would recommend having a go.

Competitions

Submissions

  • www.20x20magazine.com/about details their guidelines. There is currently no payment for submissions but you would get a free copy of the relevant magazine (with your name in print!).
  • www.shadowtrain.com is “a bi-monthly gathering of poems, translations, articles and other writings, from the lyrical to the innovative, whatever stings and stuns the editor”. Submissions are by email only – see www.shadowtrain.com/id6.html for more details.
  • Don’t forget to keep an eye on Jacqui Bennett’s markets listings for www.jbwb.co.uk. She covers markets for short stories, novels, articles, non-fiction, poetry, agents, small press and overseas news.

Hints & tips

Websites

Ideas

Here I provide a couple of story ideas or ways to get new ideas then list seven sentence starts listed on my http://morgenbailey.wordpress.com/sentence-starts page; each one, if you’d like to use them, for a daily writing project.

  • The lottery has been written about so many times, millions of people play it each week and many of them watch the live shows but try thinking of a new angle. I saw a TV series a few months ago where a man fakes winning and his life spirals out of control, others have been made about people winning the lottery then losing or spending the lot.
  • Write a story about two people competing for the affection of a third.

The podcast concluded with Quotes, News & Feedback, On This Day in History and a 60-worder called ‘Bigger fish to fry’: Barrie loved the smell of fish. He’d wanted to be a trawler man but was violently seasick. Living in the Outer Hebrides he’d often watch the boats go out and wished he could be on them. He was skimming his local paper for a job and spotted the perfect position. ‘Assistant wanted at ‘The Fryer’ fish shop. No experience required.’

That’s it. Thank you for visiting – a list of the other transcripts and summaries can be found at http://morgenbailey.wordpress.com/bwt-podcast.

 

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