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Author Spotlight no.141 – Pam Grimes

webbadgesponsorComplementing my daily blog interviews, today’s Author Spotlight, the one hundred and forty-first, is of Pam Grimes, author of Confessions of an Edgy Suburban Mom, and the 2012 Shirley You Jest! Book Awards / Shirley HAH non-fiction winner.

“Pam Grimes’ “Confessions of an Edgy Suburban Mom” spins a handful of humorous yarns. The best of them, such as “The Great Toilet Paper War”, sparkle to life when the author pulls back on the jokes and, with a deft, light hand, lets a great story tell itself.” ~ Shirley You Jest! Book Awards

PamelaAnn2(2)Pam Grimes is an author, humor columnist, and domestic diva who lives in Portland, Oregon with her husband, three teenage sons and their slightly bi-polar dog.

Shaped by a childhood resembling a Rat Pack movie (complete with Sinatra soundtrack), Pam was raised on a steady diet of off-beat humor, producing a unique, if not somewhat twisted viewpoint, far from the politically correct.

Her first published work, Confessions of an Edgy Suburban Mom is a collection of hilarious tales of family life set against the backdrop of that bizarre no-man’s land known as suburbia. Confessions is steeped in hilarious observations of parenting and family life and strives to both entertain as well as touch the hearts of its readers.

Conjuring images from the sixties through today, Grimes’ stories refresh our collective memories of youth while drawing sharp comparisons with today’s culture. Confessions of an Edgy Suburban Mom is available on Amazon.com in both paperback and Kindle.

And now from the author herself:

Raised in Portland, Oregon during the turbulent sixties and seventies I was more than a little sheltered, protected in the bosom of suburbia along with the rest of the Scooby Gang. But even suburbia couldn’t shield us from the rapidly changing social and political landscape, times indeed were a changin’, and we would need to change with them in order to adapt. Add to that a painfully shy child sporting a crooked pixie-cut, an unibrow that would even impress Ernest Borgnine, and you’ve got a pretty good idea of what shaped me as a writer. While this history serves as a backdrop for my writing, it’s my own family that I mine for humorous fodder. Raising three sons has been the greatest blessing of my life. Fortunately, my boys inherited their parent’s irreverent, slightly cracked sense of humor, and actually enjoy being the central characters in my writing. Don’t worry; I’ve set aside a healthy fund for their future psychoanalysis… just in case!

People usually ask how one becomes a successful writer; I always tell them that I’ll ask when I meet one. What most people define as “success” is rare among writers. Not many achieve the superstar status of a James Patterson or Nora Roberts. The writers I know don’t do it for fame or fortune; they do it because it’s their passion. Each writer’s path is as unique as his or her “voice” and in the eighties my path led me to the University of Oregon, where I majored in English and minored in snack foods. There I met and married my college sweetheart, a man who still wakes up everyday in shock and awe, wondering how he got mixed up in all of this.

After settling back in Portland, I worked as a personnel recruiter and college placement director. But my true desire was to raise a family, so I traded in my power suit and pumps for maternity pants and a pair of  Keds, and spent the next eleven years raising three sons. While spending my thirties elbow-deep in diapers wasn’t without its charms, I was more than ready for a challenge once my youngest went off kindergarten.  Raised on a steady diet of Nancy Drew mysteries and Stephen King novels, I was inspired to write at an early age. From the moment I could hold a pencil I was writing short stories for friends and family and once I got my hands on my dad’s old IBM Selectric there was no stopping me. With the boys in school I finally had the opportunity to return to my first love; writing.

Cover-Final(1)After producing my first manuscript, a humorous mystery novel set in New Orleans, I decided to focus on short format stories, and eventually published my first column, The Edgy Suburban Mom in Connecticut County Kids magazine. Finding that my voice spoke to parents, women and mothers in particular, I focused on the pitfalls and general absurdity abundant in parenting and suburban life, from my own slightly off-beat perspective. The Edgy Suburban Mom was eventually published in my hometown, Portland, Oregon, in both Portland Monthly Magazine and Portland Family Magazine.

While writing about my family has been enormously rewarding, I’m excited to dive back into fictional writing and am currently working on my second novel; a thriller set on the Oregon Coast. Never fear, The Edgy Suburban Mom will return with another anthology of short stories, Confessions II will be available at Amazon in 2013.

You can find more about Pam and her writing via…

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The blog interviews will return as normal tomorrow with lad lit novelist Andy Holmes – the five hundred and sixty-ninth of my blog interviews with novelists, poets, short story authors, bloggers, biographers, agents, publishers and more. A list of interviewees (blogged and scheduled) can be found here. If you like what you read, please do go and investigate further. And I enjoy hearing from readers of my blog; do either leave a comment on the relevant interview (the interviewees love to hear from you too!) and / or email me.

** NEW!! You can now subscribe to this blog on your Kindle / Kindle app!

See http://www.amazon.co.uk/gp/product/B008E88JN0

or http://www.amazon.com/gp/product/B008E88JN0 for outside the UK **

You can sign up to receive these blog posts daily or weekly so you don’t miss anything. You can contact me and find me on the internetview my Books (including my debut novel!) and I also have a blog creation / maintenance service especially for, but not limited to, writers. If you like this blog, you can help me keep it running by donating and choose an optional free eBook.

As I post an interview a day (amongst other things) I can’t unfortunately review books but I have a list of those who do, and a feature called ‘Short Story Saturdays’ where I review stories of up to 2,500 words. Alternatively if you have a short story or self-contained novel extract / short chapter (ideally up to 1000 words) that you’d like critiqued and don’t mind me posting it online in my new Red Pen Critique Sunday night posts then do email me. I am now also looking for flash fiction (<1000 words) for Flash Fiction Fridays and poetry for Post-weekend Poetry.

 

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Guest post: Revising a 30-year-old novel by Kathryn Meyer Griffith

Tonight’s guest blog post is brought to you by Kathryn Meyer Griffith.

Revising a 30-year-old novel… and the journey in between

Evil Stalks the Night-Revised Author’s Edition was my first published novel. 1984. As it comes out again from Damnation Books for the first time in thirty years, it’ll bring my forty-year writing career full circle and all fourteen of my old books will be out again for the first time in decades. A grueling, tedious three-year job rewriting these new versions but I’m thrilled. My babies are reborn; in the world again.

I’ll start at the beginning because, though Evil Stalks the Night was my first published novel, it wasn’t my first written one. That book was The Heart of the Rose. I began writing it after my only child, James, was born in late 1971. I was staying home with him, no longer going to college, not yet working full time, and bored out of my skin. I read a horrible historical romance one day and thought I can do better than that!  So I began writing. I’d tentatively called that book King’s Witch because it was about a 15th century healer falsely believed to be a witch but who was loved by a king. I didn’t know what the heck I was doing. I just wrote, emotions high believing I could create a whole book. So naïve. Reading that old version now (1985 Leisure paperback) I have to laugh. Ironically, like that 1971 historical novel I’d thought was so bad, it was awful. It took 12 years to get it published. I got sidetracked with a divorce, raising a son, getting a real job and finding and marrying the true love of my life. Life, as it always does, got in the way. The manuscript, in a drawer, was forgotten.

Years later I decided to rewrite it; try again. I bundled up the revised pile of printed pages, tucked it into an empty copy paper box and took it to the Post Office. Plastered it with stamps. Sent it everywhere The Writer’s Market said I could. And waited. Months. In those days it’d take a year or more, shipping it here and there to publishers, in between revising to please any editor’s suggestions on how it could be better. Snail mail took forever; was expensive. But eventually it sold.

Now to Evil Stalks the Night.

In the meantime I’d written another book. Kind of a fictionalized look back at my 1950’s and 60’s childhood in a large, poor but loving family. I sent it out as well. One day an editor suggested that since my writing had a spooky ambiance to it anyway, why didn’t I turn the story into a horror novel… like Stephen King was doing? Ordinary people. Supernatural circumstances. It’d sell easily, she said.

Hmmm. Well, it was worth a try, so I added something scary in the woods from the main character’s past that she had to return and face in her adult life, using some of my childhood and young adult life – my heartbreaking divorce, raising my young son alone, my new love – as hers. A romantic horror when I’d finished. I retitled it Evil Stalks the Night and sent it out. That editor was right, it sold quickly to a mass market paperback publisher called Towers Publishing.

But right in the middle of editing, Towers went bankrupt and was bought out by another publisher! What terrible luck, I remember brooding. The book was lost somewhere in the stacks of unedited slush in a company undergoing massive changes as the new publisher took over. I had a contract, didn’t know what to do and didn’t know how to break it. I couldn’t afford a lawyer. My life with a new husband, my son and minimum-wage billing job was one step above poverty. Those days I was clueless on how to deal with the publishing industry.

That was 1983, but luckily that take-over publisher was Leisure-or Dorchester. They became huge. Talk about karma. Fate stepped in and my editor, before she left, asked one of Leisure’s editors to give it a read. She believed in it.

1984. Out of the blue when I’d completely given up on Evil Stalks the Night, Leisure Books offered to buy it! Then my new editor asked if I had any other books she could look at. I sent her The Heart of the Rose and, liking it, she bought it in 1985; asking me to sex it up, make it an historical bodice-ripper (like those Rosemary Rogers and Kathleen Woodiwiss’s provocative novels).  It wasn’t much money. $1,000 advance each and 4% royalties. The publishers back then had a huge distribution and thousands of the paperbacks were printed, sent to bookstores and warehoused. So 4% over the next couple of years added up.

My career began. I slowly, like pulling teeth, sold ten more novels and various short stories over the next 25 years–as I was working full time, raising a family and living my hard-scramble life. Some did well, my Leisure and Zebra paperbacks, and some didn’t. Most of them eventually went out of print.

When Kim Richards Gilchrist of Damnation Books contracted my 13th and 14th novels 27 years later, A Time of Demons and The Woman in Crimson, she asked if I’d like to rerelease (new covers and rewritten–and in ebooks for the first time) my 7 out-of-print paperbacks, including Evil Stalks the Night. I said yes!

Of course, I rewrote it as well as my earlier novels, because my writing when I was twenty-something had been immature, unpolished; no computers or Internet had made the original writing so much harder. Writers saw the manuscript once to final proof it. There were many mistakes in those early books. Typos. Grammar. Lost plot and detail threads. In the rewrite I kept the time frame (1960-1984).  The book’s essence would have lost if I’d hadn’t.

As I finished the finally editing I reminisced about the life changes I’ve had since I’d first began writing it so many years ago. Though published in 1984, I’d started writing it years before. 1978 or 1979. I’m as old as my grandmother was back then. While I was first writing it, I’d been a young married woman holding down my first real job, with a child, and trying to do it all. Now… my grandmother and parents have passed away. Family and friends I’ve left behind, too. I miss them all, especially my mom and dad. It’s strange how revising my old books reminded me of certain times of my life. Some of the memories I hid from and some made me laugh or cry. This book is the most autobiographical of all my novels. It contains details of my childhood, my divorce, and what my life was like when I met my second husband, Russell, my true love. We’ve been happily married for 34 years. The years have clicked by too quickly. I want to reach out and stop time. I want more. I want to write more stories.

So Evil Stalks the Night-Revised Author’s Edition is out for the first time in decades and I hope it’s a better book than it was in 1984. It should be… I’ve had over thirty more years of life and experiences to help make it so.

:) Thank you, Kathryn!

Since childhood Kathryn has always been an artist and worked as a graphic designer in the corporate world and for newspapers for twenty-three years before she quit to write full time. She began writing novels at 21, over forty years ago now, and has had fourteen (nine romantic horror, one historical romance, one romantic suspense, one romantic time travel and two murder mysteries) previous novels and eight short stories published from Zebra Books, Leisure Books, Avalon Books, The Wild Rose Press, Damnation Books and Eternal Press.

She has been married to Russell for thirty-three years; they have a son, James, and two grandchildren, Joshua and Caitlyn, and lives in a small quaint town in Illinois called Columbia, which is right across the JB Bridge from St. Louis, Mo. They have two quirky cats, ghost cat Sasha and live cat Cleo, and the four of them live happily in an old house in the heart of town. Though she’s been an artist, and a folk singer in her youth with her brother Jim, writing has always been her greatest passion, her butterfly stage, and she says she’ll probably write stories until the day she dies. I know that feeling.

You can find more about Kathryn and her writing via…

and you can e-mail her at rdgriff@htc.net (she loves to hear from her readers).

***

If you would like to write a writing-related guest post for my blog then feel free to email me with an outline of what you would like to write about. If it’s writing-related then it’s highly likely I’d email back and say “yes please”.

The blog interviews return as normal tomorrow morning with non-fiction author Anne O’Connell – the five hundred and fourth of my blog interviews with novelists, poets, short story authors, bloggers, autobiographers and more. A list of interviewees (blogged and scheduled) can be found here. If you like what you read, please do go and investigate further. And I enjoy hearing from readers of my blog; do either leave a comment on the relevant interview (the interviewees love to hear from you too!) and / or email me.

You can sign up to receive these blog posts daily or weekly so you don’t miss anything… and follow me on Twitter where each new posting is automatically announced. You can also read / download my eBooks and free eShorts at SmashwordsSony Reader StoreBarnes & NobleiTunes BookstoreKobo and Amazon, with more to follow. I have a new forum, friend me on Facebook, like me on Facebook, connect with me on LinkedIn, find me on Tumblr, complete my website’s Contact me page or plain and simple, email me. I also now have a new blog creation service especially for, but not limited to, writers.

Unfortunately, as I post an interview a day (amongst other things) I can’t review books but I have a feature called ‘Short Story Saturdays’ where I review stories of up to 2,500 words. Alternatively if you have a short story or self-contained novel extract / short chapter (ideally up to 1000 words) that you’d like critiqued and don’t mind me reading it / talking about and critiquing it (I send you the transcription afterwards so you can use the comments or ignore them) :)  on my ‘Bailey’s Writing Tips’ podcast, then do email me. They are fortnightly episodes, usually released on Sundays, interweaving the recordings between the red pen sessions with the hints & tips episodes. I am now also looking for flash fiction (<1000 words) for Flash Fiction Fridays and poetry for Post-weekend Poetry.

 
5 Comments

Posted by on September 27, 2012 in ebooks, novels, tips, writing

 

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St Hilda’s Oxford Crime & Humour Writers Conference Aug 2012 (part 2)

I spent last weekend (18-19 August) at a crime and humour writers’ conference and this is what happened… well, the beginning. There’s too much to tell you in one go, so more tomorrow…

Saturday 18th August

Having dropped my dog at my mum’s in Hertfordshire, I headed to Oxford, with Mrs Sat Nav taking me the last four miles. I checked in to the Lodge, left my car in the Meadow (and what a very pretty meadow it was) and headed to my room (typical student accommodation but nice large room with a very handy desk). After an English cooked breakfast (in which I always indulge when I go away) I headed for the Jacqueline du Pré hall and the first event of the day…

Kate Charles welcomed everyone then handed over to Conference Chair, novelist Andrew Taylor, who introduced Marcia Talley, whose speech entitled ‘Comic Relief: Or What’s So Funny about murder’, she said, she was reading for the first time from her iPad! A lady after my own heart. :)

A big fan of Shakespeare, Marcia said William used humour in many of his works and mentioned the Night Porter scene in Macbeth. I did Macbeth at school but can’t remember that – I have it on DVD so I’m going to re-watch it. Then she mentioned ‘Always looked on the bright side of life’ from The Life of Brian and Stephen King’s Tommy Knockers where a condemned patient was offered a cigarette but said, “No thanks, I’m trying to give up.”

Marcia talked about various characters including Star Wars’ 3CPO, Holmes & Watson, Miss Marple and Poirot, and also ‘The Thin Man’ which, coincidentally, last weekend’s interviewee Michael Murphy mentioned. That made me smile… and more determined to find it on DVD. :)

Although, she said, serious crime has overtaken humorous crime, there are numerous humorous crime stories out there.

Sometimes in her own writing she has been gleeful when a nasty character dies. She has killed off (in her fiction) a “former boss, ex-brother-in-law and the woman who married her father after her mother died” and said that because they’re all on paper it’s kept her out of jail. I loved that as I often say that bumping off characters is the only legal way of killing someone I don’t like.

Janet Evanovich was the next author listed, followed by Donna Andrews (We’ll always have parrots’ and ‘Stork raving mad’). King of caper novel, Marcia said, is Donald E. Westlake and his character, John Archibald Dortmunder. She then went on to mention two of Lawrence Block’s humorous crime novels and said that Carl Hiaasen books have been translated into 34 languages. Other authors talked about included David Martin (‘Pelican’ published in 2000, set in New Orleans), Elmore Leonard (Get Shorty etc.), Joel & Ethan Cohen (Burn after reading, Oh Brother Where Art Thou, True Grit etc.) – all with strong characters.

Marcia then talked about the film Fargo and said that if you read the plot you wouldn’t laugh, however the film ended up being very funny – the comedy being in the sly dialogue, acting etc.

Comedy adds variety, she said, lightening the tone especially when the description derives from banter, consists of satire; poking fun at people, events etc. It needs to grow from the plot, theme, setting… needs to be logical, not something that’s thrown in just to produce a laugh. It can come from minor or walk-on characters, and some authors choose animals for this, or young children / teenagers but when overdone or try too hard then they can stop the story dead. Put seemingly serious characters into an absurd situation and see their reaction to it. Playing characters against each other works well as do characters with quirky habits. Marcia said she writes about south Texas and has quirky characters and said that area of the US have exported a few to politics, which made the audience laugh.

Continuing the theme of killing off characters (or “kick the bucket”, “singing for the choir invisible”), she said we know we’re all going to die so it’s fair enough that we can be a little depressed. Laughter is another way of dealing with life… reading comic crime fiction is good for your health and quoted “Support your local Medical Examiner: die strangely”, which I loved.

***

The next speaker was Alan Bradley with ‘The Undertaker’s Jest Book: Or, I Want Some Red Roses for a Blue Lady’.

Andrew introduced Alan and said he used to read in a cemetery as a child (which, he said, explains a lot).

Alan’s novels have been optioned for TV by Sam Mendes and Andrew said that Alan will tell us how we can get our novels optioned which made the audience laugh.

Alan started by talking about a book he read and nicknamed ‘The Undertaker’s Jest Book’, the ‘I Want Some Red Roses for a Blue Lady’ had been annotated in pencil in the margin.

Alan then told us a story of a young man who proposed (to a grant panel) renting a premium theatre holding 2,000 people – then on stage having 13 ordinary straight-back chairs. As the house lights went down 13 men in tuxedoes and tails would walk on and sit on the chairs, followed by a number of stagehands who would wheel out cages of live chickens. The tuxedoed men would the strangle the chickens.

When the panel asked the man what the underlying theme was, he told them ‘the cheapness of life / death in plush surroundings’, reminiscent of 1920s detective novels.

Needless to say he didn’t get the grant – it was felt that the performance wouldn’t attract the numbers of people to make it worth it!

Alan then mentioned DH Munro, Darwin (the subject of humour being extremely complex) and John Buchan then talked about tragedy and comedy being two sides of the same leaf, quoting the following dialogue (which I’d heard before, or certainly a variation of it)…

My brother won a competition to go up in a plane
Oh great!
The engine cut out
Oh no!
He had a parachute
Oh great!
But it didn’t open
Oh no!
He had a second parachute
Oh great!
But that didn’t open either
Oh no!
There was a haystack underneath him
Oh great!
But there was a pitchfork in it
Oh no!
He missed the pitchfork
Oh great!
He missed the haystack.

Humour depends upon viewpoint, Alan said. If you’d been reading this as a sketch in a newspaper you might find it funny but if was front page news or happened to someone you knew that it would lose it comedy.

When Alan lived in Canada he started writing at 4.30am because his character Flavia (who lives in the UK) would be awake and raring to go. He now lives in Malta so is an hour ahead of the UK but still starts at 4.30am and researches first thing then starts writing after Flavia’s had breakfast!

Alan explained how Falvia was created: he wrote about a young (11-year-old) girl taking down number plates but stalled because he didn’t know her name. Suggested Margaret du Marchon but she shook her head. He reeled off a few named but it wasn’t until he said Flavia de Louth that she nodded. He then learned to listen to her, taking a back seat and letting her tell the story. He has written five books with her and she stays at 11.

On one occasion he said, she sniffed as a coffin walked by and said that death smells of wet bread. Flavia loves a good corpse.

Alan then moved on to punchlines. In a mystery, the story usually begins with the tragedy, pull the rug from under the reader’s feet and finally reveal the murderer – the punchline.

Alan was given The Busman’s Holiday as a child – his first introduction to crime and humour.

Mentioning Sherlock Holmes, Alan said he tells many jokes but they’re said with a straight face.

Going back to The Undertaker’s Jest Book, Alan referred to the marketing of coffins. He said they’re lined up in the funeral home in a ‘T’ with the most expensive coffin placed first. The family would ask if there was something cheaper. The most basic (and poor quality) coffin would then be next to which they’d ask if there was something of better quality. They’d then be shown the highest profit (mid-priced) coffin, which they would accept without hesitation.

***

The session was then concluded with a Q&A. Alan was asked whether readers had ever picked up on errors where Alan was right? He replied that he’d been told that poison ivy didn’t exist but he was able to prove it does. He was then asked if Flavia will ever stop talking? He said that she’s always there and sometimes they’ve disagreed with some of the suggestions, saying, “oh no, you can’t do things like that”.

A member of the audience (who had read his books) said that his family interaction very accurate. Alan explained that he has two sisters, had a most tormented childhood but that both had sadly died before his books comes out, which was a real shame.

When asked whether Flavia will grow up, Alan said that when he started the books she was almost 11, he’s now at the 5th book and almost 12, the timeframe being 1950 to 1951.

When asked a favourite word, Alan said he’d found in a 1896 Encyclopaedia the word “crinkle” which he loved and said isn’t used enough.

Marcia was then asked about the appeal of antagonists, between gruesome and comic, why more are gruesome. She said that readers enjoy thrills and know it’s not going to happen to them.

I then asked Marcia who her favourite character is and whether she had had plans for her characters but they’d refused to let her carry them out. She said she’d had a character who had put his arm around (married) Hannah which Marcia hadn’t expected.

Marcia and Alan were then asked at how titles can hint at the comedy within.

Marcia explained that when she started out, her titles were all going to be from Shakespeare but for her fourth novel she was with new publisher and they overrode her ‘Killing Frost’ which RD Wingfield had used she they didn’t want Marcia’s readers to be confused so it became ‘In Death’s Shadow’.

They were then asked whether translations of humorous crime were successful?

Marcia said that one-liners wouldn’t translate well and Alan explained that a Polish translation of one of his book’s titles was ‘herring’s ear in sour cream’, although added that it was perfect! :)

Like most writing events, the atmosphere was very down-to-earth and friendly, this being added to by microphone issues although when the roaming mic had its batteries replaced the audience cheered!

Part 3 tomorrow with Barry Forshaw and L.C. Tyler, the second panel of six!

Part 1, by the way, was just me last Sunday mentioning I’d been and would type up my notes and blog about them.

***

You can sign up to receive these blog posts daily or weekly so you don’t miss anything… and follow me on Twitter where each new posting is automatically announced. You can also read / download my eBooks and free eShorts at SmashwordsSony Reader StoreBarnes & NobleiTunes BookstoreKobo and Amazon, with more to follow. I have a new forum, friend me on Facebook, like me on Facebook, connect with me on LinkedIn, find me on Tumblr, complete my website’s Contact me page or plain and simple, email me.  I also now have a new blog creation service especially for, but not limited to, writers.

Unfortunately, as I post an interview a day (amongst other things) I can’t review books but I have a feature called ‘Short Story Saturdays’ where I review stories of up to 2,500 words. Alternatively if you have a short story or self-contained novel extract / short chapter (ideally up to 1000 words) that you’d like critiqued and don’t mind me reading it / talking about and critiquing it (I send you the transcription afterwards so you can use the comments or ignore them) :)  on my ‘Bailey’s Writing Tips’ podcast, then do email me. They are fortnightly episodes, usually released on Sundays, interweaving the recordings between the red pen sessions with the hints & tips episodes. I am now also looking for flash fiction (<1000 words) for Flash Fiction Fridays and poetry for Post-weekend Poetry.

 
5 Comments

Posted by on August 26, 2012 in events, novels, writing

 

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5a.m. Flash 150812 – I’m a guest writer on Tom Rizzo’s blog!

Every now and then at 5a.m. (probably posted by my clone) I will be bringing you a newsflash, update on what I’m doing, invited guest piece, or whatever takes my fancy, and today the tables have been turned!

Novelist Tom Rizzo recently invited me to be a guest on his website and my piece on crime writing (the ‘dark’ of my ‘dark and light’) can be found at: http://www.tomrizzo.com/blog/2012/08/14/about-writing-morgen-bailey.

Tom has a new guest each week for his ‘On Writing’ (coincidentally sharing the same name as the most recommended – Stephen King’s – writing guide in my interviews) and so far has welcomed…

If you do take a look, please do leave a comment (or even just click the like button, or both… or share it with your writing friends / followers) – it means the world to us, as the cliche goes… thank you. :)

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You can sign up to receive these blog posts daily or weekly so you don’t miss anything… and follow me on Twitter where each new posting is automatically announced. You can also read / download my eBooks and free eShorts at SmashwordsSony Reader StoreBarnes & NobleiTunes BookstoreKobo and Amazon, with more to follow. I have a new forum, friend me on Facebook, like me on Facebook, connect with me on LinkedIn, find me on Tumblr, complete my website’s Contact me page or plain and simple, email me.  I also now have a new blog creation service especially for, but not limited to, writers.

Unfortunately, as I post an interview a day (amongst other things) I can’t review books but I have a feature called ‘Short Story Saturdays’ where I review stories of up to 2,500 words. Alternatively if you have a short story or self-contained novel extract / short chapter (ideally up to 1000 words) that you’d like critiqued and don’t mind me reading it / talking about and critiquing it (I send you the transcription afterwards so you can use the comments or ignore them) :)  on my ‘Bailey’s Writing Tips’ podcast, then do email me. They are fortnightly episodes, usually released on Sundays, interweaving the recordings between the red pen sessions with the hints & tips episodes. I am now also looking for flash fiction (<1000 words) for Flash Fiction Fridays and poetry for Post-weekend Poetry.

 

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Guest post: ‘Writing Essentials’ by Morgen Bailey

Tonight’s guest blog post, on the topic of some nuts and bolts of writing is brought to you by yours truly, Morgen Bailey – not really a guest, I know, but I had a gap and thought it was about time I contributed. :) It was due to be about writing groups and I’d written a chunk of the post but currently having a sieve-like brain (too many late nights) I left my memory stick at work so I apologise in advance but tonight’s is a post I wrote for Jodine Turner‘s blog back in September 2011 (with a tweak as I’ve done another NaNoWriMo since then). I hope you will still find it useful / interesting* (*delete as appropriate). :)

Writing Essentials

American science-fiction novelist Jerry Pournell is reported to have said “I think it takes about a million words to make a writer. I mean that you’re going to throw away.” I started writing for fun nearly seven years ago and more seriously three years ago and with three NaNoWriMo novels, one and a half in between, part of a script, some poetry and loads of short stories (including four and a bit collections of short stories for NaNo November 2011 – I know, it’s cheating but I still wrote more than 50,000 words in the 30 days) under my belt I’m pretty sure I’ve reached that target. How much of them I’ve thrown away I couldn’t tell you but it’s only a fraction, and if like me, you’ve dabbled before really knuckling down, you’ll feel better for it. It’s all about practice. If someone sat you in front of a piano, would they expect you to play a concerto… would you expect that of yourself?

In my experience too many novice writers worry about finding their ‘voice’ and understanding their ‘craft’ early on. It can be a long journey, perhaps not as long as a million words, but as long as you write regularly (daily is the ideal but when does life afford that luxury?) you’ll get there… and here are a few basics to put in your suitcase:

  • Probably the most used phrase when teaching writing is ‘show don’t tell’. If you have a character who is angry for some reason, saying ‘Andy was angry’ is a classic example of ‘tell’. Simply put, you’re not showing us how. If you wrote ‘Andy slammed his fist onto the table’ you are.
  • Dialogue tags – it’s recommended that you can only go up to six pieces of dialogue (between no more than two people) without attributing it to someone. And there’s nothing wrong with ‘said’. Don’t be tempted to look at your thesaurus and say ‘Andy postulated’. You could also avoid tags by another character saying “Oh Andy, that’s…” or in the description; ‘Andy laughed. “That’s…”
  • Character names are important as we often get a sense of their personality by what they’re called. A Mavis is likely to be older than a Britney and would, usually, act differently. Avoid having names starting with the same letter; if you have a Todd talking to a Ted, the reader can easily get confused. Bill and Ted would be fine and as we know, they had a wonderful time back in the late 1980s.
  • I’m a big fan of repetition… of not doing it. Unless it’s ‘the’, ‘and’ etc, a word should only be repeated if the second instance is to emphasise or clarify the first. For example, ‘Andy sat in the car. He beeped the horn of the car.’ You don’t need ‘of the car’ because we already know he’s in the car. If you said ‘Andy sat in the car. He beeped the horn and the car shook’ that would be fine because you’re clarifying that it’s the car and not the horn (because it’s the last object you mentioned) that’s shaking.
  • Stephen King’s writing guide / autobiography ‘On writing’ has been the most suggested book in the interviews I’ve conducted. Amongst other things he’s notoriously against adverbs (‘ly’) and fair enough in, ‘completely dead’ you wouldn’t need the completely because dead says it all, and a character doesn’t need to be ‘sighing wearily’ because the sighing tells us enough, but adverbs are necessary in the right context. Again it’s all about clarification and fine-tuning.
  • Every word has to count; does it move the story along or tell us about your characters? If not, the chances are it can be chopped.
  • If you’re having trouble with a passage move on or leave it and return later with ‘fresh eyes’.
  • Read. It doesn’t matter whether it’s your genre or not (one of my Monday nighters writes amazing sci-fi but has never read a word of it) but reading will help you see how a story is structured and balanced between dialogue and description; short sentences speed the pace, long passages slow it down.
  • Join a writing group, get your work critiqued. Read your work out loud. It’s amazing what you’ll pick up when you hear it outside your head.
  • Subscribe to writing magazines, go to workshops, literary festivals. If you really want to write immerse yourself in all things literary.
  • Finally there’s the five sense; we have what the characters hear (dialogue), see (description / action) but what do they smell? taste? touch? You’ll likely not get them all in but you could try. :)

There are many more examples I could give you but all you need to remember is that it’s not about clever words (because that ends up becoming ‘purple prose’) but just getting pen to paper or fingers to keyboard and have fun. When your characters take over (and they will) you’ll have the time of your life!

If you’re still raring for tips, you can read my article about writer’s block (which came out today) on Fiona Veich Smith’s ‘Crafty Writer’ website.

Thank you… er, me.

When not at her day job (a sore point – she’s been trying to escape since October!), Morgen Bailey runs a ticking-over nicely (about 150-200 visitors a day) blog which, like her, is consumed by the topic of writing. She shares her house in Northampton, England with an 11-year-old Jack Russell / Cairn cross who is used to her waving her arms about (as she tests how her characters do something) or clapping when she’s written a particularly wonderful line.

Best with deadlines, she loves projects like NaNoWriMo and StoryADay (producing three novels & four and a bit collections of short stories between them) because she’s like a dog with a clichéd bone… give her a challenge and she’ll do her damnedest to get it done… sometimes with just minutes to spare. She’s sold to Woman’s Weekly, given to NAWG for their ‘Link’ magazine and other online establishments. She currently has two $1.49 eBooks (a 31-story anthology and a writer’s block workbook) and free eShorts available via Smashwords.com but once the day job is dust she plans to edit her novels, let her editor rip them apart, then head for Amazon KDP and a bread and water lifestyle that is (often) that of a writer… and she can think of nothing more thrilling. There’s more about her via her ‘Me‘ page… should you have nothing better to do. :) And you can also find her on TwitterFacebook and LinkedIn.

The blog interviews return as normal tomorrow morning with Dale T Phillips – who coincidentally was mentored by Stephen King! – the two hundred and fifty-second of my blog interviews with novelists, poets, short story authors, bloggers, autobiographers and more. A list of interviewees (blogged and scheduled) can be found here. If you like what you read, please do go and investigate further. And I enjoy hearing from readers of my blog; do either leave a comment on the relevant interview (the interviewees love to hear from you too!) and / or email me.

 
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Posted by on January 17, 2012 in ebooks, Facebook, NaNoWriMo, tips, Twitter, writing

 

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