Guest post: Florence Freakout by Lev Raphael

Tonight’s guest blog post, on the topic of public readings is brought to you by multi-genre author and interviewee Lev Raphael.

Florence Freakout

I’ve done hundreds of invited public readings from my books over the last twenty years, but the thrill hasn’t worn off.  Every reading feels new and I’m always a little keyed up.  It’s just like going on-stage, something I still remember from the plays I performed in as a college student.  The excitement is tinged with apprehension: what if it doesn’t go over well?  

But something different happened to me recently in Florence where I was reading from my Gilded Age novel Rosedale in Love. I had a panic attack, my first ever.

I had been invited to an international Edith Wharton conference because my novel retells the story of The House of Mirth from the perspective of its despised Jewish suitor.  Where Wharton makes him a stereotype of the vulgar, money-grubbing Jew, I made him three-dimensional, giving him a life, a family, a history, dreams and inspirations.

The day before my reading, I was in a small bright classroom of the college which was hosting the event, listening to an academic paper, when suddenly the walls seemed to close in on me and I felt dizzy.  It wasn’t the heat; I knew that in my bones.  This was something different.  When the paper ended and the applause started, I slipped out and hurriedly got a cab back to my hotel across the Arno.  In the cab, even though I was headed towards the quieter, less crowded part of the city (the Oltrarno), I started hyperventilating. I managed to keep my head enough to speak my travel Italian and get my receipt at the end of the short ride (Ho bisogno di una ricevuto).

Upstairs in my room, I took a bath to calm myself down, and a Valium, which I’d brought because I’d had to leave a very sick dog behind me at home in Michigan, a dog just diagnosed with cancer.  He wasn’t in danger of imminent death, but his life expectancy had just been shortened by years, and our family was in a state of shock.

 When I calmed down, I tried to figure out what was going on, and the answers came quickly.  Though I’d done readings in London, Glasgow, Paris, Vienna, and in twenty German cities and towns, I’ve never been alone abroad doing a reading.  On my tours, I’d either been with my spouse or had a host, sometimes more than one.  I’d also never read from my work at an academic conference, which is odd since I’d read at universities and colleges–not to mention book fairs, museums, libraries, synagogues and churches. 

Luckily the panic didn’t hit right before the reading.  It happened twenty-four hours beforehand.  I had plenty of time to calm down, sight-see, eat a splendid bistro dinner, sleep well, wake up to the Florentine sunshine the next day and have breakfast on the hotel terrace where one wall was covered in jasmine.  The beauty of the city worked on me like a massage, and as I spent the day preparing, I understood my panic even better: the stakes were higher than usual in some ways.  I was in effect a second keynote speaker, which definitely made the situation different from a typical reading for me.

More importantly, as a reader, I didn’t have the advantage I’d recently had on tour of reading a passage from a book I’d read many times before. Touring Germany, Canada and the U.S. from 2009 through 2012 to talk about my memoir / travelogue My Germany, I consistently read the Prologue.  It was short enough; had a clear beginning, middle and end; and people found it dramatic.  Sticking with the same text meant that I knew it very well in English, and could maintain lots of eye contact with my audience (and even improvise a little).  Readings are performances, and that one was different every time because I did so many of them and the energy was always different in each venue.

But in Florence I had a brand new play, in effect, and this was my opening night.  Even the setting was unique: the tiny Gothic Church of San Jacobo, the oldest venue I’d ever spoken in over the course of twenty years of readings.  It was a bit overwhelming to be surrounded by so much history everywhere I turned.  I was even trying something new for me: reading the text from my iPad.

So how did it go?  About half of the conferees came, which was surprising to me on a lovely evening in Florence.  And I’m happy to say that when it was done, one of the conference organizers came up to me and said, “That was perfect.”  You can’t ask for more than that, except perhaps a great meal afterward, which is what the conference had arranged a few blocks away at a gorgeous trendy restaurant.  I still had another full day in Florence before heading to Rome, and that next day I kept things quiet: visits to two beautiful but nearly-empty churches not far from my hotel, a siesta after lunch, and a dinner two blocks away.  I was my own host, making sure that I was comfortable. It was another new role for me abroad.  I liked it.

I’d like it too, although having only done local mic nights I can fully understand your trepidation. Thank you, Lev!

Lev Raphael is the author of twenty-two books that have been translated into nearly a dozen languages.

He’s been a radio talk show host, a newspaper columnist, and an academic. Widely anthologized in the U.S. and England, he’s done hundreds of talks and readings from his work on three continents.

His writing is taught at colleges and universities across North America, which means he’s become homework.  He grew up in New York, but got over it and has made Michigan his home for more than half his life.

You can watch the trailer for his latest novel ‘Rosedale in Love’ here.


If you would like to write a writing-related guest post for my blog then feel free to email me with an outline of what you would like to write about. If it’s writing-related then it’s highly likely I’d email back and say “yes please”.

The blog interviews return as normal tomorrow morning with novelist and short story author Guy Mankowski – the four hundred and forty-eighth of my blog interviews with novelists, poets, short story authors, bloggers, autobiographers and more. A list of interviewees (blogged and scheduled) can be found here. If you like what you read, please do go and investigate further. And I enjoy hearing from readers of my blog; do either leave a comment on the relevant interview (the interviewees love to hear from you too!) and / or email me.

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Unfortunately, as I post an interview a day (amongst other things) I can’t review books but I have a feature called ‘Short Story Saturdays’ where I review stories of up to 2,500 words. Alternatively if you have a short story or self-contained novel extract / short chapter (ideally up to 1000 words) that you’d like critiqued and don’t mind me reading it / talking about and critiquing it (I send you the transcription afterwards so you can use the comments or ignore them) 🙂 on my ‘Bailey’s Writing Tips’ podcast, then do email me. They are weekly episodes, usually released Monday mornings UK time, interweaving the recordings between the red pen sessions with the hints & tips episodes. I am now also looking for flash fiction (<1000 words) for Flash Fiction Fridays and poetry for Post-weekend Poetry.

12 thoughts on “Guest post: Florence Freakout by Lev Raphael

  1. Terry Odell says:

    I hate doing readings. Probably a lot of this is caused by my wandering mind when I go to readings. I get too distracted–something the reader says triggers another thought, and I’m lost. Same with television, but I can rewind. Haven’t done audio books, but I think the same thing would happen. But if someone asks me to read, I normally fudge and read my “job interviews” with my book characters. I’ve got a library program in a week, and I’m hoping nobody wants me to read from one of my books.

    (I’m reading Rosedale in Love at the moment, by the way. It lends itself to reading aloud much better than reading any of my stuff.)



    • morgenbailey says:

      I’ve yet to meet an author who thinks their work is perfect but I love hearing an author read their writing. I enjoy recording my podcast and know my traditional English accent is popular in the U.S. so just do the best I can and people keep subscribing so it can’t be all bad. 🙂 If people turn out to see you, Terry, I’m sure they’d love to hear your extracts.


    • Lev Raphael says:

      I don’t think authors should read their work if it makes them uncomfortable. I’ve seen many authors in that category who do a much better job chatting about the book and taking questions.


      • Lev Raphael says:

        Terry, take even better control of the event. Don’t explain, just tell people you’re happy to be there to chat about your book and take questions. No need to say that you don’t like doing readings–go from your strengths.


      • Terry Odell says:

        Oh, I don’t tell the audience … they shouldn’t really know (unless they read the blog post I did about author events). But I’ve already told the librarian in charge of the program that I prefer talking about writing and my books in general rather than reading from one. Then again, it’s doubtful there will be more than a dozen people at the event (unless the other author I’m appearing with has a huge following).


  2. Lev Raphael says:

    Here I am in 2015, I don’t know how many readings and talks later, with a brand-new experience on my writer’s resumé: I just spoke to 1,000+ book lovers at the Detroit Metro Authors Luncheon. I practiced hard and the audience response showed it was worthwhile.


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