12 Writing Tips to Get you Started

courtesy of https://shortstops.info/2018/09/08/12-writing-tips-to-get-you-started:

As Anne Frank poignantly wrote: “I can shake off everything as I write; my sorrows disappear, my courage is reborn.” Writing can be an incredible outlet, but sometimes there are stumbling blocks along the way.

Which is why the team at READ Foundation has put together a list of 12 Writing Tips to Get You Started.

Children writing in a classroom

READ is an education charity which builds schools and enables children from poverty-stricken backgrounds to access schooling. We’re currently running a writing competition (closed for 2018, will reopen this year) for short stories, poems and personal essays which will inspire children in their educational path. Scroll down for more details on how to enter.

The charity has gathered the best tips from well-known writers, blogs and the wider web to help writers in their pursuit of the perfect prose.

  1. Write from the heart. A book without a pulse is like a person without a spirit. – Linda F Rad
  2. We love the tips in this Guardian article on the Top 10 Writers’ Tips on Writing. Particularly this one from Katherine Mansfield: “Looking back I imagine I was always writing. Twaddle it was too. But better far write twaddle or anything, anything, than nothing at all.”
  3. Enter competitions, send off examples to agents, read up on literacy festivals to attend, join writing clubs either locally or online – research as many places as you can which can help you on your writing journey, whether the aim is to get published, receive feedback, or simply learn more about the writing process from the people who do it professionally.
  4. Write on a computer which is disconnected from the internet (after you’ve finished reading this blog, obviously). It’s a distraction you can do without.
  5. The “show don’t tell” mentality is well-known for a good reason: it’s true. As fiction author Anton Chekhov put it: “Don’t tell me the moon is shining; show me the glint of light on broken glass.”
  6. Oxford Dictionaries has some excellent general advice on better writing, whether it’s a letter, speech, email or something more creative. We like the tip “guide readers through what you write”. The advice is to “help readers understand your message quickly and precisely. To do this, it is necessary to show them clearly how the different parts relate to each other.”
  7. How about a writing tip from a Nobel winning author? Alice Munro, who was given the Nobel for Literature in 2013, has spent most of her writing life focussing on short stories. She said: “Usually I have a lot of acquaintance with the story before I start writing it….stories would just be working in my head for so long that when I started to write I was deep into them.”
  8. Proofread proofread proofread. It’s relly obviously when a sentennce has speling errors in it. If you’re entering a writing competition, judges may penalise you for the errors and it could mean the difference between winning or losing a contest.
  9. Write, even when you don’t feel like it. Get into the habit of writing on a regular basis. If you can commit to writing for a certain amount of time each day, for 30 days, it’ll soon become second nature. About 30-40 days is all you need to make a new habit stick.
  10. Recognise it’s not just your characters that are human – you are too! So if you have periods of struggle, you’re not alone. Don’t be too hard on yourself.
  11. Don’t wait for the perfect moment. Julie Duffy, founder of Story a Day, says “Don’t wait to write until you’re older/wiser/invited to the party. Don’t wait until you have something ‘important’ to say.” Other experts have revealed their best writing tips for beginners.
  12. Enjoy the process! It’s a journey you’ll be proud you’ve taken. Good luck!

Author Spotlight no.89 – Fran Metzman

Complementing my daily blog interviews, today’s Author Spotlight, the eighty-ninth, is of short story author Fran Metzman.

Fran Metzman, author, had a short story collection published, February 1, 2012 (Wilderness House Press) and was nominated for a Dzanc Books award, “Best of the Web” 2009. In addition to invitations to speak on panels of various writing conferences (such as; Philadelphia Stories and Marymount Manhattan College), she has given workshops at various universities such as Temple University, Bryn Mawr College, Penn State, and many others. Also, she presently teaches creative writing/memoir workshops at Temple University’s Adult School. At Rosemont College, she taught publishing skills to grad students. As a fiction editor for two literary journals, Schuylkill Valley Journal and The Wild River Review, she selects and edits the submissions. In addition, she writes articles for http://wildriverreview.com/metzman entitled, “The Age of Reasonable Doubt” which deals with mature dating/relationships and aspects of society that influences all relationships (sometimes tongue in cheek).  

And now from the author herself – I asked her what inspires her, what she likes to read, how food influences her writing and what advice could she give aspiring authors…

I’m inspired to write because I want to make sense of the chaos I find in the world. What makes people behave the way they do? I have always been fascinated with the motivation behind behavior — especially with actions that go to the edge. Writing, for me, is also a way to heal old wounds — sometimes present ones. Most often I do it with fiction which helps me distance myself if I’m extracting a tad from real events or from a trauma I’ve experienced. I can take a nugget of reality and fictionalize it. Some of these tidbits from the real world can instigate an entire story and it can come from someone else’s experiences as well. To be a fiction writer one has to listen carefully to the undercurrents of what people say. It is just as important to observe the behavior as well as listening to the words. It is hard for a person to be objective about one’s own inner world. I happen to think that is how most writers invent stories even if they say they are totally disconnected from the story.

Favorite authors and books – here’s just a smattering of novels: All of Alice Munro, Joyce Carol Oates, I’ll Take You There, Jonathan Franzen, Freedom, Anne Tyler, Saint Maybe, Alice Hoffman, The Ice Queen, Jane Smiley, A Thousand Acres, and books of that order. I love literary works as well as high quality commercial. I look for psychological drama as well as insights about life. I want to know how the protagonist got through hurdles and obstacles to remain standing tall at the end. What did they learn about themselves that could help me in my life?

There are nuggets of reality that are then totally fictionalized. This helps lessen the ache of a painful piece of memory. In the end, what I write is totally fiction. It doesn’t even have to be from my bank of experiences. It could have happened to a friend or acquaintance or even a total stranger. But it has to be something that resonates with me. For instance, one of the stories is about a woman who lived in an attic, spying on her ex-husband and his new wife who was the cause of the divorce. I never lived in an attic nor was divorced. The story emanated from a friend who had been stalked in a unique way by her ex-boyfriend. I found it so fascinating that it inspired an entire story — of course with many, many edits.

Having food intersect life is something that I experienced. My mother was a truly fabulous cook, but not eating every morsel could incite her to anger or bring her to tears. I had to eat everything on my plate. Once I sat for hours because I didn’t want to eat something she cooked. Dieting in my house was a no-no big time. That was the nugget that developed into a story, Getting Closer. Of course, none of the actions in the story happened in real life. But that is how a seed of a story might be born and raised and become a fiction.

The advice I’d give to emerging writers is work on fictional structure. It is vital you have a working knowledge of how fiction is made seamless when read. Read how-to books, take workshops and then write until you drop. After you have that under your belt you can experiment all you want. My impression is that it is 30% talent and 70% work. Once the work is created than you must edit endlessly. It’s in the editing that the story takes on a life of its own. All the while, observe, listen to conversations, watch body language and the way people look and talk. Rent or go to movies, and theater (dramas in particular). Listen to the dialogue and the interaction between people.

I’m hoping to get my trilogy published so I do appreciate your advice.

Getting published is difficult. I suggest a new author learn the short story form for within that realm you must make every word count. Then, once you feel you have learned that form adequately and have gone over and over the story with a fine tooth comb send it out to journals that are interested in your genre. For instance, if you write mystery, sci-fi, literary, psychological, commercial, romance or any other genre, make sure you send your work to a journal that is seeking your style. Don’t get too uptight about rejections. It’s part of the process, so keep sending and writing. Write as much as you possibly can for that keeps up a level of creativity. When I don’t write for a period of time I find it hard to get back. Block out the time whether it’s every day, 3 times a week or even once a week. Keep up a pattern and make it as often as possible. It also keeps the connections to your unconscious open.

Thank you, Fran. You can find Fran’s site at http://FranMetzman.comAnd some of the reviews of her writing:

Fran Metzman’s short stories are a feast, dig in and devour them quickly. Story after story, they will tease your palate, fill you with emotion, and keep you longing for more. Each character comes alive. This is a beautifully written book. — Gloria Mindock, Cervena Barva Press

In Fran Metzman’s collection THE HUNGRY HEART we meet mothers and daughters, lovers, career women, wives and husbands, and feel that we know them all. — Joy E. Stocke, founder & editor-in-chief of Wild River Review and author of a memoir, Anatolian Days & Nights

THE HUNGRY HEART” is an apt and striking title because it reveals what centers this short story collection – the need for the heart to find sustenance and the gathering at a meal, which is so often the intersection of our lives. Metzman is a deft storyteller who gets into her characters to reveal them and tell us something about the world we live in. — Peter Krok, author of Looking for an Eye

Wilderness House Press: available Amazon.com, B&N and all fine bookstores, or orders can be taken via Fran’s website http://FranMetzman.com.

The blog interviews will return as normal tomorrow with YA author Edward R Yatscoff – the three hundred and eighty-sixth of my blog interviews with novelists, poets, short story authors, biographers, agents, publishers and more. A list of interviewees (blogged and scheduled) can be found here. If you like what you read, please do go and investigate further. And I enjoy hearing from readers of my blog; do either leave a comment on the relevant interview (the interviewees love to hear from you too!) and / or email me.

You can sign up to receive these blog posts daily or weekly so you don’t miss anything… and follow me on Twitter where each new posting is automatically announced. You can also read / download my eBooks and free eShorts at SmashwordsSony Reader StoreBarnes & NobleiTunes BookstoreKobo and Amazon, with more to follow. I have a new forum and you can follow me on Twitter, friend me on Facebook, like me on Facebook, connect with me on LinkedIn, find me on Tumblr, complete my website’s Contact me page or plain and simple, email me.  I also now have a new blog creation service especially for, but not limited to, writers.

Unfortunately, as I post an interview a day (amongst other things) I can’t review books but I have a feature called ‘Short Story Saturdays’ where I review stories of up to 2,500 words. Alternatively if you have a short story or self-contained novel extract / short chapter (ideally up to 1000 words) that you’d like critiqued and don’t mind me reading it / talking about and critiquing it (I send you the transcription afterwards so you can use the comments or ignore them) 🙂 on my ‘Bailey’s Writing Tips’ podcast, then do email me. They are weekly episodes, usually released Monday mornings UK time, interweaving the recordings between the red pen sessions with the hints & tips episodes. I am now also looking for flash fiction (<1000 words) for Flash Fiction Fridays and poetry for Post-weekend Poetry.